Paul Klee, New Harmony (Neue Harmonie) (1936), Solomon R. Guggenheim Museum, New York, 71.1960. © 2013 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

On view at the Guggenheim Museum in New York, is a unique exhibition of abstract works taken from the museum’s 20th century collection, intended to show the trends present between the years of 1919 and 1939, during which time a variety of abstract artists flourished, pioneering new techniques and creative philosophies across the mediums of painting, sculpture and drawing.

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Diana Widmaier-Picasso, granddaughter of Pablo Picasso by his mistress Marie-Thérèse Walter, is currently undertaking an ambitious project: a catalogue raisonné of her grandfather’s sculptures.  Widmaier-Picasso’s ambitious project looks to consolidate the artist’s output in the form, thereby increasing his work’s value in the marketplace.  “Picasso is the greatest sculptor of the 20th century,” Carmen Gimenez of the Guggenheim Museum said. “He practically reinvented modern sculpture. But as soon as you begin working with his sculptures, you realize you need to learn more.” (more…)

Outside View, Art Basel 2013, Photograph Courtesy of Art Basel

The city of Basel, situated at the border between Switzerland, France and Germany, will be transformed into a contemporary arts hub this week for the 44th annual Art Basel. Anticipating record attendence, the fair will look to top its record of over 65,000 visitors at the marathon art event this year.  With over 300 top galleries from all over the world flocking to the city to display over 4,000 artists’ work, the fair is commonly referred to as the “Olympics of the art world.”  and features a similarly brimming schedule of events and claustrophobic crowds of eager spectators. Each day boasts its own full agenda, including film screenings, artist talks, and performances, and joined by the vast number of peripheral art exhibitions and events hosted by cultural institutions of Basel throughout the entire region, held in obscure and romantic venues amidst the Swiss lakes and mountains.

Olafur Eliasson, Untitled (2003), Courtesy of Art Basel

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The Metropolitan Museum of Art will open its newly renovated European Galleries this Thursday, and the New Yorker’s Peter Schjeldahl has published a brief review of the new wing, praising its appointments and rehang.  “I had an eerie sense, while surveying the results the other day, that here was a brand new major institution which, somehow, had plundered the holdings of the Met.”  He writes. (more…)

Looking forward to 2016, the Manifesta Arts Festival has announced the location of its 11th edition, taking place in the Swiss city of Zurich. “The Manifesta board appreciated the openness expressed in the Zurich Bid and the willingness to invite Manifesta to take a critical position. With full awareness that initiating a Manifesta Biennial involves unpredictable outcomes Zurich embraces the critical discourse including the opportunities and risks that it entails. That is why we are thrilled to be going to Zurich for Manifesta 11.”  Says Manifesta Director Hedwig Fijen. (more…)

A recurring theme of late for American museums has been that of repatriation, with several major institutions announcing that they will return ancient works to foreign countries claiming that the works were theirs.  However, many critics and museum employees posit that these claims on ancient art are often little more than extortion, and that the claims do little more than starve the cultural offering of museums and institutions around the globe, all while ignoring key issues of theft and looting.  “Has any of this affected the real evil, which is looting?” asks Stephen Urice, a cultural property lawyer at the University of Miami. “From what I see, it’s getting worse.” (more…)