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Newslinks for Tuesday, June 2, 2009

Tuesday, June 2nd, 2009


Anish Kapoor’s ‘Shooting into the Corner’ via The Independent

Britain’s Royal Academy opens its galleries in September to Anish Kapoor for the first single artist exhibition there since 1988 [Independent] and Kapoor’s commission for the Deutsche Guggenheim, ‘Memory,’ opens in October [Guggenheim]


Gilbert and George in Hong Kong via Financial Times

Gilbert and George describe their trip to Hong Kong for the opening of ‘Louis Vuitton: A Passion For Creation’ at the Hong Kong Museum of Art [Financial Times]
Oreg0n art dealer indicted for running gallery as a Ponzi scheme [Artinfo]


Glenn Brown’s ‘Christina of Denmark’ via Art in America

Lynn MacRitchie visits painter Glenn Brown’s studio [Art in America]
Predictions about the future of auction houses following the burst of the art market bubble
[CNBC via Art Market Monitor]


Aerial view of Governors Island via Governors Island

Creative Time announces Plot, a public art quadrennial, to take place on Governors Island this summer, with 19 international artists showing in 5 buildings previously closed to the public [Creative Time]


Pablo Picasso’s ‘Homme à l’épée’ via Philippe Sollers estimated to sell for £5-7 million at Christie’s Impressionist and Modern Art Sale later this month

Christie’s announces its Impressionist and Modern Art Sale, with important works by Monet, Duchamp, and Picasso as highlights [Auction Publicity] and in other auction news, Latin American sales follow the downward trend [Artinfo]


Terence Koh and Tom Sachs celebrate the release of Koh’s new book at Julian Schnabel’s house via Style

Vito Schnabel holds a dinner party at Palazzo Chupi in honor of Terence Koh’s new book, ‘Flowers for Baudelaire’ [Style]
Eric Fischl is organizing a touring exhibition aimed at involving artists in the evolution of American identity in the wake of post-9/11 politics [LA Times]


Takashi Murakami signing posters for the Vogue Nippon launch via Hint

Comme des Garçons x Vogue Nippon concept shop opens, featuring Takashi Murakami collaborations [Hint]
Controversial modern museum, the Ara Pacis, in the heart of historical Rome, is vandalized [BBC]


Jenny Holzer’s ‘Monument’ via Economist

Daniel Arizona looks at how Jenny Holzer’s early aphorisms stand up now and how her new ‘Redaction Paintings’ capture today’s anxiety [Economist]
Antony Gormley and Sir Peter Blake among judges of Saatchi Gallery-Sunday Telegraph Art Prize for schoolchildren [TelegraphUK]

Magritte Museum opens today in Brussels with largest collection of the artist’s work

Tuesday, June 2nd, 2009


King Albert II and Queen Paola of Belgium looking at René Magritte’s ‘Black Magic’ at the inauguration of the Magritte Museum in Brussels via Artdaily

A museum dedicated to Belgian Surrealist artist René Margritte opens today in Brussels. The Magritte Museum houses the world’s largest Magritte collection, with two hundred and fifty artworks as well as archival material, and is the product of a partnership between the Royal Museums of Fine Arts of Belgium, the Magritte Foundation, the Belgian Régie des Bâtiments, the Belgian Federal Science Policy Administration, and the GDF SUEZ Group. Following in the footsteps of other recently built single artist museums, such as the Van Gogh Museum in Amsterdam or the Zentrum Paul Klee at Berne, the Magritte Museum is intended as a research center for the life and work of the artist.

René Magritte Museum
Who said there weren’t any famous Belgians? Two museums honour country’s most celebrated sons [GuardianUK]
New Magritte Museum Houses the Largest Collection of Magritte Works in the World [Artdaily]
Magritte Museum Opens as Surreal House, Tintin Gets Spaceship [Bloomberg]

Newslinks for Saturday, May 23rd, 2009

Saturday, May 23rd, 2009


Ben Lewis BBC reporter for ‘The Great Contemporary Art Bubble’ via The Age

A video player of the BBC documentary: ‘The Great Contemporary Art Bubble’ which, though scathing, gained extraordinary access to collectors such as Adam Lindemann, Aby Rosen and the Mugrabi’s.  Of note is that the documentary filmmaker Ben Lewis actually admits to being the source that leaked White Cube’s unsold inventory prior to the famous Damien Hirst Sotheby’s Auction of 2008 [BBC]


The Guggenheim Museum via Guggenheim.org

The Guggenheim Museum celebrates its 50th anniversary with an exhibition on Frank Lloyd Wright [NYTimes]
The Wall Street Journal calls a possible art price floor based on NY Spring auction activity being the “smallest in 5 years”
[Wall Street Journal]
A lawsuit is filed against Christie’s over $3.2 million accepted bid alledgedly made after another accepted phone bid
[Bloomberg]
On the austere outlook for recent art school graduates
[Financial Times]

Supermarkets censor Manic Street Preachers album cover by Jenny Saville [BBC]
On Art in America owner Peter Brandt’s new exhibition space / festivities at his Greenwich estate [Art Forum]


A digital rendering of Karl Haendel’s ‘Scribble’ on 441 Broadway via NY Times

Art Production Fund sponsors a by-hand, massive “scribble” (on wall once used by Banksy) on Howard Street in Soho, New York [NY Times]
An article on the effect at auction of the duration of artists’ careers as well as how prolific they are [NYMag]
The Museum of Contemporary Art in LA cuts four exhibitions and 17 more jobs [LATimes]
The Fine Art Fund Group sets up to bid on 2 corporate art collections worth up to $65 million and holding works by Picasso and Cindy Sherman
[Financial Times]


Maria Baibakova via WWD

24-year old Russian Heiress Maria Baibakova is launching new contemporary shows in Moscow [WWD]
The Obama family redecorates the White House with works by Jasper Johns,Richard Diebenkorn, Jasper Johns and Robert Rauschenberg
[Wall Street Journal]


Deitch Projects director Nicola Vassell in her Soho loft via NYMag

On the salon-like atmosphere at Deitch Projects director Nicola Vassell’s Soho, New York apartment [NYMag]
Steve McQueen has lunch with the FT, speaks on his film ‘Hunger’ and the Venice Biennial [Financial Times]


The Museum Brandhorst in Munich via Cubeme.com

Munich’s Brandhorst Museum opens, housing works by Joseph Beuys, Bruce Nauman, Damien Hirst and Gerhard Richter [The Art Newspaper]


A trip photo by Rita Ackermann in Marfa via Blackbook

Rita Ackermann documents her artist in residence in Marfa, home of Donald Judd’s Chianti Foundation [BlackBook]


101 Spring Street, the former home and studio of artist Donald Judd in Soho, New York

In related, the Judd Foundation will restore 101 Spring Street, a cast iron building that was the home and studio of artist Donald Judd. [ArtDaily]


The artist Dash Snow in his Bowery Studio via the Fashionisto

Artist Dash Snow profiled in Muse Magazine [Muse]
Nearly 11,000 people have applied to be part of Antony Gormley’s interactive sculpture on London’s Fourth Plinth, to run from July to October
[Independent]
‘Sold Out,’ the original title for ‘The Warhol Effect,’ the Tate Modern’s autumn show featuring Hirst, Koons and Haring , was rumored to have been vetoed by one of the artists due to its double meaning
[GuardianUK]
Damien Hirst is the Art Curator for ‘Boogie Woogie,’ a new fictional film on the inside of the art world [TimesUK]
And Hirst opens a show of his work in Prague
[RadioPrague]


The Torment of Saint Anthony, reportedly by Michelangelo

The Kimbell Art Museum in Fort Worth, Texas purchases what it believes to be Michelangelo’s first painting, which he completed when he was 12 or 13 years old [DallasNews]
The Hermitage and the State Russian Museum are accused of tax evasion by the Federal Tax Police [The St. Petersburg Times] via ArtinAmerica


