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Spring 2007 Auction Schedule

Monday, May 7th, 2007

Spring auction season is here in New York and in this heated seller’s market collectors are cleaning out their storage spaces to make room for large loads of cash.

Here is the schedule for those ready to wield a paddle and get spanked by an often much more than six figure invoice.

Sotheby’s Contemporary Art Evening Sale – Session 1: Tuesday, May 15th, 7:00 pm

Sotheby’s Contemporary Art Day Sale – Session 1: Wednesday, May 16th, 10:00 am

Sotheby’s Contemporary Art Day Sale – Session 2: Wednesday, May 16th, 2:00 pm

Christie’s Post-War & Contemporary Art Evening Sale – Wednesday, May 16th, 7:00 pm

Christie’s Post-War & Contemporary Art Morning Session – Thursday, May 17th, 10:00 am

Christie’s Post-War & Contemporary Art Afternoon Session – Thursday, May 17th, 2:00 pm

Rita slams Keys, stirs fear in Gulf

The Buffalo News (Buffalo, NY) September 20, 2005 | Michelle Spitzer Rita strengthened into a hurricane today as it lashed the Florida Keys with heavy rain and strong wind, threatening the island chain with a storm surge of up to 6 feet and sparking fears the storm could eventually bring new misery to the Gulf Coast.

Rita became a Category 1 hurricane with sustained top wind of 85 mph, said meteorologist Michelle Mainelli at the National Hurricane Center in Miami.

Thousands of residents and tourists have fled the Keys in advance of Rita, which forecasters said could dump up to 8 inches of rain on parts of the low-lying island chain. category1hurricane.com category 1 hurricane

Rita is expected to strengthen as it crosses the warm Gulf of Mexico later this week headed for a weekend landfall, most likely in Texas although Louisiana could end up in the path of what could become a major hurricane.

“Right now, we expect that Rita will remain a Category 1 hurricane as it affects the Keys,” said Chris Sisko, a meteorologist at the hurricane center. “Further out, we do anticipate further strengthening up to Category 3, or major hurricane status.” Category 3 storms have maximum sustained wind of 130 mph.

Officials in Galveston, Texas — nearly 900 miles from Key West – – were already calling for a voluntary evacuation. Louisiana Gov. Kathleen Blanco urged everyone in the southwest part of the state to prepare to evacuate.

Hurricane warnings were posted for the Keys and Miami-Dade County. Residents and visitors were ordered to clear out of the Keys; voluntary evacuation orders were posted for 134,000 Miami- Dade residents of coastal areas such as Miami Beach. here category 1 hurricane

Cuba evacuated 58,000 people from low-lying areas along the northern coast, the National Information Agency reported.

Meanwhile, parts of U.S. 1, the highway linking the Keys, were flooded and impassable.

Roads were nearly deserted in Marathon, about 45 miles northeast of Key West, and virtually all businesses were closed.

Wind and rain also were being felt north of the Keys in Broward and Miami-Dade counties, where more than 13,000 customers were without power. Most schools and government offices were closed.

In the Bahamas, Nassau International Airport reopened today after the storm passed, and schools reopened. The strongest parts of Rita did not hit the Bahamas, where the wind peaked at just 40 to 55 mph, the Bahamas Weather Service said.

“We came out of this one relatively all right — some broken branches, some erosion to a road exposed to the sea, and no reports of flooding,” said Great Exuma Island commissioner Everette Cooper.

Rita is the 17th named storm of the Atlantic hurricane season, making this the fourth-busiest season since record-keeping started in 1851. The record is 21 tropical storms in 1933. Six hurricanes have hit Florida in the last 13 months.

The last hurricane to directly hit Key West was 1998’s Hurricane Georges, which slammed the city with 105 mph wind, damaging hundreds of homes.

Crude-oil futures rose above $67 a barrel Monday, in part because of worries about Rita, but fell today after OPEC agreed to make available 2 million extra barrels of oil a day starting Oct. 1.

Chevron and Shell began evacuating employees from offshore oil- and gas-drilling platforms in the gulf. Other companies were watching the storm’s track but had not yet begun evacuations.

