Alex Katz’s Fashion 2 (2008)

Now on view at the Museum Kurhaus Kleve through February 21 is the exhibition, An American Way of Seeing, including over 40 works from 1957-2008 by the American painter Alex Katz (b. 1927) and encompassing the artist’s breadth of skill and influence in the genre of figurative painting.  Realized in cooperation with the Sara Hilden Art Museum, Tampere, Finland, and the Musee de Grenoble, France (and following a recent exhibition at the Thaddaeus Ropac Gallery in Paris showcasing the artist’s fashion studies), An American Way of Seeing will trace Katz’s contribution to the disciplines of portraiture and landscape through canvases of striking luminosity and spirit.

Alex Katz’s Coleman Pond (2008)

More text, images and related links after the jump…

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Sunset 3 (2008) by Alex Katz, via Pace Wildenstein

Currently showing at Pace Wildenstein Gallery in New York is a new series of ten large-scale paintings on linen and canvas by Alex Katz. The ten landscape paintings captured at twilight and sunset reveal the artist’s continual influence from nature.

Katz studied plein air painting at the Skowhegan School for Painting and Sculpture in Maine during the summer following his graduation from The Cooper Union in 1949.  It was the landscape of northern New England which captivated his artistic sentiment drawing him back each summer to the coast of Maine.  In his new works,  Katz captures the Maine light, “which is richer and darker than the light of the Impressionist paintings that helped me separate myself from European painting and find my own eyes,” the artist once explained. The delicate and soft Maine light which he depicts is often found at dusk when the sun is below the horizon.

Press Release
Alex Katz: Fifteen Minutes [Artinfo]
Alex Katz: Fifteen Minutes at Pace Wildenstein [Timeout New York]

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David Zwirner booth at the Armory, showing Yan Pei-Ming, John McCracken, and Rachel Khedoori.

New York Armory Week 2009 is in full swing, with attendance higher than expected moving into the weekend.  Despite the absence of several blue chip galleries – including Matthew Marks and Lehmann Maupin – the gallerists’ collective mood seems hesitant but optimistic.  177 contemporary galleries are exhibiting in the Armory’s 11th year, along with the addition of a Modern wing at Pier 92 selling more established, less edgy work.

The Armory Show 2009 and the Armory Modern
Piers 92 and 94
12th Avenue at 54th Street
March 4-8, 2009

Armory Opening Party at MoMA.

RELATED LINKS
Sales still down, but spirits are buoyant [Art Newspaper]
On the Piers, Testing the Waters in a Down Art Market [New York Times]
Has the Recession Sparked a New Renaissance? [Guardian UK]
On the Scene at the Armory Preview Party [Style File Blog]
MoMA’s Armory Show Opening Benefit Party [Patrick McMullan]
Armory MoMA After Party [Guest of a Guest]
Now Dealing | The Armory Show [TheMoment]
Window-shoppers Descend on Armory Art Show [NYMag]
What’s Selling (or Not) at the New York Armory Show [NYMag]
‘Creepy’ Bernie Madoff Watercolor Fails to Sell at Armory Show [NYMag]
Dealers Sold on Armory Modern, Collectors Less So [ArtInfo]
The Herd Is Out, but Holding Back [ArtInfo]

more stories and photos after the jump…

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Damien Hirst’s skateboard decks for Supreme, via The Hundreds

Damien Hirst launches a new line of skate decks for Supreme [Hypebeast] plus a Glenn Brown interview with Supreme [Interview]
Turner prize winning British artist Steve McQueen debuts Hunger. [W Magazine via C-Monster]

John Baldessari at Mies van der Rohe’s Haus Lange of 1928, in Krefeld, Germany, via Edward Lifson

John Baldessari transforms a Mies van der Rohe house [Edward Lifson]
Metropolitan Opera puts up two Chagalls as collateral for loan in the face of a shrunken endowment [Crain’s]
Art In America launches its new website [Art Fag City]

