Global contemporary art events and news observed from New York City. Suggestion? Email us.

AO On Site; Frieze Round-Up: Frieze Art Fair opens under a persistent recession, but closes much more positively

Tuesday, October 20th, 2009

On Thursday, October 15, Frieze Art Fair opened in London under media speculation about how gravely the meltdown of the world’s financial markets has hit the art world. Despite anticipation from all involved for a more cautious and flat atmosphere, walking around the fair this weekend one could not help but notice the general buzz.


Xerxes, Gilbert & George (2008)

Related Links:

More text and images after the jump…..
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Go See – New York: Chris Ofili’s ‘Afro Margin’ at David Zwirner through October 24, 2009

Thursday, September 24th, 2009


Afro Margin Four, Chris Ofili (2004)

Currently on show at the David Zwirner Gallery, New York is Afro Margin – a show consisting of eight pencil drawings by the Turner Prize-winning artist, Chris Ofili. This is Ofili’s second exhibition at the gallery; his first was the very large, multi-disciplined, ‘Devil’s Pie‘ in 2007. Ofili first sprang to widespread fame with his paintings embellished with elephant dung at Sensation, the 1997 exhibition of Young British Artists. Afro Margin happens upon the recent news that Tate Britian will put together a mid-career survey of Ofili’s work opening in January 2010.


Afro Margin Eight, Chris Ofili (2007)

Related Links:
David Zwirner Homepage [DavidZwirner]
Tate Britain – Chris Ofili Survey 2010 [Tate.org.uk]
The Elephant in the Room. Review of “Devil’s Pie”. [NYTimes]
Inua Ellams Homepage [phaze05.com] Ellam’s poetry will feature in the exhibition catalog

More text and images after the jump…. (more…)

Newslinks for Monday September 21st, 2009

Monday, September 21st, 2009


Rembrandt’s portrait of an unknown man via Times Online

Estimated at £25m, a portrait by Rembrandt is expected to raise a record price for the artist at Christie’s in London [Guardian UK]
Despite crisis, Mikhail Piotrovsky- the director of the Hermitage Museum in Saint Petersburg is planning an expansion, reinstallation and several new international venues [ARTnews]
Tate’s plan to increase display space by 60% is challenged by a £140m shortfall; donation for the past year amount only to £4m due to recession
[The Independent] in related Tate announces upcoming exhibitions of Gauguin, Picasso and Chris Ofili [Guardian UK]
More on ex art-dealer Anthony d’Offay, who traded a $160m profit for a chance to provide the British public with an access to contemporary and modern art
[Bloomberg]
Reuters Felix Salmon calls on Bloomberg’s Scott Reyburn who claims that Damien Hirst’s sales are recovered to levels seen at peak of the art market boom; Salmon claims the analysis by Reyburn is unsubstantiated [Reuters and Bloomberg via ArtMarketMonitor]


Ai WeiWei via Twitter

Ai Weiwei publishes on twitter images of himself going in for surgery after undergoing an attack by Chinese police [The Art Newspaper]
RoseLee Goldberg, Performa’s founding director, reads an excerpt from the Futurist Manifesto, announces details and gives hints about the surprise performances and their locations
[Artinfo]
The director of the MET, Thomas Campbell, shares that the painting reattributed to Velazquez last week, “Portrait of a Man”, may soon travel to the Prado Museum in Madrid [ArtDaily]
More on the Artist Pension Trust, an investment vehicle that provides artists, who rarely engage in financial planning, with financial security when they retire [Guardian UK]
An antique shop in New Mexico put on sale a Van Gogh sketch for his painting Night Cafe, from a May 13 burglary, worth $250,000-1million, for $250 [Artinfo]


Caravaggio, The Supper at Emmaus via Artinfo

The National Gallery in London is sending Caravaggio’s The Supper at Emmaus to be exhibited at the Art Institute of Chicago from October 10, 2009 to January 31, 2010 [Fine Art Publicity]
Since Thursday, 110 galleries, most of them in Chelsea opened their doors to the new art season, showcasing what sells, what is missing on the art scene and which gallery spaces are more beneficial to the sales [New York Magazine]
Pope Benedict XVI organizes an art summit reaching out to 500 contemporary artists to reunite in Vatican [BBC via Art Market Monitor]  in related After his initial refusal to participate in Vatican’s art initiative, that will attempt to reestablish the dialogue between spirituality and art, Bill Viola rearranges his schedule and accepts Pope’s invitation [Artnet]
Curator of Modern and contemporary art at Menil Collection, Franklin Sirmans will be appointed chief curator oc contemporary art in LACMA and will assume his position in January [Culture Monster]