“These storms are pretty big and broad sometimes, so you take no chances,” said Chevron spokesman Mickey Driver.

About 56 percent of the gulf’s oil production was already out of operation Monday because of Katrina’s damage, the federal Minerals Management Service said.

Michelle Spitzer

Corey McCorkle: When a Dog Barks the Response in the Ear of the Sky is a Star

Sunday, April 15th, 2007

via Maccarone


Much like its title, Corey McCorkle’s current show initially strikes one as cryptic. Sparingly, he scatters a series of remnants across Maccarone’s cavernous West Village space: one room contains architectural photographs of an abandoned zoo, in the adjacent one, a looping video projects images of wild dogs roaming the overgrowth, and around the corner, down a narrow hallway, we come to a mirrored passageway that funnels to a point and creates endless, dizzying reflections. The overall effect is oblique but somehow uncanny, as abandonment haunts these commonplace sites, transforming them into pseudo-romantic ruins: the empty cages, the barren fields, the howling of dogs. And as the sense of desolation grows, so does the show’s subtle but insightful effect. (more…)

Matthew Brannon shows Where Were We

Wednesday, March 28th, 2007

Matthew Brannon opened his first solo museum show at the Whitney Museum Altria on Park Avenue and 42nd Street. At the intersection of this transportation hub, a predominantly suited populace come in and out of Grand Central en route to power lunches, the racquet club, and the confined dreams of cubicle days. Just a sheet of plate glass away from the bustle, Brannon’s prints sit neatly. They are evenly spaced on wooden trestles inside a calm and sparse interior.
His work references the neat tableau of the white collar worker. Brannon’s muse is the dark circled, fake tanned, coked up, business class, success story that we urbanites are all in touch with in our global capitalist system. His imagery pulls together the signifiers of our contemporary life “on the road”, or more aptly, on the plane, in the cab, at the bar, in the hotel. (more…)

Picks

Thursday, March 15th, 2007

Jonathan Monk at Casey Kaplan – March 30 to May 5, 2007

“…Jonathan Monk, will present a new body of work that takes shape from key principles of Conceptual art — the favoring of ideas over object-making, serialism, the dematerialization of the art object — interpreting them with a playful sensibility and through a variety of media: 16 mm film, painting, sculpture, drawing, photography, and a laser light installation.”

– Casey Kaplan Gallery

To read the entire press release click here.


Andreas Hofer at Metro Pictures – March 23 to April 21, 2007

“For his New York debut, Andreas Hofer presents “Only Gods Could Survive,” a haunting and hallucinogenic installation of sculpture, painting, drawing and collage…Using subject matter that includes comic book heroes, science fiction, bygone Hollywood and symbols of the Third Reich, Hofer extracts these signs from a forbidden world, producing artworks that traverse time to become an ominous and fanciful meditation on history and popular culture.”

– Metro Pictures Gallery

Photo courtesy of of the artist and Metro Pictures Gallery

To read the entire press release click here.

Karel Funk at 303 Gallery – March 10 to April 7, 2007

“Karel Funk’s paintings are made with layers of thin paint that reflect light, influenced by Dutch and Flemish painters of the 17th century and Renaissance portraiture, as well as by American figurative painters from the past 20 years and their relationship to photography based work. In the end, the tenderness of each painstaking detail that goes into Funk’s handling brings the viewer closer to the subjects, even as they turn further away from us.”

– 303 Gallery

To read the entire press release click here.

Jeff Koons plans Floating Train

Tuesday, February 6th, 2007


The king of kitsch has big plans with (of course) a big budget to stake his claim on the Los Angeles landscape. Known for his now iconic Rabbit (2003) and giant Puppy (1992), Jeff Koons is planning to build a suspended, moving steam train. The Los Angeles County Museum of Art already has 1 million dollars to cover the cost of an outside engineering group to consider the feasibility of the project which will attempt to imitate the real effects of a working train from the 1940s…hanging sideways from a crane. Koons would like the train to make chugging noises and emit periodic smoke.

Koons plans dangling engine (smokin’!) [NYtimes]