A model of Jeff Koons’s ‘Train’ to be built at Los Angeles County Museum of Art, via LACMA

LACMA moves forward with record $25 million sculpture by Jeff Koons [The Art Newspaper]
Gold Bars for a Chris Burden show at Gagosian held up in Stanford fraud case [Culture Monster]
A negative forecast for the recession’s impact on art [NewYorkMagazine]

Banksy in London, via Wooster Collective

New Banksy works appear in London [Wooster Collective]
A profile of the Guggenheim’s Richard Armstrong, a modest museum head compared to his controversial predecessor [Wall Street Journal]

KAWS’s cover for the current issue of New York, via SuperTouch

KAWS designs New York Magazine’s cover for their ‘Best of New York 2009’ issue [SuperTouch]
Jackie Wullschlager looks at the exhibitions that have come about after Anthony d’Offay’s gift of his collection to Britain [Financial Times]

Gang Gang Dance, via The Social Registry

Armory Show preview and party at MoMA featuring a performance by Gang Gang Dance [MoMA]
A profile of art collecting Mugrabi family [NY Times]
Second ever newspaper interview of Charles Saatchi [London Times]

Jake and Dinos Chapman’s remade ‘Hell’ via The Guardian

Jonathan Jones on why the Chapman Brothers’ Hell deserves to be shown at the National Gallery [Guardian]
Munich gallery Andreas Grimm shutters NY location [Hintmag]
SANAA, architects of the New Museum, to design Serpentine Pavilion [Icon]

A rug made by Francis Bacon, via London Times

Rediscovered Francis Bacon rugs are up for auction at a relative pittance versus his canvases [London Times]
Alex Katz models for J. Crew [MediaBistro]
A trend of wealthy collectors building museums to open their collections to the public [Fortune]

Fashion 4 (2008) by Alex Katz, via Thaddaeus Ropac Gallery

Alex’s Katz’s most recent works, focusing on the world of style, are currently exhibited at the Thaddaeus Ropac Gallery in Paris through February 14th, 2009.  Fashion is a recurring theme for the American artist.  The sitters of Katz’s paintings are not the subjects of his work; they serve merely as a way for him to focus on what is considered glamorous and fashionable.  Style thus takes on a dimension of its own in Katz’s work serving as an undeniable catalyst for social commentary.  He paints people that he often encounters in his circle such as celebrities, models, actors, and artists as well as his long time muse and wife, Ada.

Alex Katz: Fashion Studies
Thaddaeus Ropac Gallery
7, rue Debelleyme 75003 Paris France
through February 14, 2009
Exhibition Page: Alex Katz Fashion Studies

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“Tobacco vs Red Chief” (1981-2) by Jean-Michel Basquiat via UBS Art Collectio

A new collection at the Tate Modern in London titled “UBS Openings: Paintings from the 1980s”, which opened last week, centers on Neo-Expressionist paintings, a departure from the minimalist and conceptual artwork that preceded this period. Artists such as Jean-Michel Basquiat, David Salle, Alex Katz, Julian Schnabel, and Christopher Le Brun sought to return to historical narratives executed in a vibrant, energetic fashion contributing to powerful results in large-scale, figurative paintings.

The collection draws on works from the reserves of the Tate Collection as well as the UBS Art Collection and includes works such as Basquiat’s “Tobacco vs Red Chief” (1981-2), David Salle’s “My Subjectivity” (1981), Julian Schnabel’s “Humanity Asleep” (1982) painted over a surface of broken plates, Christopher Le Brun’s “Dream, Think, Speak (1981-2) and Clemente’s Self Portrait (1984).  The exhibition has been curated by Matthew Gale, Head of Displays of the Tate Modern.

UBS Openings: Paintings from the 1980s – Tate Modern
Through April 13, 2009

Paintings from the 1980s [Financial Times]
UBS Openings: Paintings from the 1980’s [Tate Modern Website]
UBS Openings: Paintings from the 1980s at Tate Modern [Art Daily]

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