Go See РMadrid: Juan Mu̱oz at Museo Nacional Centro de Arte Reina Sofia through August 31, 2009

Saturday, August 8th, 2009


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Juan Muñoz’s Hanging Figure, part of the retrospective of his work now showing at Museo Nacional Centro de Arte Reina Sofia. Image courtesy of the Museum.

Museo Nacional Centro de Arte Reina Sofia is hosting a retrospective of the works of Juan Muñoz.  The show is rotating between the Tate Modern, Guggenheim Bilbao, and Serralves Foundation and will leave its current home on August 31, 2009.  This the most complete retrospective of the artist’s work to date, even featuring works never before exhibited.  The retrospective spans sixteen years, since Muñoz’s first solo exhibition in 1984 to the last piece he finished before his death in 2001.  The retrospective  is organized and curated in collaboration with Tate Modern.

Related links:
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Museo Nacional Centro de Arte Reina Sofia – Exhibitions
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Juan Muñoz [artist page]


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Juan Muñoz, Conversation Piece, courtesy of the Museum.

More images and story after the jump.

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Go See – Thessaloniki, Greece: ‘RODCHENKO & POPOVA: DEFINING CONSTRUCTIVISM’ at The State Museum of Contemporary Art, through September 20, 2009

Monday, August 3rd, 2009


Liubov Popova’s magazine cover design for Questions of Stenography, at SMCA. Via The Guardian.

Greece’s State Museum of Contemporary Art (SMCA) is showing works by “two of the most important artists of the Russian avant-garde,” Aleksandr Rodchenko and Liubov Popova.  The 350 paintings, drawings, constructions, photographs, and essays featured in the exhibition are drawn 15 institutions from around the world, including 60 works which the SMCA donated from the collection of George Costakis.  Showing in the Moni Lazaraston exhibition hall, the exhibition travels to the State Museum from a successful run at London’s Tate Modern, which drew over 102,100 visitors.  After its close at the State Museum on September 20, “Defining Constructivism” will continue its tour of Europe with a move to Madrid’s Museo Nacional Centro de Arte Reina Sofía, where it will remain through January 2010.

Related links:
Rodechenko & Popova: Defining Constructivism [SMCA]
Aleksandr Rodchenko on artnet
Liubov Popova on artnet


Aleksandr Rodchenko’s illustration for the Young Guard magazine (1924), at SMCA. Via studio international.

More images and story after the jump…

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Go See – London: Per Kirkeby at the Tate Modern through September 6th 2009

Friday, July 17th, 2009


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The Siege of Constantinople (1995) by Per Kerkeby, via The Guardian

Currently on view at the Tate Modern is the first major retrospective of the work of Danish artist Per Kirkeby (b. 1938). The show presents 146 works spanning four decades and bringing together his Pop-inspired paintings from the 1960s with early paintings on canvas and masonite from the late 1970s as well as a group of blackboard works, bronze sculptures, and rarely-seen works on paper as well as a selection of the artist’s writings.

Exhibition Page
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Northern Exposure [The Guardian]
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Video: Per Kirkeby Exhibition at Tate Modern [The Telegraph]
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In Pictures: Per Kirkeby [BBC]
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First Major Survey in the UK of the Work of the Danish Artist Per Kirkeby at Tate Modern [ArtDaily]
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Go See – New York: “Dan Graham: Beyond” on view at the Whitney Museum of American Art through October 11th, 2009

Tuesday, June 30th, 2009


Dan Graham, Girls Make-up room, 1998-2000. Via Whitney Museum of American Art

Dan Graham’s first U.S. retrospective is currently on view at the Whitney Museum of American Art. The artist’s work has been highly influential since the 1960’s.  He has close personal and professional ties with Sol LeWitt, Dan Flavin and Mel Bochner and as of yet his work has been seldom collected or recognized in the U.S. The show features a comprehensive sampling of his body of work in media including installation, text pieces, performance and site specific sculpture. At the core of his work, Graham is investigating public and private cultural systems and the extent to which his playful, often comic, interference can alter the way individuals relate to their surroundings, themselves and others.

Dan Graham: Beyond [Whitney Museum of American Art]
Dan Graham: Be My Mirror [Art in America]
Retrospective of Pioneering Artist Dan Graham Opens at Whitney Museum
[ArtDaily]
Dan Graham: Artist’s Talk 2007 [Tate Modern]
Interview with Dan Graham [Museo Magazine]
Dan Graham: A Round Peg [NY Times]
Dan Graham – Whitney Museum of American Art [ArtForum]


Dan Graham, Figurative,1965; published March 1968 in Harper’s Bazaar. Via Whitney Museum of American Art

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Go See – London: ‘Futurism’ at Tate Modern through September 20th 2009

Saturday, June 27th, 2009


Portrait of Ivan Klioune (1913) by Kazimir Malevich, via The Guardian

Currently on view at Tate Modern is a ground-breaking exhibition celebrating the centenary of the Futurist Movement.  Launched in 1909 by the Italian poet Filippo Tommaso Marinetti with the publication of the Manifesto of Futurism on the front page of the Paris newspaper Le Figaro, the Futurist Movement borrowed elements from Cubism and Divisionism in order to create a new style that broke free from tradition and expressed the energy and dynamism of modern life.

The exhibition highlights the work of key Futurists such a Giacomo Balla, Umberto Boccioni and Gino Severini as well as works by other major artists such as Braque, Malevich and Duchamp.

