The WSJ looks at artist Cornelia Parker’s Transitional Object (PsychoBarn) installation on the roof of The Met, a careful re-creation of the house from the Hitchcock classic Psycho, built from materials harvested from a barn upstate.  “It’s two objects together. One is a fictional object, which is the ‘Psycho’ house, and the other is a real thing, which is the barn,” Parker says. “It’s all fake but all real at the same time.”

Read more at WSJ

This entry was posted on Friday, April 15th, 2016 at 10:48 am and is filed under Art News, Minipost, News. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.