The Art Institute of Chicago’s Modern Wing via ArtInfo

The 264,000 square foot Renzo Piano designed Modern Wing of The Art Institute of Chicago opens, making the museum the second largest in the US [ChicagoTribune]
A £3 million, 2-ton Henry Moore sculpture stolen in 2005 was most likely melted down and sold for £1,500 worth of scrap metal
[GuardianUK]
President Sarkozy will attend the groundbreaking ceremony for the controversial Louvre in Abu Dhabi
[ArtNewspaper]


Richard Prince’s ‘After Dark’ Tapestry on the Hong Kong Museum of Art via Wallpaper

Richard Prince covers the Hong Kong Museum of Art in pulp-fiction novel covers to commemorate the exhibition “Louis Vuitton : A Passion for Creation” [ArtDaily]
In related, with a 31%
attendance increase and strong sales, the 2nd Hong Kong International Art Fair is deemed a success [HongKongArtFair]


The New home of Hauser and Wirth New York at 32 East 69th Street via ArtInfo

Gallerist David Zwirner will open a new gallery in Shigeru Ban’s Metal Shutter House on West 19th Street and, uptown, Hauser & Wirth New York (following last month’s debut of Swallow Street, its London exhibition space for emerging artists) will open an Annabelle Selldorf-designed space in the building that was formerly occupied by Zwirner and Wirth on 32 East 69th Street [ArtReview]
The Albion Gallery in London closes in bankruptcy
[Artinfo]
Roughly 25 out of 388 galleries in Chelsea have closed but at least 10 new galleries have opened, with more are on the way [Crain’s]

GO SEE: BEATRIZ MILHAZES AT FOUNDATION CARTIER POUR L’ART CONTEMPORAIN IN PARIS THROUGH JUNE 21ST, 2009

Sunday, May 17th, 2009

Beatriz Milhanes at Fondation Cartier via WSJ

For her exhibition at the Fondation Cartier, Brazilian born artist Beatriz Milhanes presents a focused selection of large format acrylic paintings, chosen from her work of the past decade, as well as a monumental collage created especially for the show.  She was also commissioned to produce a monumental installation of the building’s glass facades.  Beatriz Milhanes emerged on the Brazilian art scene in the mid-1980s.  Her vibrant and colorful paintings intertwine colonial baroque, high modernism, and popular Brazilian art.  Her bold and bright installations play with natural light to compliment the architecture of Jean Nouvel and the surrounding garden.

Beatriz Milhanes, Fondation Cartier pour l’art contemporain April 4th-June 21st [ArtSlant]
Beatriz Milhanes, Fondation Cartier
[Artnews]
Events, Paris, Beatriz Milhanes
[Abitare]
Pop Goes Paris
[WSJ]

(more…)

Eva Rothschild to create 200-foot-long sculpture for Tate Britain

Wednesday, May 13th, 2009


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‘Mass mind (steel version) by Eva Rothschild via Artdaily

Irish artist Eva Rothschild will create a sculpture for the Tate Britain Duveens Commission 2009.  The planned single work will span the whole of the Duveen Galleries, over 200 feet long. Speaking of the commission, Rothschild said, “I’m hoping to create something that will agitate the architecture of the Duveens Galleries, tangling with your perception of the space.” The neo-classical galleries will provide an engaging background for the artist, whose works are typicaly geometric, light, and spare.  Last year’s Duveens Commission was Martin Creed’s ‘Work No. 850,’ where runners ran as fast as they could through the galleries every thirty seconds. Rothschild’s work will be on view at Tate Britain June 29 – November 29, 2009.

Tate Britain Duveens Commission: Eva Rothschild [Tate]
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Tate Britain to get 200ft mega-sculpture [Telegraph]
–>
Artist Eva Rothschild takes on annual Tate display [Reuters]

Edible Arrangements Unveils Italy Expansion Plans.

Food & Beverage Close-Up February 27, 2012 Edible Arrangements, a company involved in hand-sculpted, fresh-fruit arrangements, announced that Dr. Fausto Petruzziello, MD, has secured the rights to develop Edible Arrangements stores throughout Italy. go to website edible arrangements coupon code

According to a release, Petruzziello plans on opening the first Edible Arrangements location outside of Rome in Varese (Milan area) within two months and at least 30 stores over the next five years. All of the locations will carry the Edible To Go extended product line that includes fruit sundaes, smoothies, parfaits, and natural, fresh-squeezed fruit beverages.

A native of Italy, Petruzziello’s team has already opened three Edible Arrangements stores in Rome with a fourth ready to open its doors in the next few days. When not overseas managing the business, he is a full-time physician in the New Haven, Connecticut area, an assistant professor of Medicine at Yale University, and heads a professional, skilled and dedicated corporate management team operating in both Italy and the United States.

“Edible Arrangements has been greatly received in Rome, even in these hard economic times, and we are thrilled to be opening in the Milan area, the country’s business capital, and other regions across Italy,” said Petruzziello. “Upon first learning about the beautifully designed, fresh fruit arrangements I knew the business could easily be adapted to Italian culture, tastes and holidays. We look forward to expanding the brand so that more communities across Italy can enjoy a healthier, unique alternative to traditional gifts.” Earlier this month, Edible Arrangements launched a 2012 aggressive development strategy to sign 185 new franchise agreements and open 125 total new stores, including 18 international units. web site edible arrangements coupon code

“We admire the incredible contributions Fausto has made to the Edible Arrangements brand in just two years of operation and could not be more excited for his continued expansion in Italy,” said Kamran Farid, Co-Founder and Chief Operating Officer, Edible Arrangements, Inc. “Constant business flow from foot traffic and a love for fresh fruit, combined with Fausto’s passion for our products and business acumen, have made Edible Arrangements incredibly successful in Rome.” ((Comments on this story may be sent to newsdesk@closeupmedia.com))

AO Auction Results: Sotheby’s New York Post-War and Contemporary Art Evening Sale Posts Anemic Results

Wednesday, May 13th, 2009


Martin Kippenberger’s ‘Untitled’ via Sotheby’s sold for $4.1 million, falling within estimates of $3.5-4.5 million and setting a new record at auction for the artist.

Sotheby’s Post-War and Contemporary Art Evening Sale resulted in another disappointment for the beleaguered auction house following last week’s thin Impressionist and Modern Art sales. Total sales were estimated at $51.8-72.4 million for 49 lots, but the total came up short at $47 million, with 9 lots failing to sell. However, the auction is not viewed as disastrous, considering Sotheby’s put very little money up front, and the star of the show, a Jeff Koons sculpture from his ‘Celebration’ series, did manage to sell, unlike at last week’s auction.  However, ‘Baroque Egg With Bow (Turquoise/Magenta)’ fell short of its $6 million low-estimate, selling for $5.4 million to Larry Gagosian.  The piece was put up by hedge fund manager Daniel S. Loeb, who originally bought it from Gagosian in 2004 for what is believed to be around $3 million.

While the dollar amounts were nothing compared to a year ago, the auction did sell 81.2% of its lots, with 78.1% of total value realized. Still, the auction comes on the heels of Sotheby’s 1st quarterly earnings report, posting a loss of $66.7 million with the market looking tepid for some time to come.