New Worlds: Futurism at Tate Modern [The Guardian]
Review: Futurism Falls Flat at Tate Modern [The Guardian]
Closet Thinker: Fashion goes back to the Futurists [The Telegraph]
Celebrating Futurism at the Tate Modern
[Fadwebsite]
Futurism at the Tate Modern: A Glimpse into Tomorrow’s Whirl [The Telegraph]
Tate Modern: Futurism
[The Art Newspaper]
Tate Modern Marks Futurism Centenary with new show [Reuters]
Tate Modern Show brings pivotal Futurist art works together for first time [This is London]
Tate Modern Presents Today First Large-Scale Showing of Futurism in Britain in Thirty Years [Artdaily]
The Futurists’ Futile Chase After Motion [NY Times]
‘Futurism’ at Tate Modern [FT]
Secret Bansky Show Opens Tomorrow [Artinfo]
Bansky back in Bristol for biggest British Exhibition [The Telegraph]

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Go See – London: Paola Pivi’s ‘1000’ at the Tate Modern on Monday, May 25, 2009

Sunday, May 24th, 2009


Paola Pivi’s ‘Untitled (Donkey)’ at the 50th Venice Biennale in 2003 via Brown

As part of UBS Openings: The Long Weekend at Tate Modern in London, Italian artist Paola Pivi will present a performance on Monday. Called ‘1000,’ the piece involves 1000 people on the mezzanine bridge above the Turbine Hall screaming as loudly as possible. Many of those participating come from organizations such as Free Tibet and are screaming as a form of protest.  Still, others are likely to scream about nothing in particular, having very few directives from the artist. ‘1000’ takes place on Monday, May 25, 2009.

Art’s a scream at the Tate Modern [Times]
Screaming Pivi at the Tate
[Artinfo]

Newslinks for Saturday, May 23rd, 2009

Saturday, May 23rd, 2009


Ben Lewis BBC reporter for ‘The Great Contemporary Art Bubble’ via The Age

A video player of the BBC documentary: ‘The Great Contemporary Art Bubble’ which, though scathing, gained extraordinary access to collectors such as Adam Lindemann, Aby Rosen and the Mugrabi’s.  Of note is that the documentary filmmaker Ben Lewis actually admits to being the source that leaked White Cube’s unsold inventory prior to the famous Damien Hirst Sotheby’s Auction of 2008 [BBC]


The Guggenheim Museum via Guggenheim.org

The Guggenheim Museum celebrates its 50th anniversary with an exhibition on Frank Lloyd Wright [NYTimes]
The Wall Street Journal calls a possible art price floor based on NY Spring auction activity being the “smallest in 5 years”
[Wall Street Journal]
A lawsuit is filed against Christie’s over $3.2 million accepted bid alledgedly made after another accepted phone bid
[Bloomberg]
On the austere outlook for recent art school graduates
[Financial Times]

Supermarkets censor Manic Street Preachers album cover by Jenny Saville [BBC]
On Art in America owner Peter Brandt’s new exhibition space / festivities at his Greenwich estate [Art Forum]


A digital rendering of Karl Haendel’s ‘Scribble’ on 441 Broadway via NY Times

Art Production Fund sponsors a by-hand, massive “scribble” (on wall once used by Banksy) on Howard Street in Soho, New York [NY Times]
An article on the effect at auction of the duration of artists’ careers as well as how prolific they are [NYMag]
The Museum of Contemporary Art in LA cuts four exhibitions and 17 more jobs [LATimes]
The Fine Art Fund Group sets up to bid on 2 corporate art collections worth up to $65 million and holding works by Picasso and Cindy Sherman
[Financial Times]


Maria Baibakova via WWD

24-year old Russian Heiress Maria Baibakova is launching new contemporary shows in Moscow [WWD]
The Obama family redecorates the White House with works by Jasper Johns,Richard Diebenkorn, Jasper Johns and Robert Rauschenberg
[Wall Street Journal]


Deitch Projects director Nicola Vassell in her Soho loft via NYMag

On the salon-like atmosphere at Deitch Projects director Nicola Vassell’s Soho, New York apartment [NYMag]
Steve McQueen has lunch with the FT, speaks on his film ‘Hunger’ and the Venice Biennial [Financial Times]


The Museum Brandhorst in Munich via Cubeme.com

Munich’s Brandhorst Museum opens, housing works by Joseph Beuys, Bruce Nauman, Damien Hirst and Gerhard Richter [The Art Newspaper]


A trip photo by Rita Ackermann in Marfa via Blackbook

Rita Ackermann documents her artist in residence in Marfa, home of Donald Judd’s Chianti Foundation [BlackBook]


101 Spring Street, the former home and studio of artist Donald Judd in Soho, New York

In related, the Judd Foundation will restore 101 Spring Street, a cast iron building that was the home and studio of artist Donald Judd. [ArtDaily]


The artist Dash Snow in his Bowery Studio via the Fashionisto

Artist Dash Snow profiled in Muse Magazine [Muse]
Nearly 11,000 people have applied to be part of Antony Gormley’s interactive sculpture on London’s Fourth Plinth, to run from July to October
[Independent]
‘Sold Out,’ the original title for ‘The Warhol Effect,’ the Tate Modern’s autumn show featuring Hirst, Koons and Haring , was rumored to have been vetoed by one of the artists due to its double meaning
[GuardianUK]
Damien Hirst is the Art Curator for ‘Boogie Woogie,’ a new fictional film on the inside of the art world [TimesUK]
And Hirst opens a show of his work in Prague
[RadioPrague]


The Torment of Saint Anthony, reportedly by Michelangelo

The Kimbell Art Museum in Fort Worth, Texas purchases what it believes to be Michelangelo’s first painting, which he completed when he was 12 or 13 years old [DallasNews]
The Hermitage and the State Russian Museum are accused of tax evasion by the Federal Tax Police [The St. Petersburg Times] via ArtinAmerica


The Art Institute of Chicago’s Modern Wing via ArtInfo

The 264,000 square foot Renzo Piano designed Modern Wing of The Art Institute of Chicago opens, making the museum the second largest in the US [ChicagoTribune]
A £3 million, 2-ton Henry Moore sculpture stolen in 2005 was most likely melted down and sold for £1,500 worth of scrap metal
[GuardianUK]
President Sarkozy will attend the groundbreaking ceremony for the controversial Louvre in Abu Dhabi
[ArtNewspaper]


Richard Prince’s ‘After Dark’ Tapestry on the Hong Kong Museum of Art via Wallpaper