Anish Kapoor via Times Online

After an attempt to investigate the very nature of the scale of Anish Kapoor’s work and the man behind the work in an article published last week, Times Online writes on Anish Kapoor’s retrospective, providing a survey of the artist’s career, at the Royal Academy [Times Online]
An interview with Turner Prize winning video artist Steve McQueen where the artist speaks of his childhood, artistic influences, his musical preferences and view on art world and Artist Yoshimoto Nara speaks of musical, artistic and personal influences on his work [Guardian UK]

Velazquez, Las Meninas via The Wall Street Journal

Velazquez’s “Las Meninas”- an enigmatic work that has contributed to the shift of its very medium from the realm of craft to that of art [The Wall Street Journal]
Marlene Dumas, Tracey Emin, Marc Quinn, Antony Gormley and other contemporary artists donating works to Sotheby’s “Art for Africa Auction” on tonight
[ArtDaily]
September 16, at the Guggenheim International Gala, a $1.2m Ellsworth Kelly painting received by the Museum as a gift was auctioned [Auction Central News]
The life and death of Dash Snow [Guardian UK]
Art critic, Holland Carter, proposes smaller and more smartly curated shows to take place of large blockbuster exhibits [The New York Times]
A new 37,000-square-foot outdoor space is lent temporarily to Lower Manhattan Cultural Council for exhibitions and performances by developers postponing their building projects, hence the name- LentSpace [The New York Times]


Richard Serra, Shift (Detail) via Arts Journal

As a 1970 iconic earthwork by Serra outside Toronto remains endangered, a litigious battle concerning access to and protection of the artwork continues [Arts Journal]
New York’s Armory show will move in geographic pattern from representing one city to another, its first choice is Berlin
[Lindsay Pollock]
A short interview by brothers Jake and Dinos Chapman, discussing their drawings
[Guardian UK]
David Zwirner is to be the first dealer to solely represent The Estate of Dan Falvin
[David Zwirner]
New works by Julian Schanbel, Paul Chan, John Currin and Francesco Vezzoli are currently on show at New York’s Metropolitan Opera in an exhibition inspired by Mary Magdalene [metoperafamily.org]
Book review: “I Sold Andy Warhol (too soon)” by Richard Polsky [WallStreetJournal]


Zac Posen, RTW Spring 2010. Via WWD.com

Rosson Crow designs floral prints for Zac Posen’s Spring RTW collection [wwd.com]
Julian Schnabel is selling pieces from his art collection, including work by Picabia, Braque and Balthus to finance his divorce
[New York Post]
The Roman Empire – Russia’s Roman Abramovich’s toychest of expensive things, inlcuding works by Francis Bacon and Lucien Freud, is examined
[Wall Street Journal]
Sales of Chinese art at Sotheby’s Total: $15,532,479 Exceeding Expectations [ArtDaily]
The king of Japanese Contemporary Art, Takashi Murakami, speaks openly about the state of the art market, his legacy and his upcoming plans [Artinfo.com]
An encounter with Takashi Murakami in the Boom Boom Room at the Standard Hotel, New York following his opening at Gagosian Gallery in Chelsea [NYTimes]

Go See – New York: “6 works, 6 rooms” John McCracken, Fred Sandback, On Kowara, Dan Flavin, Sol Lewitt, Richard Serra on view at David Zwirner Gallery through August 14th, 2009

Monday, July 20th, 2009


John McCracken, Swift, 2007. Via David Zwirner Gallery

6 works, 6 rooms is an installation that currently occupies two of David  Zwirner’s gallery spaces. The amount of space that the show affords each work allows for novel consideration of each individual piece and the movements, Conceptualism and Minimalism, to which the works are attributed. The exhibition features the work of Dan Flavin, On Kowara, Sol LeWitt, John McCracken, Fred Sandback and Richard Serra.

6 Works, 6 Rooms [David Zwirner Gallery]


Dan Flavin, Monument 4 for those who have been killed in ambush, 1966. Via David Zwirner Gallery.

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Go See – New York: Alice Neel 'Selected Works' At David Zwirner and 'Nudes of the 1930s' at Zwirner & Wirth through June 20, 2009

Wednesday, June 3rd, 2009


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Alice Neel’s ‘Hartley’ via David Zwirner

Running concurrently at David Zwirner Gallery in Chelsea and Zwirner & Wirth on the Upper East Side are two shows surveying the work of painter Alice Neel. Known best as a portraitist during a time when figuration fell into disdain and obsolescence, Neel is considered one of the twentieth century’s most important American painters. While Neel gained critical acclaim by the end of her life (she died in 1984), recent years have seen increased interest in Neel’s work as contemporary figurative painters such as Lucien Freud and Elizabeth Peyton have attracted both record prices and museum retrospectives.  MZwirner & Wirth’s ‘Nudes of the 1930s’ covers the beginning of Neel’s career with sketches, watercolors, and oil paintings of desexualized nudes, including many of women with imperfect bodies. ‘Selected Works’ at David Zwirner presents a wider, more mature range of work.