Sotheby’s Sale Fails to Meet Low Expectations [WSJ]
In ‘a Recalibrated Market,’ Auction Buyers Take Over [NY Times]
Bidders respond to lower prices for contemporary art [Reuters]
Sotheby’s Contemporary Sale Solid but Subdued
[ArtInfo]
Loeb Sells Koons Egg for $5.5 Million at Sotheby’s in New York [Bloomberg]
Sotheby’s Tax Benefit Offsets Average Daily Loss of $1 Million [Bloomberg]
Sotheby’s shares tumble after weak auction [Crain’sNewYork]
(more…)

Go See: Gerhard Richter's Portraits at the National Portrait Gallery in London through May 31st 2009

Tuesday, May 12th, 2009

Lesende (1994) by Gerhard Richter, via The National Portrait Gallery

Gerhard Richter Portraits currently at the National Gallery in London is the first major exhibition devoted to one of the greatest living painters. The selection of works date from the 1960s to the present including important early black and white paintings made by looking at magazine photographs, private snapshots, and a special installation of his renowned series 48 Portraits featuring images of modern culture heroes such as Wilde, Mann, Kafka, and Stravinsky.

RELATED LINKS
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Exhibition Page[National Portrait Gallery]
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Murdered Aunt, Ghostly Nude Star in Gerhard Richter Exhibit [Bloomberg]
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Photos and Fantasy: Gerhard Richter’s Portraits
[The Independent]
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Groundbreaking Exhibition of Portraits by Gerhard Richter opens at the National Portrait Gallery UK [Artdaily]
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The Painted Illusions of Gerhard Richter [The Guardian]
–>
Faces from an Abstract Life [FT]
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(more…)

Takashi Murakami releases preview of ‘Superflat First Love’ for Louis Vuitton

Sunday, May 10th, 2009

–>–>–>
Preview of Takashi Murakami’s animated short ‘Superflat First Love’ for Louis Vuitton via Hypebeast

In 2003, Japanese artist Takashi Murakami and Marc Jacob collaborated on a new multicolor monogram for Louis Vuitton, resulting in a runaway hit.  Murakami made an animated short for the line, ‘Superflat Monogram.’ In the fall of 2007, ‘©Murakami’ opened at LAMOCA, complete with a Louis Vuitton store in the museum, to the ire of museum purists. The show later traveled to the Brooklyn Museum. Murakami has partnered with Louis Vuitton for a new line, called ‘Multicolore Spring Palette,’ and made a new video for this line, too, titled ‘Superflat First Love.’ The five-minute video is currently available in Japan as a mobile download, but a preview has been uploaded to YouTube and can be seen above.


View of the Louis Vuitton store in Omotesando, Japan via aarting

Louis Vuitton Animation – SUPERFLAT FIRST LOVE Premiering Soon!! [Kaikai Kiki]
Superflat First Love – Takashi Murakami For Louis Vuitton [High Snobiety]
Takashi Murakami | Superflat First Love [Hypebeast]
Louis Vuitton Superflat First Love – Takashi Murakami [Weekly Drop]
LOUIS VUITTON x TAKASHI MURAKAMI “MULTICOLOR SPRING PALLET” STORE DESIGN [aarting]
Greater Tokyo [Hint Mag]

(more…)

Go See: Wassily Kandinsky at the Centre Georges Pompidou, Paris through August 10th, 2009

Monday, May 4th, 2009

Kandinsky’s “First Abstract Watercolor 1910” via abcgallery

After showing at Munich’s Städtische galerie im Lembachhaus and before moving to New York’s Guggenheim Museum (autumn 2009) the international retrospective of Wassily Kandinsky will spend the spring and summer months at the Centre Georges Pompidou in Paris (8 April – 10 August 2009).  The exhibition, showcasing some hundred of Kandinsky’s paintings, will offer a comprehensive chronological survey of the Russian Artist’s contribution to modern art while investigating his formal and conceptual offerings to the course of 20th century abstraction.  Kandinsky is noted for striving to give painting the freedom from nature he felt in music.

Pompidou Offers Comprehensive Overview of the Work of Russian Artist Wassily Kandinsky [Art Daily]       
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“Kandinsky” at Centre Georges-Pompidou, April 8–August 10, 2009
[ArtInfo]
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Kandinsky’s Squiggles, Amoeba Delight in Paris Show: Review [Bloomberg]                                                                    
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Landmark Kandinsky Retrospective Planned for Guggenheim Museum’s 50th
[Guggenheim]

(more…)

Go See: Marnie Weber ‘The Bondage of Decay’ at Marc Jancou Contemporary, New York, through June 6, 2009

Monday, April 27th, 2009

Marble Statue by Marnie Weber: Bondage of Decay

L.A. based artist Marnie Weber invents fractured narratives that conjure up twisted fairy-tales and haunting, dream like worlds populated by fantastical characters.  The exhibition, The Bondage of Decay, presents one of the final chapters of her narrative of the Spirit Girls, an all female band who die tragically and return as ghosts in a quest for spiritual enlightenment.  In this tale, the lead Spirit Girl guides a group of 12 clowns through varying adventures until she ultimately rejoins the spirit world, leaving them alone to grieve. In addition to an installation of clown sculptures and collages, the exhibition will feature two significant large-scale sculptures: a marble ghost clown and a painted wood circus bear. These are the most ambitious sculptures that the artist has produced, standing approximately 6 feet and 9 feet tall respectively.

Marnie Weber
Marc Jancou Contemporary
Marnie Weber on Artnet
Marnie Weber Wikipedia

(more…)

Go See: ‘FOCUS: Rosson Crow’ now showing at the Modern Art Museum of Fort Worth, Texas through May 17

Monday, April 20th, 2009


Rosson Crow, Queen’s Butcher Shop, 1910 (2008) via Artdaily

The Modern Art Museum of Fort Worth in Texas is currently showing the exhibition FOCUS: Rosson Crow until May 17, 2009.  The exhibition features a small selected collection of Rosson Crow’s grand scale paintings.  It is the first solo exhibition in a museum for the young artist.  Crow’s work has been previously included in numerous galleries including White Cube, London; Deitch Projects, New York; and Musée d’Art Moderne Grand-Duc Jean, Luxembourg.

The Modern Art Museum of Fort Worth
Exhibition by Painter Rosson Crow Features Large-scale, Vivid Depictions of Nostalgia-laden Interiors [Art Daily]
Texas// First Look: Rosson Crow’s “FOCUS” at the Fort Worth Modern [SuperTouch]
Rosson Crow brings her theatrical flair to Modern Art Museum of Fort Worth [Dallas News]

(more…)

Newslinks for Monday, April 13, 2009

Monday, April 13th, 2009

Kate Moss by Damien Hirst on the cover of Tar Art Magazine, Via New York Times

Kate Moss by Damien Hirst is the new cover of Tar Magazine (anagram for “art”) [NY Times]
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Art funds launched in 2008, such as the London-based Art Trading Fund, are shelved due to failure to raise required funds
[ArtNewspaper]
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Art:21, Art in Twenty-First Century is now available for free on Hulu [Hulu]

"G8" by Andrei Molodkin via Financial Times

Russian Artist Andrea Molodkin, previously cited by AO here, prepares for Venice Biennale [Financial Times]
–>
Jeff Koons is speaking at Strand Books tonight at 7:00-8:30 in New York
[Via FAD]
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New York Old Masters dealer Lawrence Salander is indicted and pleads guilty in $88 million charge [Bloomberg]

A look inside Rome’s MAXXI designed by Zaha Hadid via c-monster

A preview of the MAXXI in Rome, $108 million art museum designed by Zaha Hadid [c-monster]
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Adam Lindemann, financier, collector and author of Collecting Contemporary launches a new book from Taschen: Collecting Design [ArtInfo]


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Flash Art’s current cover featuring a portrait of Barack Obama by Marlene Dumas via Art Fag City

Marlene Dumas’s portrait of Barack Obama is the cover of Flash Art [Art Fag City]
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Madonna’s art collection is estimated at £80 million pounds
[TimesUK]

A selection from the site via The World’s Best Ever

A timeline of modern & contemporary art artists by movement, school, style, period, theme & art prize [The-artists.org via The World’s Best Ever]
–>
Richard Serra to receive honorary degree from Pratt Institute at its 120th Commencement on May 18th
[MediaBistro]