Richard Prince covers the Hong Kong Museum of Art in pulp-fiction novel covers to commemorate the exhibition “Louis Vuitton : A Passion for Creation” [ArtDaily]
In related, with a 31%
attendance increase and strong sales, the 2nd Hong Kong International Art Fair is deemed a success [HongKongArtFair]


The New home of Hauser and Wirth New York at 32 East 69th Street via ArtInfo

Gallerist David Zwirner will open a new gallery in Shigeru Ban’s Metal Shutter House on West 19th Street and, uptown, Hauser & Wirth New York (following last month’s debut of Swallow Street, its London exhibition space for emerging artists) will open an Annabelle Selldorf-designed space in the building that was formerly occupied by Zwirner and Wirth on 32 East 69th Street [ArtReview]
The Albion Gallery in London closes in bankruptcy
[Artinfo]
Roughly 25 out of 388 galleries in Chelsea have closed but at least 10 new galleries have opened, with more are on the way [Crain’s]

Go See: Roni Horn aka Roni Horn, by Roni Horn, at the Tate Modern, London, through May 25, 2009

Thursday, March 12th, 2009


You are the Weather (1994-6) by Roni Horn, picture via the Independent

Roni Horn’s work is on display at the Tate Modern, in her most comprehensive retrospective to date and her first solo museum show in London. The show, Roni Horn aka Roni Horn, incorporates works from the beginning of her career in the mid-1970s through the present.

Horn’s oeuvre touches on several recurring themes, namely identity, mutability and water, at least one of which is likely to appear in some form in her pieces. Additionally, the artist also explores relationships between identical objects being presented in different emotional and spatial contexts, thereby creating different experiences of the same subject. The diptych Dead Owl from 1997, and the sculpture Paired Gold Mats — For Ross and Felix from 1994 embody this idea, and are on display at the Tate.

The artist also has a special artistic relationship with Iceland, assembling To Place, a series of photography books on the island, its glaciers, hot springs, volcanoes, geysers and rivers that examine the constant geological flux of that country. The Weather is You, a series put together between 1994 and 1996, is also set in Iceland, consisting of photographs of a young woman emerging from various hot springs under different climactic conditions, which in turn subtly affect her facial expression and the composition of the photograph.

The rest of the exhibit is comprised of various photographic installations and sculptures that typically employ glass as a medium, but may also contain a diverse array of media ranging from gold to rubber. The west windows of the Tate will be uncovered so as to expose Horn’s sculptures to shifting natural light, which will interact with the glass, water and other media in unique ways, rendering each experience of the work as exceptional.

RONI HORN AKA RONI HORN
through May 25th, 2009
Tate Modern Museum,
Bankside Power Station,
25 Sumner Street London SE1

Exhibition Page: Roni Horn aka Roni Horn, Tate Modern
Tate Gallery to Show Roni Horn aka Roni Horn [ArtDaily]
Enigma variations: The curious world of Roni Horn [Independent UK]

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Newslinks for Sunday, March 8th, 2009

Sunday, March 8th, 2009


Larry Gagosian via Askmen

An aggressive attempt to get the story behind Larry Gagosian, possibly the most influential yet enigmatic figure in the art world
[NYTimes]


A Donald Judd installation in Marfa, TX via Drexel, University

On the stark, quirky, top art pilgrimage destination of Marfa, TX [Chicago Tribune]
Art is moving out of the hands corporations
[FT]

After the Tate, New York on the Bowery, and a slum in Kenya, street artist JR appears in Cambodia [WoosterCollective via the World’s Best Ever]
Nick Cohen’s critique of Nicolas Bourriaud’s curated vision of a “globalised cultural state” at the Tate’s ‘Ultramodern’
[ObserverUK]


Initial work on Raven’s Row in London via RavensRow

Alex Sainsbury opens non-profit exhibition space Raven Row’s in London [FT]


Richard Prince via Interview

Richard Prince donates “one of the most valuable and distinctive modern libraries in private hands”
[TimesUK]
The Museum of Modern Art has relaunched a decidedly more interactive website
[FastCompany]


Bruce Nauman via National Gallery of Australia

Bruce Nauman will represent the United States [ArtDaily] and John Baldessari (and Yoko Ono) to be awarded the Golden Lions at the 53rd Venice Biennale this year [ArtInfo]

Charles Saatchi via the Times UK

Charles Saatchi grants a rare interview: “art is my only extravagance” and another interview from Turner Prize winning Film director Steve McQueen [TimesUK]


David Zwirner with Simon de Pury via the Swiss Institute

On the resilient and very active power dealer David Zwirner: “Many people have cash on hand and they are waiting for first-rate objects” [Bloomberg]


Maria Baibakova via the Guardian UK

On Maria Baibakova, young Russian heiress addition to the art world (not Daria “Dasha” Zhukova) [TheIndependent]
Will Gompertz on Joseph Beuys, his Duchampian influence and other noteworthy points such as the myth of the inception of his art at the hands of Tartars in the Crimean War
[GuardianUK]

Newslinks for Tuesday, February 24, 2009

Tuesday, February 24th, 2009


Richard Serra’s Equal Parallel: Guernica-Bengasi, 1986, returned to El Museo Nacional Centro de Art Reina Sofia, Madrid via Art Daily

Missing Sculptures by Richard Serra are replaced at El Museo Nacional Centro de Arte Reina Sofia [ArtDaily]
How Art Capital Group is providing liquidity backed by significant fine art
[The New York Times]
A new book on the world’s largest unsolved art theft, the Gardner Museum Heist [Wall Street Journal]
A new Julian Schnabel-designed steak house back room?
[NYMag]
The Moscow Art Fair has been postponed
[Bloomberg]


A still from the Marcel Dzama video via Pitchfork

Animated Marcel Dzama for NASA’s video [TheWorldsBestEver]
The Prado’s conclusion that Colossus is not a Goya is brought into question
[Wall Street Journal]
How the Brooklyn Museum’s Shelly Bernstein expands the institutions presence via internet outreach [New York Observer]
Francis Bacon, and a new exhbition in the unlikely city of his death [New York Times]
An agreement reached with further clarifies the collection boundaries between the UK’s National Gallery and the Tate
[Guardian UK]


