‪‬In anticipation of Damien Hirst’s upcoming Tate retrospective next month, writer Hari Krunzu lobs invectives at the artist in an editorial in the Guardian: “This isn’t just art that exists in the market, or is ‘about’ the market. This is art that is the market – a series of gestures that are made wholly or primarily to capture and embody financial value,” “Don’t just make money, be money: weightless, ubiquitous, infinitely circulating, immortal.” [AO Newslink]
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