Interview with photographer Nan Goldin on why she is auctioning some of the curiosities she has collected [TelegraphUK]
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SFMOMA announces plans for a future expansion, doubling gallery space
[SF Chronicle]


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A preview of SANAA’s design for the 2009 Serpentine Pavillion via Architect’s Journal

SANAA, the Japanese architectual duo behind the New Museum, release first glimpse of design for the 2009 Serpentine Pavilion [Architect’s Journal]
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Jim Dine donates 40 drawings influenced by Greek and Roman sculpture to the Morgan Library
[Artinfo]

Julian Schnabel’s Picasso Femme au Chapeau will soon be sold by Christie’s [New York Times]
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The Mugrabis, a hi
gh impact, market-making collector family, may be addicted to the game of art [The Observer]

ASSEMBLYMAN LENTOL WARNS HIS COMMUNITY ABOUT ASIAN LONGHORNED BEETLE

US Fed News Service, Including US State News November 8, 2006 Assemblyman Joseph R. Lentol, D-Brooklyn (50th District), issued the following press release:

Assemblyman Joseph R. Lentol (D-North Brooklyn) alerted his community that the Asian Longhorned Beetle, a non-indigenous insect that preys on healthy trees, has returned to Brooklyn. Once a tree is infested it must be removed and destroyed to prevent the beetle from spreading to other trees.

“The Asian Longhorned Beetle is a threat to our community,” said Lentol. “We thought we eradicated it from the district seven years ago. Now we have evidence that it has returned.” A massive infestation in Greenpoint was literally rooted out in 1999 when over 1,000 trees had to be destroyed because of the Asian Longhorned Beetle. Last spring, the New York State Asian Longhorned Beetle Cooperative Eradication Program found 18 trees in Williamsburg infested with the bug. The majority were on Lynch St. Thirteen of the 18 trees were on Lynch St, the rest on nearby Lee Avenue and Heyward St. website asian longhorned beetle

“Just because we’re talking about a little bug doesn’t mean this isn’t a big concern for our district,” warned Lentol. “We’re lucky that this appears to be a small infestation, but the key to keeping the Asian Longhorned Beetle from destroying our trees is through awareness.” The Asian Longhorned Beetle is known to nest in all varieties of maple, as well as birch, horse chestnut, elm, willow, poplar, ash, hackberry, sycamore, London Plane and mimosa. Lentol encourages homeowners to look for exit holes on their trees, they will be about the size of a dime, and to grant environmental inspectors access to their property for the purpose of finding infested trees. go to website asian longhorned beetle

Lentol also encourages residents who spot the beetle to call 311 and ask for the Asian Longhorned Beetle Hotline. The United States Forest Service offers replanting of new trees to those who lose trees to the beetle. The insecticide imidacloprid is the only effective preventative measure against the beetle, though experts warn that it cannot help a tree once it is infested. ALB Eradication Program contractors use it during the spring to treat at-risk trees. Residents will be notified by the ALB Eradication Program when tree treatments take place in this area, and Assemblyman Lentol urges residents to work with program officials and provide them access to yard trees for these critical applications and for survey.

Newslinks for Wednesday, April 1, 2009

Wednesday, April 1st, 2009


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David Hockney’s ‘Beverly Hills Housewife’

David Hockney’s iconic painting, ‘Beverly Hills Housewife’ is the marquee lot in Christie’s May 13 Post-War & Contemporary Art Evening Sale [ArtDaily] and more on this painting here [MoreIntelligentLife]


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Alberto Giacometti’s Le Chat from 1951

In related, Alberto Giacometti’s Le Chat will go under the hammer at Sotheby’s Spring sale of Impressionist and Modern Art in New York for an estimated $16 to $22 million [ArtDaily]
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Analysis of London gallerist Jay Jopling’s career in a time of uncertainty
[TimesUK]


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Dasha Zhukova

A lunchtime interview with Daria “Dasha” Zhukova on her Garage Centre for Contemporary Culture in Moscow and other various topics [Financial Times]
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The collapse of top Berlin galleries allows room for newcomers [GuardianUK]
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With his Kenya and Cambodia projects getting attention, anonymous Parisian Street artist JR is going big and raising the profile a bit [Independent]
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Damien Hirst is the cover of Honeyee Magazine [Honeyee] and, he’s sponsoring a giveaway contest for his work to promote the new album for the Hours [Guardian]
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New York art visits Cuba at the Havana Biennial [New York Times]
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Old Master sales in
December in London and in New York in January seem to defy downward market trends [Financial Times]


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Lucian Freud via the TimesUK

Lucian Freud’s latest painting unveiled [TimesUK]
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Swiss bank UBS closes its “art banking” department [Crains New York]
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Phillips de Pury faces the headwinds [Portfolio]


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The proposed extension of the Tate Modern

Tate Modern expansion by Herzog & de Meuron receives approval [Bloomberg]
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Faith-Ann Young on the fully manifested decline in the art market
[Economist]
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Joan Banach sues foundation where she formerly worked as curator and cataloger of Robert Motherwell’s work
[NY Times]
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Video: Tracey Emin’s retrospective on display now at Kunstmuseum Bern, Switzerland [Vernissage]
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No brown skins. (Hispanic Americans and the 1986 Immigration Reform Act)

The Economist (US) February 3, 1990 No brown skins SAN FRANCISCO HISPANIC Americans were against the 1986 Immigration Reform Act; they feared it would give employers an excuse not to hire people who looked or sounded Hispanic. They were right, it seems. The California Fair Employment and Housing Commission reports that the law, which is supposed to deter illegal immigration, has created “a widespread pattern and practice of discrimination” against legal immigrants.

The law fines or imprisons those employers who are caught hiring illegal immigrants. Nervous employers are playing safe by brushing aside official work permits and declining to hire people with brown skins and Latin names and accents. The law, which was supposed to protect people against this happening, created a special counsel to hear complaints and to act on them. But there is just one special-counsel office, and that is in Washington, DC. Few immigrants even learn of its existence, let alone approach it with complaints. go to website illegal immigration statistics

In addition, reports the Californian commission (an independent agency established 30 years ago to protect civil rights in jobs and housing), the Immigration and Nationalisation Service (INS) issues such a variety of different immigrant classifications that employers cannot be familiar with what is official and what is not. The confusion is compounded by the amnesty that the law gave to illegal immigrants who could prove that they had lived in the United States since 1981, plus the special rules for agricultural workers. The sorting-out of all this leaves the immigration service snowed under with forms and letters of work-approval.

Although the INS claims to have spent $2m on educational material explaining the law, the explanation, the commission says sternly, is “inadequate…incomplete and confusing”. As remedy, the commission proposes a temporary moratorium on employer sanctions until the backlog of appeals for work authorisation is cleared, the educational material is rewritten and special counsel offices are opened around the country. go to website illegal immigration statistics

The California report is important since about half the immigrants who come to the United States seeking work authorisation come to California. But it is only one in a series of reports on the effect of the 1986 law. A New York task force is due to report to Governor Mario Cuomo soon. And in a month or two, the General Accounting Office (GAO), which was officially charged to monitor the consequences of the immigration controls, will be issuing its findings. Last year the GAO reported that about 16% of some 3.3m employers who were aware of the new rules did discriminate against foreign-looking applicants. The report called for a more co-ordinated effort to educate the public but, unlike the California commission, it did not declare that a “pattern” of discrimination had resulted from the act.

If the GAO now finds such a pattern, it would trigger changes in the law. Congress would have 30 days to consider lifting sanctions against employers. But if the GAO reports that it has found no serious discrimination, the provisions in the law that are supposed to protect workers against bias would be removed. In any event, the GAO report will set off a fiery debate in Congress.