Assume Vivid Astro focus via the TheMoment

Assume Vivid Astro focus collaborates with the New York Times [TheMoment]
The last days of Soho’s Guild and Greyshkul gallery
[New York Times]
A detailed new report on the growing impact of China, Russia, India and the Middle East in the global art market [ArtDaily]
How the fall of the art boom is useful to trim the movement of blockbuster art to the only fleetingly interested masses
[Newsweek]
Mega dealer David Nahmad on the market’s rise and fall: “It’s almost a fraud. I would never advise my clients to buy contemporary art.”
[IndependentUK]

Lucian Freud has painted a wine label for Chateau Mouton Rothschild 2006 [Forbes]
Sotheby’s reports $2.8 billion in sales in 2008
[ArtDaily]
UK Government cuts VAT taxes after court rules that video and light art is sculpture in a case involving Dan Flavin and Bill Viola works imported by Haunch of Venison [The Art Newspaper]
How the Whitney recently benefited from the weakness of the corporate system [NYTimes]
The Times UK and Saatchi Gallery begin a top 200 artist survey with results to be announced in May [TimesUK]

Go See: Tate Triennial ‘Altermodern’ at the Tate Modern, London, through April 26, 2009

Friday, February 6th, 2009


Hermitos Children by Spartacus Chetwynd via Art Daily.

This week the Tate Modern has unveiled its 2009 Triennial, Altermodern. The museum’s fourth Triennial highlights fewer British artists than previous exhibitions and has instead aimed its efforts at highlighting a new movement in art. The exhibition is curated by Nicolas Bourriaud who defined the “Relational Esthetics” art movement and is now using the Tate’s Triennial as a showcase for his most recently conceived movement: Altermodernism. The exhibition which comes with a manifesto in tow declares foremost that Postmodernism is dead.  In its place is a new movement defined by ever-increasing globalization and the heightened communication, travel and migration that is the result.  As Bourriaud explains “If early Modernism is characterised as a broadly Western cultural phenomenon, and Postmodernism was shaped by multiculturalism, origins and identity, Altermodern is expressed in the language of global culture.” In short today’s artists are now starting from a globalized state of culture where the origins of  any one person have become increasingly similar to the origins of any other given person.

Altermodern is a swarm of drawings, sculptures, videos, photographs, slide shows, installations, soundtracks, documentaries, and performances. Many works included are several mediums at once as the pieces tend to be a collage of related matter as opposed to a single defined piece; reflecting the idea of Altermodern as complex fusion of ideas and influences. The artists producing these pieces are mostly thirty-somethings that live or work in Britain, though keeping with the globalized theme of the show a  notable number are identified as ‘passers-by.’ Along with up and coming artists such as Tris Vonna-Michell and Ruth Ewan the exhibit includes some bigger names who have been shortlisted for the Turner Prize including Bill Nelson and Darren Almond.

Altermodern Tate Triennial [Tate]
Altermodern: Tate Triennial 2009 at Tate Modern [Times Online]
Altermodern, Tate Triennial 2009, review [Telegraph]
Tate Triennial 2009 Interview With Curator Nicolas Bourriaud [Frieze]
New sensation: The next generation of Young British Artists [Independent UK]
Altermodern: Tate Triennial 2009 Presents Some of the Best New Contemporary Art in Britain [Art Daily]
Art in search of a label [Financial Times]

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Newslinks for Monday, February 2, 2009

Monday, February 2nd, 2009


Ernst Ludwig Kirchner’s ‘Strazzenszene (Street Scene)’ via Artdaily


Claude Monet’s ‘Dans La Prairie’ via Daylife

Sotheby’s London to sell rare work by Expressionist Ernst Ludwig Kirchner tomorrow night [Artdaily]
and Monet’s ‘Dans la Prairie’ headlines Christie’s Auction of Impressionist and Modern Art, the night after
[Artdaily]
Jeff Koons honored at National Arts Club in New York
[NY Observer]
and more on the artist’s multimillion dollar townhouse acquisition woes
[NY Times]
An excerpt from Philip Hook’s upcoming book on how in the 50’s, Impressionist works became blue-chip investments through the auction frenzy of nouveau-riche
[Financial Times]


Glenn O’Brien for Adam Kimmel via The World’s Best Ever

Interview’s Glenn O’Brien models for Adam Kimmel’s Fall 2009 Collection along with Nate Lowman, Aaron Young, Dan Colen and other downtown art world denizens [The World’s Best Ever]
Jenny Holzer talks about her solo exhibition at MoCA, Chicago [Art21]
The legal ambiguities behind the copyright dispute regarding Richard Prince’s recent Canal Zone show
[Wall Street Journal]

The winning design of P.S. 1’s Young Architects Program via NY Times

P.S.1 announces the winning design of its Young Architects Program, described as an ‘afterparty’ of the market boom and bust [NY Times]
The BBC will put 200,000 of the UK’s publicly owned oil paintings online [GuardianUK]
The Economist provides a provenance background of the rare Lucio Fontana soon to be up for sale at Sotheby’s
[More Intelligent Life]
Damien Hirst is #13 on GQ’s list of Britain’s 100 most powerful men [Daily Mail]


New view of the planned Tate Modern Extension via Londonist

New renderings released of upcoming Tate Modern extension [Londonist]
Value of Warhol sales have gone down more than 50% in the past 18 months
[Artnet]
After the success of Jeff Koons, Versailles is set to exhibit the work of contemporary French artist Xavier Veilhan [Artforum]
Several London Old Master dealers consort to attempt to de-leverage art fairs in favor of a gallery week held in conjunction with Christie’s and Sotheby’s [The Art Newspaper]

GO SEE: UBS OPENINGS: NEO-EXPRESSIONIST PAINTINGS FROM THE 1980s AT THE TATE MODERN, LONDON, THROUGH APRIL 13, 2009

Monday, November 24th, 2008


“Tobacco vs Red Chief” (1981-2) by Jean-Michel Basquiat via UBS Art Collectio

A new collection at the Tate Modern in London titled “UBS Openings: Paintings from the 1980s”, which opened last week, centers on Neo-Expressionist paintings, a departure from the minimalist and conceptual artwork that preceded this period. Artists such as Jean-Michel Basquiat, David Salle, Alex Katz, Julian Schnabel, and Christopher Le Brun sought to return to historical narratives executed in a vibrant, energetic fashion contributing to powerful results in large-scale, figurative paintings.