The Estate of Alice Neel
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David Zwirner
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Zwirner & Wirth
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Decades of Painter Alice Neel in a Single Sweep [New YorkMagazine]
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Art in Review [NY Times]
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Overview: Alice Neel: Selected Works [Artinfo]

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AO Newslinks for Thursday, May 7th, 2009

Thursday, May 7th, 2009


David Zwirner via Art Info

An interview with power gallerist David Zwirner [WSJ] and more here [WSJ]
Jerry Saltz on the controversial Adel Abdessemed video of animals killing animals on display at David Zwirner
[NYMag]
The Turner Prize Shortlist is announced [ArtDaily]
ArtPrize out of Grand Rapids, Michigan will award nearly $1/2 million to its winners
[ArtPrize]
Art Basel announces eight works for its public art projects [ArtDaily]
A walk through Peter Brant’s new contemporary exhibition space in Greenwich, complete with a Jeff Koons sighting
[NewYorker]


An annotated view of Roxy Paine’s ‘Maelstrom’ at the Met’s Roof Garden [NYMagazine]


A self portrait of Vincent Van Gogh

Book asserts that Paul Gauguin and his sword were the cause of Van Gogh’s lost ear[NYTimes] and more here’ [TelegraphUK]


A self-portrait of Paul Gauguin

And a refute of the assertion here [Bloomberg] and another non-believer here [GuardianUK]


Art Collector Nicolas Berggruen

Nicolas Berggruen to open private museum in Berlin [ArtNewspaper]
The Getty Museum will cut 205 people from its work force
[NYTimes]
Sotheby’s cuts its dividends and plans to cut more jobs
[Bloomberg]
Art + Auction publisher Louise T. Blouin MacBain cuts executive salaries
[NYPost]


A work by Nam June Paik via  albrightknox.org

The Smithsonian receives the complete Nam June Paik archives [ArtInfo]


‘Burn, Baby, Burn’ by Roberto Matta

The Los Angeles County Museum of Art has acquired a 10′ x 30′ work by Roberto Matta [CultureMonster]


JR in Brazil

JR shows up in Brazil with more installations [WoosterCollective]
California Judge dismisses suit against MOCA regarding Takashi Murakami prints
[LATimes]
NYTimes has an article on the resurgence of private sales amidst high profile failures at auctions
[NYTimes]

New York Magazine on opportunities to be had in the art world
[NYMag]
And an anonymous forecast on artists by their contemporaries [NYMag]
Impressionist works and their value
[Economist]

AO On Site: Adel Abdessemed’s Rio at David Zwirner, Friday April 3rd showing through May 9th, 2009

Tuesday, April 14th, 2009

Adel Abdessemed, Music box (foreground), 2009 and Prostitute (background), 2008

David Zwirner presents Adel Abdessemed’s first solo gallery exhibition in New York.  The particular installation of the exhibition throughout the three main gallery spaces (519 W 19th st., 525 W 19th st., 533 W 19th st.) allows the visitors to set out their own path in a maze-like environment that nevertheless respects the autonomy of the individual artworks. RIO includes Abdessemed’s latest 2008 and 2009 drawings, photographs, videos and sculpture, which are of a strong political nature. Prostitute (2008) addresses religion through a number of copies of the Koran, the Tora and the Bible that were handwritten by prostitutes and Practice zero tolerance (retournée) (2008) consists of a mold of an impounded car from the 2005 violent uprisings in the Paris banlieues.  Abdessemed has titled the show after his daughter with whom he shares the fascination with which “she contemplates the big animals in the zoo that are thirsty and hungry.”  The exhibition runs through 9 May, 2009.

Adel Abdessemed, Telle mère tel fils, 2008

Adel Abdessemed: RIO
David Zwirner
519,525 and 533 West 19th Street

RELATED LINKS
Exhibition Page, Press Release and Biography
[David Zwirner]
Exhibition Review highlighting Telle m
ère tel fils (2008) [Design Boom]
Biography and Discussion of Nature of Abdessemed’s Work
[Re-Title]
Exhibition Review
[Supertouch]
Exhibition Review II [NY Art Beat]
Article on Controversial Work by Abdessemed [National Coalition Against Censorship]
Video on Controversial Work by Abdessemed (graphic nature, in Italian) [Ribeiro Art]

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Go See: Philip-Lorca DiCorcia's Thousand at David Zwirner Gallery, New York, through March 28, 2009

Thursday, March 19th, 2009


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Philip-Lorca DiCorcia’s Thousand, via David Zwirner.