Part of the debate is whether the law’s strictness has in fact cut down illegal immigration. Statistics from the INS suggest that it has. In 1986 1.6m people were caught trying to enter from Mexico; in 1989, with more border guards, the total had shrunk to 850,000 people. Either they are getting cleverer at evading the guards, or the law, despite its unfair side-effects, is working.

Picasso’s Guernica to be exhibited at Whitechapel Gallery reopening, London, April 5th, 2009

Monday, March 30th, 2009

Guernica (1937) by Pablo Picasso, via Museo de Reina Sofia

A tapestry replica of Picasso’s famous 1937 anti-war painting Guernica will be exhibited at the Whitechapel in London.  Commissioned by Norman Rockefeller, the tapestry is currently displayed at the United Nations Headquarters in New York outside the Security Council Chamber. It is now arriving at the Whitechapel as part of Polish-born London artist Goshka Macuga’s installation that will feature the tapestry for a reopening of the Whitechapel after a ₤13.5 million re-development. The refurbishment of the gallery is by Belgian architects Robbrecht & Daem and Yaya nominee Witherford Watson Mann.

Controversial Tapestry to star in Whitechapel reopening [Art Newspaper]
“Guernica” Tapestry will travel to Whitechapel [Artinfo]
Whitechapel Gallery expansion unveiled [BuildingDesignOnline]
Picasso Tapestry of Guernica Heads to UK
[The Guardian]
Tapestry of Picasso’s Guernica to be displayed in Britain [The Telegraph]
The reopening of the Whitechapel Gallery after the completion of a large expansion [The Financial Times]
Look What they’ve done to the Whitechapel [This is London]
Whitechapel’s $20 Million Redo Expands Edgy London Gallery [Bloomberg]
(more…)

Noted New York Art Dealer, Lawrence B. Salander, Arrested for Stealing $88 million

Friday, March 27th, 2009

Lawrence B. Salander in Court, Via New York Times

Yesterday morning, Lawrence B. Salander, Upper East Side art dealer and owner of the now bankrupt Salander-O’Reilly Galleries was arrested at his estate on Millbrook, New York. Salander is accused of stealing $88 million from high-profile investors, art owners and Bank of America. The Grand Jury of the State Supreme Court in Manhattan charged him with grand larceny, falsifying business records, scheming to defraud, forgery and perjury. Salander pleaded not guilty and may face up to twenty five years in prison. The Justice ordered a $1 million bail.

RELATED LINKS
News Release
[New York County District Attorney’s Office]
Times Topics:Lawrence B. Salander [New York Times]
Art Dealer is Charged with Stealing $88 Million [New York Times]
Tennis Great John McEnroe helps nab art dealer Lawrence Salander, who was indicted for fraud [New York Daily News]
Salander Charged with Stealing $88 million [Artforum]
Art-World Madoff Arraigned in Manhattan Court [Artinfo]

(more…)

Art News: Christie’s Sued over Bacon that Failed to Sell

Friday, March 27th, 2009

Francis Bacon, Study for a Self-Portrait, 1964, Via Rawartint

A Florida art collector is suing Christie’s New York, after his Self-Portrait by Francis Bacon failed to sell at auction in November 2008.  Christie’s had offered collector George Weiss a minimum guarantee, but allegedly refused to follow through after Weiss consigned the work.  The auction house alludes to the collapse of the art market in its defense.

RELATED LINKS
Christie’s Is Sued After Francis Bacon Painting Fails to Sell
[New York Times]
Christie’s Sued For $40M Over Francis Bacon Painting
[Wall Street Journal]
Christie’s Auction House Sued Over Francis Bacon Guarantee
[Bloomberg]
Art Law Blog on the legal battle
[Art Law Blog]

Go See: ‘Portraits’ by Gerhard Richter, at National Portrait Gallery, London, through May 31st

Friday, March 20th, 2009


Frau mit Schirm / Woman with Umbrella (1964) by Gerhard Richter

Following shows at London’s Serpentine Gallery and the National Galleries in Scotland, Gerhard Richter’s work is being featured at the National Portrait Gallery in London, in his third exhibition in the United Kingdom in the last year. Gerhard Richter, 76, is considered one of the world’s most prominent living painters, and has been a fixture of global contemporary art since the mid-1960s.

Portraits focuses on Richter’s trademark portraits, which are actually painted from photographic prints, news clippings and other sources. The sources are never reproduced in exact detail, and are transformed under Richter’s brush into something more ethereal and abstract. This quality is achieved by blurred lines, both literal and figurative: the portraits’ subjects range from the intimate and personal to the historical and public–often intertwined.

Tante Marianne, from 1965, appears to be an innocuous portrait of a teenage girl and a baby. However, the viewer soon learns that Marianne, Richter’s aunt, was schizophrenic and perished as part of a Nazi drive to euthanize the mentally ill.  Herr Heyde, also from 1965, is recreated from a news clipping of the trial of the Nazi neurologist who was behind the mass euthanization and other atrocities.  However both portraits manage to convey a sense of detachment from its subjects and their context, despite being their being an exploration of ostensibly loaded personal and national narratives.

In fact, Richter proudly and intentionally attempts to strip all narrative from his paintings. Frau mit Schirm appears to be a reproduction of an anonymous woman caught barely suppressing an unidentified but overwhelming emotional reaction.  Almost unrecognizable, the image is of Jacqueline Kennedy moments after the assassination of her husband. With the narrative removed, the image becomes ghostly and almost inpenetrable;  once the narrative is reintroduced, it creates a tension between what the viewer feels it should elicit and the presentation offered by Richter.

Portraits will be on display until May 31st.

Artist Page: Gerhard Richter 
Exhibition Page: Gerhard Richter Portraits at National Portrait Gallery 
Murdered Aunt, Ghostly Nudes Star in Gerhard Richter Exhibit [Bloomberg]
Photos and fantasy: Gerhard Richter’s portraits [The Independent UK]
Gerhard Richter at National Portrait Gallery, London [The Times of London]
Faces from an abstract life [Financial Times]

(more…)

Steven Cohen, newly an investor in Sotheby’s, is to display $420 million worth of art the auction house, in an exhibition to be based on women.

Monday, March 16th, 2009


Le Repos (1932) by Pablo Picasso, via Artnet

Steven Cohen, founder of prominent hedge fund SAC Capital, and his wife Alexandra have lent Sotheby’s 20 artworks valued at $450 million worth of art from their very substantial collection. The works will be displayed from April 2nd to April 14th at Sotheby’s New York headquarters, and will revolve around the female form and its portrayal from 1890 to the present. The exhibition is not tied to a sale, and is entitled Women.

Women III by Willem de Kooning, Turquoise Marilyn by Andy Warhol, Madonna by Edvard Munch, and Le Repos by Pablo Picasso will be amongst the pieces on display, alongside paintings by more contemporary artists such as Lisa Yuskavage and Marlene Dumas.  Cohen bought the de Kooning from David Geffen for $137 million, spent $80 million to acquire Turquoise Marilyn from Stefan Edlis, and acquired the Picasso at auction for $34.7 million.

Cohen and his wife are avid collectors, and have accumulated one of the most significant collections of 20th century art in the world, according to Tobias Meyer, Sotheby’s head of contemporary art. Cohen is known for owning a formaldehyde-enclosed shark by Damien Hirst, currently on loan to the Metropolitan Museum in New York, and has been steadily expanding his collection over the last ten years, buying works by major artists.

In a statement released through Sotheby’s, Mr Cohen remarked: “Our collection has not been curated before. It will be an exciting experience for us.”

SAC Capital has also become one of the larger shareholders of Sotheby’s, accumulating a 5.9% stake after its share price has collapsed over the past 6 months due to lackluster results.