The collection draws on works from the reserves of the Tate Collection as well as the UBS Art Collection and includes works such as Basquiat’s “Tobacco vs Red Chief” (1981-2), David Salle’s “My Subjectivity” (1981), Julian Schnabel’s “Humanity Asleep” (1982) painted over a surface of broken plates, Christopher Le Brun’s “Dream, Think, Speak (1981-2) and Clemente’s Self Portrait (1984).  The exhibition has been curated by Matthew Gale, Head of Displays of the Tate Modern.

UBS Openings: Paintings from the 1980s – Tate Modern
Through April 13, 2009

Paintings from the 1980s [Financial Times]
UBS Openings: Paintings from the 1980’s
[Tate Modern Website]
UBS Openings: Paintings from the 1980s at Tate Modern
[Art Daily]

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Newslinks for Tuesday, November 11th, 2008

Tuesday, November 11th, 2008

Richard Serra via Time

The Economist is long on Richard Serra: “slow-burning Mr Serra will be one of the artists whose work will continue to shine long after he is gone” [TheEconomist]
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The defensive financial strategies art auction houses take during a market downturn
[The Art Newspaper] and in related, financing for fine art is correspondingly receding [Portfolio]
–>
A look inside the highly specialized art storage business [Financial Times]
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The Tate Modern may have accidentally hung 2 Rothko’s sideways [TimesUK]

The Pollock in question via terisfind.com

Highly controversial supposed Jackson Pollock drip painting is for sale for $50 million in Toronto [CBC]
–>
London’s Colony Room, favored bar of Lucian Freud and Damien Hirst, may close [TimesUK]
–>
50 to 75 Modern and Contemporary German works of art including some by Rosemarie Trockel, Georg Baselitz and Candida Höfer donated to the Busch-Reisinger Museum at Harvard [Artdaily]
–>
Yvonne Force Villareal, sets up an APFlab (“Art Production Fund”) on Wooster street in Soho, New York [NYTimes]

The Bacchae: The Library Theatre, Manchester and on tour

The Independent (London, England) February 21, 1996 | JEFFREY WAINWRIGHT Euripides’ The Bacchae is strong meat, literally. Its dominant image is of dismemberment, animal and then human flesh seized alive and devoured in the furthest reach of frenzy available to human kind.

Now The Library is a nice place, a cosy cup of a theatre, designed less for Bacchanalia than for Spring and Port Wine. Other venues on Kaboodle’s itinerary may suit Euripides better, but interesting as it is to contemplate the startlingly different contexts of ancient Greek and modern theatre, the production does not resolve this fundamental incongruity. For this, the less traditional the performance space the better.

But for all the rawness at its heart, The Bacchae is in no sense a “primitive” play. It is the story of the coming of the disreputable but potent Dionysus to Thebes, determined to prove his lineage as a son of Zeus and claim the honour due to a god. Though despised as a foreigner by the Theban king, Pentheus, Dionysus has captivated the women of Thebes, who, led by Pentheus’ own mother Agave, are now the Bacchae, living in liquid abandon beyond the city walls. Dionysus, himself ambiguously gendered, is lord and liberator of women, and the rapture he engenders transports them from their appointed place into ecstasy. The play’s main conflict is therefore between this liberation and the pursed rectitude of Pentheus.

It appears to be a clash of immutable elements, but Euripides’ psychological subtlety lies in the way Dionysus is able to evoke a prurient interest in the activities of the women in his enemy, and so seduce him from his fixed masculinity. Discovered in his spying, Pentheus is sundered by the Bacchae, his own mother claiming his head as a trophy. The second psychological switch is Agave’s rediscovery of her former mind as the frenzy abates and the contrary face of the Dionysian rapture becomes apparent. go to web site facial hair styles

Happily, the complexity that surrounds Pentheus is presented with nuanced care by Lee Beagley. Softly spoken, he has no crude, tyrannical bluster about him, and he is drawn into his fatal female garments in a gentle swirl of reluctance and surprised pleasure. Kaboodle’s other long-time actor, Paula Simms, takes two of the vitally important “messenger” roles, and her narration, especially the first account of the Bacchae at large, is clearly and characterfully done. This scene also provides the best visual moment, in which the company create a huge beast from a cow’s skull and a vast red curtain, then hunt it down.

Otherwise, Lee Beagley’s staging and Bruce Gallup’s design are disappointing by Kaboodle’s previous standards. The eclecticism of the costumes is unfocused, and a cumbersome piece of revolving stage machinery resembling a sawn- off caboose clutters the action. Eugene Salleh makes a puckish Taras Bulba of Dionysus, but his voice is not sufficiently commanding. Despite the ritual elements, these plays require a tremendous amount of simple, informative speaking, and, Beagley and Simms apart, this is woefully underpowered here. The result is that this great and disturbing play is not nearly disturbing enough.

n On tour to Marlborough, Birmingham, Kendal and Leicester this month, then throughout F} {DD} 21:02:96 {XX} Arts {PP} 8 {HH} Music: Music from the Yellow Shark, Frank Zappa / Ensemble Modern Royal Festival Hall, London {BB} Phil Johnson {TT} The late Frank was sadly unable to appear for this ultimate valediction of his role as a serious composer, but if he had, he would, you think, have taken comfort in the extent to which his facial hair-styles seemed to live on in many members of the audience. The yellow shark of the title lay pinned up behind the stage like a scruffy talisman and an air of expectation lay over the whole of the first, non-Zappa, half of the performance. web site facial hair styles