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Philip-Lorca DiCorcia’s Untitled, 980, from Thousand, via David Zwirner.

David Zwirner Gallery presents its first solo show of New York-based Philip-Lorca diCorcia’s contemporary photography.  1,000 Polaroids, shot by DiCorcia over a span of 25 years, represent his cinematic approach to photography.  Though the works are, upon first view, improvised snapshots, they are not candid at all, but balanced between documentary and staged photography, fact and fiction.

David Zwirner
–>
Philip-Lorca DiCorcia, Thousand
–>
525 West 19th Street
–>
February 27 – March 28, 2009

RELATED LINKS

Exhibition Page [David Zwirner Gallery]
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Philip-Lorca DiCorcia [Artcenecal]
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Philip-Lorca DiCorcia at David Zwirner [Primeira Avenida]
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Zwirner + DiCorcia [Horses Think]

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AO On Site with Photo Essay: 2009 New York Armory Show and Armory Modern, plus opening party at MoMA with Gang Gang Dance

Saturday, March 7th, 2009

David Zwirner booth at the Armory, showing Yan Pei-Ming, John McCracken, and Rachel Khedoori.

New York Armory Week 2009 is in full swing, with attendance higher than expected moving into the weekend.  Despite the absence of several blue chip galleries – including Matthew Marks and Lehmann Maupin – the gallerists’ collective mood seems hesitant but optimistic.  177 contemporary galleries are exhibiting in the Armory’s 11th year, along with the addition of a Modern wing at Pier 92 selling more established, less edgy work.

The Armory Show 2009 and the Armory Modern
Piers 92 and 94
12th Avenue at 54th Street
March 4-8, 2009


Armory Opening Party at MoMA.

RELATED LINKS
Sales still down, but spirits are buoyant [Art Newspaper]
On the Piers, Testing the Waters in a Down Art Market [New York Times]
Has the Recession Sparked a New Renaissance? [Guardian UK]
On the Scene at the Armory Preview Party [Style File Blog]
MoMA’s Armory Show Opening Benefit Party [Patrick McMullan]
Armory MoMA After Party [Guest of a Guest]
Now Dealing | The Armory Show
[TheMoment]
Window-shoppers Descend on Armory Art Show
[NYMag]
What’s Selling (or Not) at the New York Armory Show [NYMag]
‘Creepy’ Bernie Madoff Watercolor Fails to Sell at Armory Show
[NYMag]
Dealers Sold on Armory Modern, Collectors Less So [ArtInfo]
The Herd Is Out, but Holding Back
[ArtInfo]

more stories and photos after the jump…

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AO On Site: Lisa Yuskavage Paintings on view at David Zwirner February 19th to March 28th, 2009

Friday, February 20th, 2009

David Zwirner Lisa Yuskavage opening - photo by Art Observed

Lisa Yuskavage’s second solo show with David Zwirner Gallery opened on February 19th in Chelsea, the first of three Zwirner openings over the next two weeks.  Yuskavage, a graduate of Yale’s illustrious MFA program, is a certified art star: she’s been profiled in mainstream press like Vanity Fair and W, and her work is collected by the likes of Charles Saatchi and Jean-Pierre Lehmann. In addition to her current solo exhibition at David Zwirner, Lisa Yuskavage is part of two group shows in early 2009: “Diana and Actaeon: The Forbidden Glimpse of the Naked Body” at the Stiftung Museum Kunst Palast, Düsseldorf, Germany and “Paint Made Flesh” at the The Frist Center for the Visual Arts, Nashville, TN.