SAC Capital’s Steve Cohen Lends Sotheby’s 20 Artworks [Bloomberg]
Sotheby’s investor to show collection [Financial Times]
Hedge fund manager Steve Cohen puts £320m art collection on show [Telegraph UK]
The tycoon who loved women so much he spent $700m on them[Independent UK]
Why’s Steve Cohen Showing Sotheby’s So Much Love? [New York Magazine]
Sotheby’s to Show Works From Cohen Collection [ArtInfo]

(more…)

Newslinks for Thursday, March 12, 2009

Thursday, March 12th, 2009


Installation view of Rothko’s ‘Seagram Murals’ via MSNBC

Tate Liverpool exhibits Rothko’s Seagram Murals after a 20-year absence [Artdaily]
Rochelle Steiner, under whose tenure Olafur Eliasson’s “New York City Waterfalls” was sponsored, leaves the Public Art Fund [NY Times] and in related, Sotheby’s CEO takes big paycuts in the wake of the market downturn [Bloomberg]


Alex James, bassist of Blur via The Mirror

Blur’s Alex James to judge Charles Saatchi’s art-star reality TV show [The Mirror]
Jonathan Jones on how consumerism spawned Warhol and Pop art and thus the shallowness of contemporary art [Guardian]
Vanity Fair’s imagined conversations overheard at a MoMA party [VanityFair]
A new show at Paris’s Musee d’Art Moderne acknowledges how Italian Surrealist Giorgio de Chirico sold backdated copies of his own work [Bloomberg]


Patti Smith via The Art Newspaper

Patti Smith, whose Polaroids are showing at Robert Miller gallery, on her early career as an artist and why she feels Jeff Koons’s work is “just litter upon the earth” [The Art Newspaper]


Andy Warhol’s BMW Art Car via W Magazine

The BMW Art Car series by artists such as Frank Stella, Andy Warhol, Roy Lichtenstein and Robert Rauschenberg to appear at New York’s Grand Central Terminal starting March 24 [W Magazine]
Chinese art dealer who sabotaged Christie’s sale of bronzes during the Yves Saint Laurent sale weeps at his shattered credibility [Bloomberg]


Steve McQueen modeling for T Magazine

A brief profile of Turner prize winning film artist Steve McQueen’s fashion aesthetic [The Moment]
The Las Vegas Sun does a post-mortem on the Las Vegas Art Museum, which closed last month
[Las Vegas sun via ArtsJournal]

–>–>–>–>–>–>–>–>–>–>–>
Trailer for ‘Guest of Cindy Sherman’ via Entertainment Weekly

Soon to open in New York, an art world outsider chronicles his relationship with an art world insider in the film ‘Guest of Cindy Sherman’ [Entertainment Weekly]
Susan Moore looks at the recent emergence of a homegrown art scene in the United Arab Emirates [Financial Times]


Collectors Stephanie Seymour and Peter Brant.  Image courtesy Mary Barone via Artnet

Art in America and Interview Magazine owner Peter Brant opens his private collection to the public, by appointment only, at the Brant Foundation Art Study Center [NY Times]
How the former CEO of the Royal Bank of Scotland was unable to secure an immense 16,000 piece art collection obtained during a takeover of ABN Amro as that bank’s CEO deftly transferred ownership to a foundation before the merger
[TimesUK]
Turner Prize winning sculptor Antony Gormley announces first public art installation for Scotland
[TheScotsman]


Laura Hoptman, Massimiliano Gioni and Lauren Cornell, curators at the New Museum of Contemporary Art via NY Times

A preview of the New Museum’s inaugural triennial, “The Generational: Younger Than Jesus” [NY Times]
Hans Ulrich Obrist’s book “The Conversation Series” includes interviews with artist such as Wolfgang Tillmans and Gilbert and George [ArtInfo]


A peek at Pierogi Gallery’s new annex, the Boiler via NY Times

Williamsburg’s Pierogi Gallery opens new annex, The Boiler [NY Times]
Chelsea galleries, including Andrea Rosen, Barbara Gladstone, Mary Boone and Matthew Marks, to show work at the Museo Nacional de Bellas Artes in Havana, Cuba [The Art Newspaper]


Anish Kapoor’s ‘Temenos’ via AnishKapoor

Construction begins on first of five of Anish Kapoor outdoor sculptures in the UK: the ‘world’s biggest art project’ [DesignWeek]


Portrait of Pope Benedict XIV by Pierre Subleyras via NY Mag

Old masters prove to be a bellwether in the market downturn [Financial Times] as such, The Metropolitan Museum acquires a Renaissance portrait of Pope Benedict XIV for nearly $1 million amidst financial woes [NY Mag] and this painting also is featured here in a separate video discussion on the resilience of old master paintings [Sotheby’s]

Go See: Roni Horn aka Roni Horn, by Roni Horn, at the Tate Modern, London, through May 25, 2009

Thursday, March 12th, 2009


You are the Weather (1994-6) by Roni Horn, picture via the Independent

Roni Horn’s work is on display at the Tate Modern, in her most comprehensive retrospective to date and her first solo museum show in London. The show, Roni Horn aka Roni Horn, incorporates works from the beginning of her career in the mid-1970s through the present.

Horn’s oeuvre touches on several recurring themes, namely identity, mutability and water, at least one of which is likely to appear in some form in her pieces. Additionally, the artist also explores relationships between identical objects being presented in different emotional and spatial contexts, thereby creating different experiences of the same subject. The diptych Dead Owl from 1997, and the sculpture Paired Gold Mats — For Ross and Felix from 1994 embody this idea, and are on display at the Tate.

The artist also has a special artistic relationship with Iceland, assembling To Place, a series of photography books on the island, its glaciers, hot springs, volcanoes, geysers and rivers that examine the constant geological flux of that country. The Weather is You, a series put together between 1994 and 1996, is also set in Iceland, consisting of photographs of a young woman emerging from various hot springs under different climactic conditions, which in turn subtly affect her facial expression and the composition of the photograph.

The rest of the exhibit is comprised of various photographic installations and sculptures that typically employ glass as a medium, but may also contain a diverse array of media ranging from gold to rubber. The west windows of the Tate will be uncovered so as to expose Horn’s sculptures to shifting natural light, which will interact with the glass, water and other media in unique ways, rendering each experience of the work as exceptional.

RONI HORN AKA RONI HORN
through May 25th, 2009
Tate Modern Museum,
Bankside Power Station,
25 Sumner Street London SE1

Exhibition Page: Roni Horn aka Roni Horn, Tate Modern
Tate Gallery to Show Roni Horn aka Roni Horn [ArtDaily]
Enigma variations: The curious world of Roni Horn [Independent UK]

(more…)

Antony Gormley in search of volunteers for Fourth Plinth installation at Trafalgar Square, London

Thursday, March 5th, 2009


PR photo of Trafalgar Square’s fourth plinth, via the Guardian UK.

Noted British sculptor and Turner Prize winner Antony Gormley is seeking to recruit up to 2,400 volunteers to participate in his latest work, One & Other, atop Trafalgar Square’s fourth plinth.

Participants will have an entire hour atop the plinth, and are free to do anything legal. Gormley has commented that he expects there to be “naked riots,” and that he would be “upset if at least one person did not take their clothes off.” The only requirements for partake in One and Other are that participants are over 16 years of age and are residents of the UK while the show is on display. Applications will be accepted through a website designed for that purpose, and Sky Arts will broadcast coverage of the plinth. Video coverage of the plinth will also be streaming live at the National Portrait Gallery in London. The website will notify participants in three tranches starting in April.

