In “I was Jeff Koons’s Studio Serf” John Powers talks about his time working for Jeff Koons on the Celebration Series, as a studio assistant in 1995, casting light on the system behind production top works of contemporary art at auction. “The goal was to hand-fashion a flat, seamless surface that appeared to have been manufactured by machine, which meant there could be no visible brush strokes, no blending, no mistakes.”
Read the article via the New York Times