The World’s Best Ever: Lisa Yuskavage at David Zwirner
Exhibition page: Solo show by Lisa Yuskavage
Profile: Lisa Yuskavage at David Zwirner Lisa Yuskavage
Previously on ArtObserved: AO Roundup: 2008 Frieze Art Fair, Sotheby’s, Christie’s, and Phillips London Auctions Lisa Yuskavage New P

Lisa Yuskavage New Paintings at David Zwirner
533 West 19th Street, New York, NY
Open Tues – Sat, 10am to 6pm

more after the jump… (more…)

Go See: On Kawara 'One Million Years' at David Zwirner through February 14, 2009

Monday, February 9th, 2009

 


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On Kawara One Million Years volunteers reading passage at David Zwirner Gallery via Interview Magazine

On display now at David Zwirner is a new presentation of Japanese conceptual artist On Kawara’s work in progress, One Million Years (Past and Future). The work serves to document the passage of time and lists all of the annual individual dates from 998,031 BC to 1,001,995 AD in a 20-volume collection of hard-bound books. The work is divided into two parts. The first half, which Kawara begin in 1979, One Million Years (Past) contains the years 998,031 BC to 1969 AD. The half is subtitled “For all those who have lived and died.” The later half of the project entitled One Million Years (Future) contains the years 1969 AD to 1,001,995 AD and was completed in 1998. The work is subtitled “For the last one.” The piece is presented both in text and as audio. In addition to the text presentation of the work Kawara embarked on an audio recording of the work in 1993. The audio recording continues within the David Zwirner Gallery inside a recording booth that houses readers of the work and a sound technician. Volunteers recite the consecutive dates during hour-long sessions.  Males read the odd numbers and females read the even numbers.  The intent is to record, edit, and package CDs of the work on site.  Previous recordings sold for $1,000 per CD box set.

On Kawara One Million Years Press Release [David Zwirner]
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On Kawara One Million Years [Chelsea Art Galleries]
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On Kawara: David Zwirner Gallery, New York
[International Contemporary Art Magazine via BNET]
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Reeling In the Years [NewYorkMag]
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My Brief Career in Conceptual Art [W Magazine]
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On to a Million [Interview Magazine]

 
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Go See: Fred Sandback at David Zwirner in New York through February 14th

Monday, February 2nd, 2009

Fred Sandback’s ‘Untitled (no. 48, Three Leaning Planes, from 133 Proposals for the Heiner Friedrich Gallery)’ via David Zwirner

Fred Sandback, who died in 2003, is known best for his yarn sculptures that fall somewhere between Minimalist and conceptual art. On view now are two concurrent solo exhibitions at David Zwirner in Chelsea and Zwirner & Wirth in the Upper East Side. Sandback’s sculptures create large planes using colored yarn, outlining a shape and using walls, floors, and ceilings to create a perception of depth and space. The sculptures present an optical illusion of boundaries, of planes cutting across space that look like they may not be crossed but in fact do not exist. It is in that illusion that the theatricality of Sandback’s work lies. Using only the sparest of material he creates a vast, imposing presence.

Fred Sandback at David Zwirner
Fred Sandback at Zwirner & Wirth
Art in Review: Fred Sandback [NY Times]

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Newslinks for Friday, January 23rd, 2009

Friday, January 23rd, 2009


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Terence Koh in United  Bamboo via Refinery29

Artist and downtown NYC fixture Terence Koh Models for United Bamboo [Refinery29]
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A review of director of Hauser and Wirth gallery Gregor Muir’s book on the seminal period of the Young British Art movement of the 80’s “They were too drunk, too coked up, too busy scrounging up some rent, too out of work and squalor-happy to remember much about the glory days.” [TimesUK]
–>
Art Tactic reports 81% fall in confidence levels in contemporary-art market, predicts 3-5 years to recovery, institutes new “survival rating” to predict artists to be considered still relevant in 10 years [Bloomberg]
–>
In related, the Art Newspaper offers predictions for the market in 2009 [ArtNewspaper]
–>


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Olafur Eliasson’s book via Space Invading

Commissioned by MOMA, Olafur Eliasson creates 454 page, 85:1 scale, laser-cut negative space rendering of his home [SpaceInvading]
–>
Video of Rirkrit Tiravanija serving up vegetarian curry at a grafitti’d construction installation at David Zwirner
[NewArtTV]
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The Louvre begins managing its first ever endowment of $230m received from the United Arab Emirates to build a museum there
[NYTimes]
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When artwork decays and requires reproduction
[WallStreetJournal]
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Anthony Haden-Guest on Yves Saint Laurent’s 700+ work art collection to be auctioned in February by Christie’s Paris at a £200m to £300m estimate
[GuardianUK]
–>

Elegant Aston Martin Rapide

Belfast Telegraph April 29, 2009 ASTON Martin’s new 6.0-litre, V12-engined Rapide has moved into the final stages of development, with the first cars due to be delivered to customers in early 2010.

The car – with swan-wing doors that rise upwards and outwards as they swing open – will be built at a new production facility in Graz, Austria.

Aston Martin says the as-yet unpriced Rapide “will be the most elegant four-door sports car in the world”. here aston martin rapide

The fourth annual Bradford Classic will be staged in the west Yorkshire city over the weekend of July 18 and 19.