On the motivation and objective behind the ‘sculpture,’ Gormley had this to say:

“The idea behind One & Other is a simple one. Through elevation onto the plinth and removal from the common ground, the body becomes a metaphor, symbol, emblem – a point of reference, focus and thought. In the context of Trafalgar Square with its military, valedictory and male historical statues to specific individuals, this elevation of everyday life to the position formerly occupied by monumental art allows us to reflect on the diversity, vulnerability and particularity of the individual in contemporary society. It could be tragic but it could also be funny.” via the Guardian UK

Gormley won the opportunity to display One and Other through a process run by the Fourth Plinth Commissioning Group. Other artists who have exhibited on the plinth include Marc Quinn, Rachel Whiteread and Thomas Schutte.

Sculpture site: One and Other
Antony Gormley’s Fourth Plinth: make an exhibition of yourself [Times UK]
Antony Gormley wants you for the fourth plinth [Guardian UK]
Trafalgar Square fourth plinth art ‘will cause arrests’ [Telegraph UK]
Gormley on his plinth: ‘I would be very upset if nobody took their clothes off’ [Independent]
Gormley Invites Brits to Lord Over Trafalgar Square [ArtInfo]
Volunteer plea for plinth artwork [BBC]
Gormley puts public on pedestal [BBC]

Armory Arts Week is on, March 4-8, 2009

Wednesday, March 4th, 2009


–>
Gary Simmons, “Untitled (Sabatini)” (2009) via ARTINFO

Armory Arts Week is on, running March 4th (press preview) through Sunday the 8th on Piers 92 & 94 (Twelfth Avenue at 55th Street). One of the world’s leading art fairs devoted exclusively to contemporary art since its introduction in 1999, The Armory Show – The International Fair of New Art (on Pier 94) is the main draw inviting visitors to both purchase and immerse themselves in the art of our times. Concurrently, The Armory Show – Modern (on Pier 92) is a new section dedicated to international dealers specializing in historically significant Modern and contemporary art.

In addition to the shows, an array of extended exhibitions and special programs are available to the public, as well as panel discussions, guided tours, open studios, visits to collectors’ homes, performances, and separate receptions hosted by a variety of cultural officials.

This year, Armory Week extends beyond the piers with Volta NY, an invitational show for emerging artists, as well as Satellite Fairs, including Pulse, Red Dot, Scope New York, the Bridge Art Fair, and the Art Now Fair.

For a map of Armory Week, click here.

Opening Hours:
–>
Thursday, March 5 – Saturday, March 7 Noon to 8 pm
–>
Sunday, March 8 Noon to 7 pm

News links:
–>
Armory art fair draws interest despite recession [Crain’s New York Business]
–>
Editor’s Picks: Armory Show Preview [ARTINFO]
–>
The AFC Guide to Art Fair Week Events [Art Fag City]
–>
‘Meat Head’ Bronze at $250,000 Highlights Armory Show in N.Y. [Bloomberg]
–>
Interview with Featured Artist: Machiko Edmondson [Art Comments]

In action to recover for damage to printing machinery while on high seas between England and United States under nonnegotiable or “straight” bill of lading, English Court of Appeal (Civil Division) applies English law and determines that such bill came within U. K’s Carriage of Goods by Sea Act of 1971.

International Law Update June 1, 2003 On August 25, 1924, the maritime nations meeting in Brussels agreed upon the International Convention for the Unification of Certain Rules of Law relating to Bills of Lading for the Carriage of Goods by Sea [51 Stat. 233; T.S. 931; 2 Bevans 430; 120 L.N.T.S. 155]. The parties intended it to regulate the minimum terms to govern international shipping contracts for carrying goods.

With some amendments, the Convention arose out of a set of standard rules negotiated at The Hague in 1922 for inclusion into bills of lading by contract. Coming to be called “the Hague Rules,” they applied only to contracts of carriage “covered by a bill of lading or any similar document of title.” Almost 80 years later, the import of that phrase remains surprisingly controversial.

“The effect of a negotiable bill of lading has been famously described by Bowen L.J. in Sanders v. Maclean (1883) 11 Q.B.D. 327 at 341 in this passage: ‘A cargo at sea while in the hands of the carrier is necessarily incapable of physical delivery. During this period of transit and voyage, the bill of lading by the law merchant is universally recognised as its symbol; and the indorsement and delivery of the bill of lading operates as a symbolical delivery of the cargo.” “Property in the goods passes by such indorsement and delivery of the bill of lading, whenever it is the intention of the parties that the property should pass, just as under similar circumstances the property would pass by an actual delivery of the goods … It is a key which in the hands of a rightful owner is intended to unlock the door of the warehouse, floating or fixed, in which the goods may chance to be.'” [ 1] In the present case, the shipper, Coniston International Machinery Ltd., of Liverpool (Coniston), consigned four containers of printing machinery to the claimant, J. I. MacWilliam Company Inc., of Boston, Massachusetts (MacWilliam). Vessels owned by, or demise chartered to, the defendant, Mediterranean Shipping Co. S.A., of Geneva (MSC), were to transport the machinery. The bill of lading issued by the defendant MSC to Coniston at Durban in December 1989 named MacWilliam as the consignee and declared that the bill was non-negotiable. That is, it was a “straight” bill of lading, so that delivery of the goods (rather than a mere endorsement of the bill) was usually required to transfer the goods. go to site bill of lading

One of defendant’s vessels, The Rosemary, carried the goods uneventfully from Durban, South Africa to Felixstowe, England. There they were discharged and later reshipped to their final destination in the United States aboard defendant’s vessel, The Rafaela S. En route across the Atlantic, however, the machinery was badly damaged and MacWilliam filed arbitration proceedings in England.

At arbitration, the issue arose as to whether the U. K.’s Carriage of Goods By Sea Act of 1971 (1971 Act) applied or its U.S. counterpart. By Section 1(3), the 1971 Act has the force of law “where the port of shipment is a port in the United Kingdom.” This led to the question of whether one contract of carriage or two governed the shipment from South Africa to Boston. If the 1971 Act did apply, then Section 1(4) (derived from art I(b) of the Hague Rules) had to be satisfied. It declares that the contract had to “expressly or by implication [provide] for the issue of a bill of lading or any similar document of title.” This led to the further question as to whether a “straight” bill of lading constituted a “bill of lading or any similar document of title” under the 1971 Act. The arbitrators held that a single contract of carriage governed the shipment and that, in any event, a straight bill of lading was not a “bill of lading” under the Act.

With leave, the claimant next appealed to the Commercial Court. There the judge concluded, contrary to the arbitrators, that there had been two separate contracts. On the other hand, the judge did uphold the arbitrators’ ruling that a straight bill was not a statutory “bill of lading,” and dismissed the appeal.

The claimant then appealed, urging that a straight bill of lading qualified as a “bill of lading” within Section 1(4) of the 1971 Act, and also within Article I(b) of the Hague Rules. The English Court of Appeal (Civil Division) allows the appeal and reverses the Commercial Court.

The Court first outlines the issues presented. “The business issue between the parties is whether the contract of carriage contained in or evidenced by the bill of lading prescribed a package limitation under the Hague Rules, the Hague-Visby Rules, or the U.S. Carriage of Goods by Sea Act of 1936 (USCOGSA).

The Hague-Visby Rules are an amended version of the Hague Rules, introduced by the Protocol signed at Brussels on 23 February 1968. It contains a more liberal package limitation. On the other hand, USCOGSA reflects the earlier limitation regime of the Hague Rules and would limit any recovery to US$500 per package.