Opening with three studies by Conlon Nancarrow, the Ensemble demonstrated immediately their masterly grasp of difficult repertoire, the two pianos chattering away as if in binary code while the percussion sectionswapped roles in a see-saw of rhythmic accents, like chopsticks rattling on a plate. Study No 6 was achingly beautiful, the strains of a Mexican lullaby somehow emerging through the convulsive pitter-patter. Varese’s Deserts followed, accompanied by a film by the video artist Bill Viola of underwater point-of-view shots, barren landscapes and, eventually, an interior scene in which a man moved slowly across a room. Meanwhile, the music – part live orchestra, part taped industrial sounds – reached a series of crescendos, matched at the end by a magnificent coup de film, when the man and his furniture were dashed to smithereens. It was difficult, it was pretentious, but it was also very well done, and it matched the accumulating tension and ecstatic release of the music marvellously. So how would Frank live up to that?

Brilliantly, of course. First assembled for a performance at the 1992 Frankfurt Festival, which was partly conducted by the composer, the music is a compendium of Zappa themes that he got up to speed on his trusty synclavier and then printed out as music for the orchestra to learn, the title emerging only as an afterthought. Beginning with a cheesy Star Wars-ish introduction, the Ensemble’s programme mixed and matched movements from the original performance (available almost complete on the excellent Rykodisc album). Echoes of Boulez and Henze, at times rather too plinkety- plonk for comfort, were evident, but much of the music was quite superb, and the closing “G-Spot Tornado” was a tour de force of sustained action and invention. Only in “Bebop Tango,” was there any real Mothers of Invention monkey-business (when the orchestra talked among themselves, loudly) and the concert ended in total adulation. The encore, though, was a bit of a disappointment; hoping maybe for “Peaches En Regalia”, what we got was the Star Wars intro again. But the Zappa-philes went home happy, as they knew they would.

JEFFREY WAINWRIGHT

Go See: Dominique Gonzalez-Foerster’s ‘TH.2058’ at the Tate Modern, London, Through April 13, 2009.

Monday, October 20th, 2008


Dominique Gonzalez-Foerster’s installation TH.2058 at Tate Modern in London via The Independent.

The Tate Modern, London is currently displaying its ninth Turbine Hall installation by French artist Dominique Gonzalez-Foerster. The installation is inspired by the artist’s vision of an apocalyptic London 50 years into the future. The work aptly named TH.2058 imagines the city under siege by flooding, bombing, and invasion, its residents forced to take shelter in the Tate’s Turbine Hall in order to escape the never-ending rain. Gonzalez-Foerester has filled the hall with rows of of bunk beds scattered with science-fiction novels such as George Orwell’s 1984 and Jack Finney’s Invasion of the Body Snatchers. A literal homage to the writings that helped inspire the work. The beds are pinned beneath giant replicas of sculptures previously housed in the Tate, including a gigantic duplicate of a spider by Louise Bourgeois and a colossal copy of Alexander Calder’s pink flamingo. A screen hangs over the end of the space and displays what Gonzalez-Foerester calls The Last Film; a montage of science fiction clips from Planet of the Apes, The Man Who Fell to Earth, and Solaris among others. All of this coupled with the constant sound of rain. The piece was inspired not only by science-fiction works but also by the 2005 London subway bombings that killed 52 and the 1940-41 bombings of Britain by the Nazi’s.

Catastrophe at the Tate: new installation sees future world as a disaster shelter [Guardian UK]
Art Refuge [Financial Times]
Apocalyptic vision of London comes to Tate Modern
[The Associated Press]
Tate’s vision of a London under fire
[The Independent]
Bunk beds fill Tate Turbine Hall
[BBC News]
Bed and bored in Dominique Gonzalez-Foerster’s chamber of horrors [TimesOnlineUK]
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Go See: Rothko Retrospective at Tate Modern, London, opening today through February 19

Friday, September 26th, 2008


An untitled 1969 work by Mark Rothko via Telegraph The painting, created a year before the artist committed suicide, displays the dark color palette the artist primarily used during his last years of life a period that was said to be increasingly lonely and isolating for the artist.

Opening today at the Tate Modern is retrospective of abstract expressionist Mark Rothko. The Latvian-born American artist has not had an solo exhibition in the UK in over 20 years. The exhibit includes Tate’s permanent Rothko colletion that consists of nine paintings known as the Seagram murals. The paintings which are usually on display in what is known as the Rothko Room within the Tate have been moved to a larger space and joined by another six Seagram murals on loan from Kawamura Memorial Museum of Art in Japan and the National Gallery of Art in Washington. In 1958 the artist was commissioned by the Four Season’s restaurant in New York’s Seagram building to create the works, earning the paintings the name Seagram murals. However Rothko ultimately deemed a restaurant as an inappropriate place to display the works and did not hand them over. Instead the artist donated many of the works, including several to the Tate. The exhibition will also include the 1964 series Black-Form paintings, 1969 series Brown on Grey works on paper, as well as works from his last series before his death Black on Gray made in 1969-70.

Mark Rothko exhibition at Tate Modern, 26 September 2008 – 1 February 2009 [Tate Modern]
Bacon and Rothko in London
[New York Sun]
How Mark Rothko became an Anglophile
[Times Online UK]
Rothko’s Humor Shown by Son as Tate Fetes Artist’s Darkest Work
[Bloomberg]
In at the Deep End Rothko Video
[Guardian]
R
othko’s Gloom Is Compelling at London’s Tate: Martin Gayford [Bloomberg]
Rothko’s murals reunited at Tate [BBC News]
Rothko exhibition opens at Tate Modern [Telegraph]
First Major Exhibition Dedicated to the Late Works of Mark Rothko at Tate Modern [Art Daily]
Current Exhibition: Rothko [Art Info]
The trouble with Mark Rothko’s genius [Times Online]
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Newslinks for Wednesday, September 24, as summer’s China-focused news comes to an end, Autumn news centers on Russia

Wednesday, September 24th, 2008


Daria “Dasha” Zhukova, via Guardian.