There will be more than 150 classic and performance cars going on open-air show in Centenary Square, Bradford.

Adventure biking – the growing trend of motorcyclists taking off on long-distance treks, often over fairly hostile territory.

To help prepare for such a hazardous long journey, authors Robert Wicks and Greg Baker have come up with an essential guide, titled Adventure Riding Techniques (Haynes, priced Pounds 19.99).

It deals with everything from rough terrain, bike preparation, and riding skills, to security and survival. this web site aston martin rapide

Put together in an easily-followed Haynes manual format, it can be sourced from bookshops, or www.haynes.co.uk.

XPart, a subsidiary of Caterpillar Logistics Services, says there’s still a plentiful supply of MG Rover parts, and holds a stock of 40,000 MG and Rover items.

It’s four years since the MG Rover factory closed down near Birmingham, and by linking with MG Rover brand owner, China’s Nanjing Automobile Corporation (NAC), XPart gets parts made from original MG Rover tooling.

For information on XPart, or to locate the nearest MG Rover AutoService centre, visit www.xpart.com.

First UK deliveries of the revised Audi Q7 luxury 4×4 take place in July, with a 3.0-litre “clean diesel” engine joining the enhanced line-up.

Prices will range from Pounds 38,575 to Pounds 94,850, and orders can be placed now.

AO On Site: Glass-Half Full @ Miami Art Basel Vernissage Wednesday, Dec 2nd, 2008

Friday, December 5th, 2008


Grayson Perry; Entrance To The Forest; 2002; Victoria Miro Gallery; London -Photos by ArtObserved

“The surprise is the business we are doing. Frankly, people are expressing more confidence in the art market than the government or Wall Street right now,” said Sean Kelly of Sean Kelly Gallery. The night of December 2nd, Vernissage attendees glittered and Piper Heidsieck champagne flowed.  More importantly, buyers were in attendance, asking questions and indeed, according to most of the galleries interviewed for this article, buying.  On Thursday afternoon, Douglas Baxter, President of Pace Wildenstein professed “We’ve met expectations.” Also on Thursday, when asked his feelings on sales from the night before, a representative at Cheim & Read insisted his artists have been selling well, pointing to Jack Pierson sculpture and a pile of William Eggleston’s photos.  Margherita Belaief of Peres Projects had the same confidence, “It’s hard to say so early but in general, Dash Snow’s pieces are selling strong.”  While hesitant to disclose precise numbers, the overall sentiment of the top galleries was optimistic.

However, it’s important to note while the larger known artists have been selling strong, some galleries have reported some difficulty selling lesser known artist pieces.  Alfons Klosterfelde at Klosterfelde was most direct: “People are asking more questions and really want to know the details,” but he said pointedly as of Thursday, “there have been less sales” and Klosterfelde remarked the pieces sold were from the gallery’s more known artists.

Photos and Writing by Faith-Ann Young

more pictures and story after the jump…

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AO Auction Results: Christie’s “The Modern Age,” the Alice Lawrence and Hillman family collections sell for less than 50% of estimate as Rothko and Manet headliners are pulled

Saturday, November 8th, 2008

Rene Magritte's "L'Empire des lumiéres" (1947) via Christie's

On Wednesday November 5th, Christie’s conducted its sale of the estates of two separate widows (the Alice Lawrence and Hillman family collections) bearing similar works of mostly late 19th and early to mid-20th century pieces, in an auction thus titled “The Modern Age.” These auctions included works by headliners such as Pablo Picasso, Paul Cézanne, Mark Rothko, Fernand Léger, Edouard Manet, Henri de Toulouse-Lautrec, Amedeo Modigliani, Giorgio De Chirico and René Magritte. The event followed the latest Sotheby’s auction for Impressionist and Modern art on Monday (as covered by AO here) which disappointedly totaled $223.8 million against the $338 million low estimate. Additionally, the Modern Age sale corresponded to a particularly steep post-presidential race drop in the public equity markets in which the Dow plunged 486 points.

The auction results were no surprise considering the current tepid environment in the art market: The two collections listed 58 lots, of which 17 did not sell, for a total sale of $47 million, which was less than half of its $104 million low estimate. Christie’s said 51% of buyers were American and 29% European. Though Surrealist lots by Magritte (see image above) and De Chirico (see below) did well, of the lots that were brought in were the most expensive of the sale, notably, Manet’s “Fillette sur un banc/Girl on a Bench,” a 1880 portrait of a girl with a wide-brim hat estimated at $12-18 million (see image below), and Rothko’s “No. 43 (Mauve),” estimated at $20-30 million. Other works by Cézanne, Renoir, and de Kooning also failed to sell.