Secondly, the appellate court decides whether the parties were acting under one shipping contract or two. “[The ‘through bill of lading’] clause, when read together with the relevant boxes on the front of the bill, does not provide for a single contract of carriage but for two separate contracts, one from Durban to Felixstowe and the other from Felixstowe to Boston.” “It may be true that MSC was entitled to arrange that second contract to be with itself, but that should not disguise the fact that such an arrangement must be viewed in exactly the same light as a new contract arranged through MSC’s agency with a different carrier. If the latter would be a separate contract with a separate port of shipment, then so must be the former arrangement.” “If it arranged on-carriage with itself, then there would be a single contract for a voyage from Durban to Boston, with transshipment at Felixstowe, and U.S. law and jurisdiction would apply under clause 2 and [the U.S.’s Carriage of Goods by Sea Act of 1936 (USCOGSA)] would apply under the penultimate sentence of clause 1.” “If on the other hand, MSC arranged on-carriage with another carrier, then the contract would only be for shipment from Durban to Felixstowe, not to the U.S., and London arbitration and English law would apply under clause 2, and there would be a port of shipment within the U.K. which, subject to the straight bill of lading issue, would also invoke the compulsory regime of the 1971 Act.” [ 21] In the Court of Appeal’s view, the contract that governed the carriage of the machinery from Durban to England was distinct from the agreement that controlled the shipment from England to the U.S. This means that there had been a “port of shipment” within England so that the lower court had correctly reasoned that the [English] Act applied.

Thirdly, the Court tackles the nature and effect of this hybrid bill of lading. It first holds that a straight bill of lading did constitute a “bill of lading” under the Hague Rules. These Rules dealt with the content of a carriage contract where the contract embodied in a bill of lading might turn out to affect the rights of a third party.

“It seems to me to be plain as a matter of common-sense but also on a review of the material cited in this judgment, that, in this connection, a named consignee under a straight bill of lading, unless he is the same person as the shipper, is as much a third party as a named consignee under a classic bill.” [ 136] In practical usage, the Court notes, the straight bill serves (like a “classic” bill) as a document against which payment was demanded and the transfer of which brought about a transfer of property interests in the cargo. The shipper, along with his bankers and insurers, desire the same protection as the shipper has under a classic bill.” “In addition the consignee itself and its insurers needed to have rights against the carrier in case of misadventure. The parties typically write the straight bill on the same form as an otherwise classic bill and mandate production of the bill on delivery of the goods. Moreover, a straight bill is in principle, function and form quite a bit closer to a classic negotiable bill than to a non-negotiable receipt. Article VI of the Rules seems to look upon the latter as “something far more exotic.” [ 139] A straight bill of lading also constitutes a document of title since it has to be produced in order to perfect delivery. Even without express language that requires production of a particular straight bill to obtain delivery, it is in principle a document of title. in our site bill of lading

“Whatever the history of the phrase in English common or statutory law may be, I see no reason why a document which has to be produced to obtain possession of the goods should not be regarded, in an international convention, as a document of title. It is so regarded by the courts of France, Holland and Singapore.” [ 143] As a final note, the lead opinion voices a complaint. “It seems to me that the use of these hybrid forms of bill of lading is an unfortunate development and has spawned litigation in recent years in an area which, for the previous century or so, has not caused any real difficulty. Carriers should not use bill of lading forms if what they want to invite shippers to do is to enter into sea waybill type contracts.” “It may be true that ultimately it is up to shippers to ensure that the boxes in these hybrid forms are filled up in the way that best suits themselves; but in practice I suspect that serendipity often prevails. In any event, these forms invite error and litigation, which is best avoided by a simple rule.” [ 146] Citation: J. I. MacWilliam, Co., Inc. v. Mediterranean Shipping Co., S.A., “The Rafaela S,” [2003] E.W.C.A. Civ. 556, [2003] All E.R. (D) 289 ( April 16) (Approved judgment).

Newslinks for Wednesday, March 4, 2009

Wednesday, March 4th, 2009


Damien Hirst’s skateboard decks for Supreme, via The Hundreds

Damien Hirst launches a new line of skate decks for Supreme [Hypebeast] plus a Glenn Brown interview with Supreme [Interview]
Turner prize winning British artist Steve McQueen debuts Hunger.
[W Magazine via C-Monster]


John Baldessari at Mies van der Rohe’s Haus Lange of 1928, in Krefeld, Germany, via Edward Lifson

John Baldessari transforms a Mies van der Rohe house [Edward Lifson]
Metropolitan Opera puts up two Chagalls as collateral for loan in the face of a shrunken endowment
[Crain’s]
Art In America launches its new website
[Art Fag City]


A model of Jeff Koons’s ‘Train’ to be built at Los Angeles County Museum of Art, via LACMA

LACMA moves forward with record $25 million sculpture by Jeff Koons [The Art Newspaper]
Gold Bars for a Chris Burden show at Gagosian held up in Stanford fraud case [Culture Monster]
A negative forecast for the recession’s impact on art [NewYorkMagazine]


Banksy in London, via Wooster Collective

New Banksy works appear in London [Wooster Collective]
A profile of the Guggenheim’s Richard Armstrong, a modest museum head compared to his controversial predecessor
[Wall Street Journal]


KAWS’s cover for the current issue of New York, via SuperTouch

KAWS designs New York Magazine’s cover for their ‘Best of New York 2009’ issue [SuperTouch]
Jackie Wullschlager looks at the exhibitions that have come about after Anthony d’Offay’s gift of his collection to Britain
[Financial Times]


Gang Gang Dance, via The Social Registry

Armory Show preview and party at MoMA featuring a performance by Gang Gang Dance [MoMA]
A profile of art collecting Mugrabi family [NY Times]
Second ever newspaper interview of Charles Saatchi
[London Times]


Jake and Dinos Chapman’s remade ‘Hell’ via The Guardian

Jonathan Jones on why the Chapman Brothers’ Hell deserves to be shown at the National Gallery [Guardian]
Munich gallery Andreas Grimm shutters NY location [Hintmag]
SANAA, architects of the New Museum, to design Serpentine Pavilion [Icon]


A rug made by Francis Bacon, via London Times

Rediscovered Francis Bacon rugs are up for auction at a relative pittance versus his canvases [London Times]
Alex Katz models for J. Crew [MediaBistro]
A trend of wealthy collectors building museums to open their collections to the public [Fortune]

Christie’s YSL Auction Sabotaged by Chinese Bidder refusing to pay for looted Qing heads

Tuesday, March 3rd, 2009


Bronze heads dating from China’s Qing dynasty, subject of a controversy after the winning bidder is refusing to pay for political reasons. Image via New York Times.

“I think any Chinese person would have stood up at that moment,” he said, adding, “I want to emphasize that the money won’t be paid.” — Cai Mingchao, via the New York Times.

Cai Mingchao, the winning bidder on two Chinese relics recently sold at Christie’s record-breaking Yves St Laurent auction, is refusing to pay for them in a gesture aimed at botching the sale of the figurine heads that were looted from an imperial palace almost 150 years ago. The winning bid was $18 million for each head.

The bronze heads representing a rat and a rabbit were the subject of some controversy before and during the auction.  A group based in China filed an injunction against Christie’s in a French court, in an unsuccessful effort to block the sale of the heads. They were part of a water clock display based on the Chinese zodiac, and allegedly looted by French and British soldiers during the Second Opium War in 1860. When asked about the sculptures during an interview at the onset of the auction, Pierre Berge commented that he would return them if  they would “observe human rights and give liberty to the Tibetan people and welcome the Dalai Lama.”

Twist in Sale of Relics Has China Winking [New York Times]
Bidder Refuses to Pay, Stating Protest of Looting [Wall Street Journal]
Chinese art trader declines to pay up [Financial Times]
Chinese zodiac statues’ origins [BBC]
China relics buyer refuses to pay [BBC]
Yves Saint Laurent Auction Sabotage [Forbes]
Chinese collector sabotaged animal head auction [Telegraph UK]
Spectacular Yves Saint Laurent auction raises record breaking $264 million, sets records for Mondrian, Matisse [ArtObserved]
Chinese Who Won Bid on Bronzes Acted on His Own, Xinhua Says [Bloomberg]
China-Art Sales May Drop as Bidder Refuses to Pay [Bloomberg]

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