More on Roman Abramovich’s Dasha Zhukova, straight from Moscow onto the art scene, and more on her and the Moscow Garage here [Times Online] [Guardian] On Gagosian’s Moscow Chocolate factory, and more on Gagosian in Moscow here [Financial Times] [Art Info]
After the sale, perhaps the most insightful Hirst Sotheby’s auction and art market summary article we’ve found
[The Economist]
Christie’s sale in Zurich to auction significant Peter Fischli/David Weiss shown at Tate Modern in 2007 [Art Daily]
With Francis Bacon at the currently at the Tate, a video interview from 1985 [Small Drawings via C-Monster]

Renderings of Herzog & De Meuron’s Tribeca tower with Anish Kapoor sculpture released

Thursday, September 18th, 2008


Rendering of Herzog & de Meuron’s 56 Leonard St. tower including the site specific sculpture designed by artist Anish Kapoor via Andrea Schwan Inc.

The design for Pritzer Prize winning architects, Jacques Herzog and Pierre de Meuron’s Tribeca tower was released earlier this week. The $650 million project will be 57-stories high with condominiums ranging from 1,430 square feet to 6,360 square feet, and is projected to be open in 2010. The tower is said to house 145 residences each with its unique floor plan and complete with a private balcony. The translucent skyscraper will be the first high-rise commission for the Swiss architects, who have had their hand in designing the Beijing National Stadium in China for the recent 2008 Olympic games, the Tate Modern in London, and the de Young Museum in San Francisco. The contemporary artist Anish Kapoor has been commissioned to install one of his signature stainless steel, reflective sculptures on the ground floor. The tower will appear to be resting a top his sculpture, and will be the first permanent public artwork for the artist in New York City.

Construction Begins On Herzog & De Meuron’s 56 Leonard Street [Artdaily]
Olympic Bird’s Nest architects design NY high-rise [Associated Press]
A Stack of Houses [NYTimes]
Fantastical Form in TriBeCa: Herzog & de Meuron’s 56 Leonard St. [NYSun]
At 57 Stories, 56 Leonard St. to Tower Over Tribeca [Tribeca Tribune]
One’s Huge, the Other’s Crazy [NYMag]
Herzog & de Meuron reach for the sky [World Architecture News]
Herzog & de Meuron’s Plans Unveiled for New York City Tower [ArtForum]
New York Developer commissions Anish Kapoor for Herzog & de Meuron residential project in Tribeca [ArtObserved]

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Newslinks for Thursday September 11, 2008

Thursday, September 11th, 2008


German artist Jonathan Meese via TheMoment

Jonathan Meese, Daniel Richter, and Javier Peres as players in the Berlin art scene [NY Times- The Moment]
more Jonathan Meese, headlining Friday at the Journal Gallery, Brooklyn [The World’s Best Ever]
Valuable, yet difficult to execute and display “extreme” art [ArtInfo]
Rothko, Bacon highlight a very British-painter-based fall exhibit lineup in London [Bloomberg]
On “democracy” as a trend in British contemporary art, and how pricing can suffer from it
[Guardian]
Deborah Harris is the new managing director of the Armory Show [ArtForum]
Director Sir Nicholas Serota sets 1 year deadline for funds for Transforming Tate Modern project [London SE1]
In more Tate news: 2007/8 acquisition year for the Tate Collection brought a record $111 million – 494 work harvest [Art Daily]

Newslinks for Monday August 18th, 2008

Monday, August 18th, 2008

Dasha Zhukova, via Daylife

Daria “Dasha” Zhukova, daughter of an oligarch, girlfriend of Roman Abramovich, and a symbol of the recent Russian push into contemporary art [NYTimes]
Yeah Yeah Yeahs guitarist Nick Zinner’s photography show at Fuse Gallery in the East Village [Supertouchart]
Both Qatar and Abu Dhabi want Philippe de Montebello, who is leaving the Met, for a directorship [NYsun]
More on the Frank Gehry-designed summer pavillion at Serpentine Gallery in London [NYTimes Tmagazine]
Amidst art-world controversy, Sir Nicholas Serota, Tate’s director of 20 years made “permanent employee” [Independent]

Newslinks: Wednesday, August 6, 2008

Wednesday, August 6th, 2008

Jacques Herzog and Pierre de Meuron via Financial Times

On Jacques Herzog and Pierre de Meuron, Swiss architects of the Tate Modern [Financial Times]
Amy Cappellazzo of Christie’s entertains in her home to support Pratt Institute [NYSun]
French designer Agnes B.’s other hat: art dealer [Bloomberg]
Sotheby’s reprises monumental sculpture exhibition and sale in Chatsworth, UK
[Art Daily]
German artist Jonathan Meese remixes Robert Wilson’s Watermill Center, underwear stapled to walls involved [NYTimes]

Newslinks for Wednesday, July 23, 2008

Wednesday, July 23rd, 2008

Serpentine Gallery Pavilion 2008 via Serpentine Gallery

Gehry’s Serpentine Pavilion, reflective of his early style, up through October 19 [Serpentine Gallery]
–>
Sao Paolo police find $630,000 of stolen works, including a Picasso [BBC]
–>
Banksy posts a comment on his identity [Banksy.co.uk via The World’s Best Ever]
–>
Royal Academy announces upcoming Anish Kapoor retrospective [Artinfo]
–>
Sir Nicholas Serota, Tate Modern director, is ‘learning Russian fast’ to court philanthropic support of new extension [Russia Today ]

Dresses: a material focus.(WWD/MAGIC International)

WWD January 16, 1996 | Pogoda, Dianne M.

NEW YORK — Fabric is shaping up as the key element in summer dresses.

Most vendors say the emphasis on simplicity in silhouettes is casting a spotlight on texture and surface interest. Some are launching new lines, with a focus on a new fabric or new price, to spark spring sales.