Bleak Night at Christie’s, in Both Sales and Prices [NY Times]
Art-Market Rout Persists: Rothko Snubbed at Auction [Bloomberg]
Buyers Cool to Private-Collection Art at Christies [Reuters]
Market Forces Bring Fire-Sale Prices for Christie’s “Modern Age” [Art Info]
The Modern Age: Property from the Hillman Family Collection [Art Daily]
Christie’s Wan and Woeful Night [CultureGrrl]
Christie’s Website

more auction results, quotes and images after the jump…

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Go See: John McCracken at David Zwirner NYC, through October 18

Thursday, September 25th, 2008


Beauty, John McCracken (2006) via David Zwirner

David Zwirner opened a show of new work by artist John McCracken on September 11th. The exhibition houses nearly 100 pieces made by McCracken, many of which are components of multi-part sculptures. This is McCracken’s fourth solo exhibition at David Zwirner; he has also shown at S.M.A.K. in Ghent, Belgium in 2004 as well as a variety of group shows.  Born in Berkeley in 1934, John McCracken has been showing his conceptual, abstract, and minimalist sculptures since the 1960s. In concurrence with this David Zwirner show, Radius Books is publishing and making available for the first time, John McCracken: Sketchbook. This publication is filled with the artists working sketches from the 1960s. The author of the publication, Neville Wakefield, is an independent curator and has most recently put together a group show at MoMA P.S.1.

John McCracken at David Zwirner [David Zwirner]
John McCracken: Sketchbook [Radius Books]
John McCracken talk & book signing at David Zwirner [Art Slant]
David Zwirner: Press Release [Artinfo]

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Go See: Neo Rauch at David Zwirner, Chelsea, NY through June 21

Wednesday, June 4th, 2008


Der Garten des Bildhauers via David Zwirner gallery

From May 12 through June 21, David Zwirner (in Chelsea) is hosting the new exhibition of the German artist Neo Rauch. This will be the artist’s fourth solo exhibition. In this show, Rauch creates an enigmatic environment evoking depression, fear, and vulnerability.

Don’t Call Him an Art Star [NY Observer]
Neo Rauch [David Zwirner]
Neo Rauch [Artcal]

(more…)

Don’t Miss: Daniel Richter at David Zwirner, New York, March 25 – May 3

Friday, April 25th, 2008


Daniel Richter via David Zwirner Gallery

David Zwirner presents the work of German artist Daniel Richter from March 25, until May 3rd.  This will be the artist’s second solo exhibition at the gallery and will feature a selection of paintings and works on paper.

Daniel Richter: Die Idealisten / David Zwirner, New York [Vernissage TV]
“Raw & Impetuous” [NY Sun]

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Don’t Miss: Christopher Williams at David Zwirner, NY through March 29

Monday, March 10th, 2008

Christopher Williams “Linhof Technika V fabricated in Munich, Germany. Salon Studio Stand fabricated in Florence, Italy. Dual cable release. Prontor shutter. Symars lens 150mmm/f 5.6 Schneider kreuznach. Sinar fresnel lens placed with black tape on the ground glass. (Yellow) Dirk Sharper Studio, Berlin, June 19, 2007, 2008 C-Print Framed: 33 3/4 x 29 1/4 x 1 1/2 inches 85.7 x 74.3 x 3.8 cm Matte Window: 17 1/2 x 13 3/4 inches 44.5 x 34.9 cm Print: 20 x 16 inches 50.8 x 40.6 cm” Courtesy David Zwirner, New York

Christopher Williams’ solo exhibition, “For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision 7),” is currently on view at David Zwirner Gallery. The artist makes a concerted effort to remove himself from all actions that usual define a photographers relationship to his subject.
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NEWSLINKS 02.28.08

Thursday, February 28th, 2008


Aby Rosen via Wikipedia


Aby Rosen’s influence on the worlds of real estate and art [NYMag]
Review of “The Gates” documentary on HBO [New York Times] and here [New York Sun]
An evaluation of street art’s move to high art [Financial Times]
Editorial on Title validity of “forced sales” under Nazi threats [Wall Street Journal]
Update: Review of Tuymans’s Disney themed works at Zwirner [New York Sun]

GO SEE: LUC TUYMANS AT DAVID ZWIRNER, February 14 – March 22

Tuesday, February 12th, 2008


Luc Tuymans from Forever, 2008 via Art Cal

New works by Luc Tuymans will be exhibited in the upcoming show, “Forever: The Management of Magic”, at David Zwirner gallery. The influential Belgian artist has produced sixteen new works specifically for the show. The included works all deal with the hopelessly pervasive, and specifically American, Walt Disney phenomenon.

