An article in the New York Times looks at the landscape of African Modern and Contemporary art, and asks if the recent market popularity might indicate a certain type of “gentrification” in its consumption and production.  

Read more at NYT

This entry was posted on Tuesday, May 23rd, 2017 at 6:45 pm and is filed under Art News, Minipost, News. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.