Dressmakers are bringing spring/summer to WWD/MAGIC, for deliveries as late as May 30. They will show some transition and early fall, but said stores are ordering close to need and often require immediate deliveries of fill-in items.

Casual and business casual are the driving force behind growth in Jerell Inc.’s dress sales, said Sam Klapholz, vice president and national sales manager of the Dallas-based firm.

Jerell is launching a new line — 1431, a moderate label that retails between $59 and $79 — to complement its Melissa brand, which is aimed at specialty stores and retails for $100 to $120.

“We’re very excited about the casual revolution, because it gives a woman a new reason to buy a dress,” he said.

Klapholz cited heavily laundered denim and twill, with very soft hands, and combinations of wovens and knits as key fabric treatments.

“Anything with surface interest is very important,” he said.

As for silhouette, he said unfitted A-line and Empire styles are doing well, but the company is doing terrific business with shirlwaists. web site easrer dresses

`These really hit a nerve in the market,” said Klapholz. “They aren’t old-looking dresses, though. They’re modern, like the Ann Taylor style with double needlework, or military style with epaulets and great belts, in French cotton twill.” He also said the layered look was important, with vests over knit and woven dresses — “a twinset over a dress.” Mica is launching a new garment-washed denim group in its dress collections for spring, according to owner Judy Rabineau.

“They’re sweet, sexy little dresses in similar silhouettes to what we do in other fabrics, like rayon — halters, long fitted jumpers, sleeveless sheaths,” she said.

Mica will take orders for May deliveries at WWD/MAGIC, for the last of spring/summer. Rabineau said retailers expect quick turn on goods, and everyone is cutting very close to need.

Other key fabrics are shantung, rayon crepe pastel velvets, georgette and a printed rayon pique, which resists wrinkles and has been getting a strong reception.

The dresses are “cool and hip, but not junior-y,” she said, noting there are many women in their mid-to-late 40s who want youthful style, but don’t want to look as if they are dressing like their daughters.

She said prints are booking well, including bright novelty themes like fruits, random-placed florals or conversationals.

Kami Rehanian, president and designer of High Point, which makes day and evening dresses, said styles are “not gaudy” and fabric is the key element in spring style.

“From misses’ to juniors, women are looking for simple style, with less embellishment and embroidery,” he said. “It’s the same trend that’s happening in Europe. Women want something they can wear to many places, too, not just to the office.” Rehanian said suitings, especially pantsuits, and short skirts are leading choices for spring. He said triacetates, rayons, silk and linen blends and Lurex metallics are among the hot fabrics, which is where the fashion statement is made.

Jodi Schaff, owner of On Your Back, said basics — some with trim — and layers are key for the casual knit dresses she’s making for spring. The Doylestown, Pa.-based company is essentially a T-shirt maker, with dresses accounting for 20 percent of its business. Dresses, however, is a growing category, she said. here easrer dresses

One key style is a tie-back jumper with an easy fit that suits many bodies. The fabric is either combed cotton or a blend of cotton and Lycra spandex Colors, from basics like black, red, navy and ecru, to novelties like aqua, rose and chamois in overdyed heather jersey, are especially important.

Schaff said she will take orders for immediate delivery through May on spring/summer goods she’s bringing to WWD/MAGIC.

“Money is scarce, and stores are ordering much closer to season,” she said.

Simplicity is the buzzword at Brasseur/Davinci, said Danny Golshan, national sales manager of the Los Angeles-based ready-to-wear maker. The firm will show suits and dresses for spring/summer “We do basic styles, not too trendy, in large and misses’ sizes,” he said. The collection features embroidered suits with three or four-button jackets, and one- and two-piece dresses at $79 to $150 wholesale. Button treatments include metal and rhinestones, while lengths are mostly long, he said. Fabrics include linen, polyester crepe and triacetate.

Pogoda, Dianne M.

Tate Modern Redesigns New Wing with Herzog & de Meuron

Monday, July 21st, 2008

New extension to Tate Modern, designed by Herzog & de Meuron via Tate

The Tate Modern has announced a new development in the plan for it’s new wing. World-renowned Swiss Architectural firm, Herzog & de Meuron, has designed the new plan for the extension, called Tate Modern 2 (TM2). The extension was originally designed as a cubic glass-cast pyramid shaped structure, but has been redesigned to better complement the structure of the existing Tate Modern and be more sustainable. The project has a $429 million budget, and has so far received $100 million from the government, $14 million from the London Development Agency, and $26 million from private donors for the project. Work on the site will ensue in 2009, and is projected to be finished by 2012, but if the budget is not met, this could cause a delay in its completion.

New twist to the rise of Tate Modern [Financial Times]
Tate Goes Green with New Plans [Artforum]
Transforming Tate Modern: Green Scheme for Tate Modern’s New Building [Artdaily]
Tate revises £215m extension plan [BBC]
Tate Modern Redesigns New Wing; May Not Open in 2012 [Bloomberg]
£100m new wing plan for Tate Modern [Telegraph]
New Tate Modern design [Wallpaper]

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Go See: The Hermès “H Box” at the Tate Modern, London, through August 17

Wednesday, July 16th, 2008

H BOX, designed by Didier Fiuza Faustino Portuguese, and produced by Hermès International via Bloomberg

Storied french luxury fashion house Hermès International presents the H BOX, a collapsible screening hall designed by Portuguese artist and architect, Didier Fiuza Faustino. The H Box is a traveling screening capsule that exhibits the video art of 8 international artists: Alice Anderson, Yael Bartana, Sebastián Díaz-Morales, Dora García, Judit Kúrtag, Valérie Mréjen, Shahryar Nashat, and Su-Mei Tse. The H Box will be exhibited in the Tate Modern in London until August 17.

Outside The Box [Vogue]
Hermes H Box, Tate Modern [Designtaxi]
The Tate Modern [Tate]
Vuitton’s Richard Prince Bags, Hermes at Tate: Fashion Art [Bloomberg]
Tate’s H-Box screens art films [Digital Arts Online]

(more…)