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Newslinks 1.14.08

Monday, January 14th, 2008


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Koons interview courtesy of Art Forum
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Jeff Koons, “T” and Sympathy [Artforum]
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Sotheby’s February Art Sale Valued at Over GBP100 Million [Art Daily]
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Zwirner’s Video Re-enacts Historic Chess Battles [NY Times]
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Bleckner will Donate his Ashes for Paint [NY Daily News]
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NYSun Coverage of Robert Rauschenberg at Pace Wildenstein [NY Sun]
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Domino’s is about to grow;Pizza chain plans 400-store expansion in coming year. go to site dominos coupon codes

Crain’s Detroit Business December 6, 1999 | KOSDROSKY, TERRY The corporate reshuffling last week at Domino’s Pizza Inc. that led to about 100 administrative layoffs is the precursor to a 400-store growth plan in 2000, double its current growth rate.

Domino’s also plans to invest more in franchise development, marketing and in-store computers.

The goal is to increase systemwide sales by 5 percent next year, said Tim McIntyre, vice president of communications for Domino’s. The Ann Arbor Township-based company typically has opened between 150 and 200 stores a year since 1995. Domino’s reported systemwide sales of $3.2 billion in 1998. There are about 6,400 worldwide stores, with 4,563 in the United States.

Though the No. 2 pizza company reported same-store sales growth in its last 25 quarters, its domestic market share declined slightly between 1997 and 1998, from 11.7 percent to 11.3 percent, according to Technomic Inc., a Chicago-based restaurant industry research and consulting firm.

The pizza industry has been slow-growing for the past several years. Last year’s top three companies, Pizza Hut Inc., Domino’s and Detroit-based Little Caesar Enterprises Inc., all lost market share in 1998, according to Technomic. But Domino’s wants to make a move, McIntyre said.

To achieve its projections, Domino’s last week overhauled its franchise-service and franchise-marketing operations. The company used to have 55 franchise consultants who worked with franchisees on business plans, new products, operations and marketing. Now Domino’s will use 51 franchise consultants to work on stores with sagging sales and small markets, while 19 operations consultants will work with franchisees on operations and new products.

Marketing development managers will work with franchisees on promotions and advertising targeted at more specific markets. this web site dominos coupon codes

As a result, Domino’s needs fewer administrators and more marketing and brand-management specialists, McIntyre said. That’s why about 100 corporate employees, including about 40 in its Ann Arbor Township headquarters, were laid off. Domino’s has about 3,000 salaried employees.

One franchisee said he thinks the decision to market promotions in smaller areas is a good idea and can increase unit sales.

“Before, they would make a decision for a six- or seven-state area. Now they’re targeting it for specific states and county areas, and we think that’s better,” said Joe Manuszak, who owns seven Domino’s stores in western Michigan. “The old way would be like me trying to develop a marketing plan for Indianapolis, which I know nothing about. The differences in each area are huge. In some markets, they don’t care about price, and in others, it’s more competitive.” Manuszak said franchisees are getting a different tone from the company.

“The regional offices are saying, `What can you do?’ instead of saying, `This is what you can’t do,’ ” he said.

But the transition won’t happen without some rough spots, Manuszak said.

“I think it’s positive, but there is a sense of loss and regret for the people that have gone. Some good people have gone, and some relationships with the parent company are lost,” he said. “It may cause some problems with contracts that are in the midst of completion, but life doesn’t come to an end.” An independent franchise analyst said the changes should benefit franchisees, who make up the bulk of Domino’s system.

“You should have consultants by function, but you also need someone in marketing on the local level who really understands the region,” said Geoffrey Stebbins, president of Southfield-based World Franchise Consultants Inc. “You really need a two-pronged answer, and Domino’s is large enough to afford that.” Stebbins said Domino’s growth projections are realistic but that the company should focus more on increasing same-store sales in order to attract more franchisees. But he said that because Domino’s carries a lot of debt because of its recapitalization by Bain Capital Inc., Brandon has pressure to expand the system.

Domino’s reported total long-term liabilities of $745 million for the third quarter, which ended Sept. 12. Boston-based Bain, which purchased Domino’s in December 1998 in a $1.05 billion deal, funded the recapitalization with $425 million in loans and $275 million in public security bonds.

Terry Kosdrosky covers the food industry, transportation, steel, international and Downriver. He can be reached at (313) 446-1626 or at TKosdros@crain.com.

KOSDROSKY, TERRY