On Wednesday November 5th, Christie’s conducted its sale of the estates of two separate widows (the Alice Lawrence and Hillman family collections) bearing similar works of mostly late 19th and early to mid-20th century pieces, in an auction thus titled “The Modern Age.” These auctions included works by headliners such as Pablo Picasso, Paul Cézanne, Mark Rothko, Fernand Léger, Edouard Manet, Henri de Toulouse-Lautrec, Amedeo Modigliani, Giorgio De Chirico and René Magritte. The event followed the latest Sotheby’s auction for Impressionist and Modern art on Monday (as covered by AO here) which disappointedly totaled $223.8 million against the $338 million low estimate. Additionally, the Modern Age sale corresponded to a particularly steep post-presidential race drop in the public equity markets in which the Dow plunged 486 points.
The auction results were no surprise considering the current tepid environment in the art market: The two collections listed 58 lots, of which 17 did not sell, for a total sale of $47 million, which was less than half of its $104 million low estimate. Christie’s said 51% of buyers were American and 29% European. Though Surrealist lots by Magritte (see image above) and De Chirico (see below) did well, of the lots that were brought in were the most expensive of the sale, notably, Manet’s “Fillette sur un banc/Girl on a Bench,” a 1880 portrait of a girl with a wide-brim hat estimated at $12-18 million (see image below), and Rothko’s “No. 43 (Mauve),” estimated at $20-30 million. Other works by Cézanne, Renoir, and de Kooning also failed to sell.
Bleak Night at Christie’s, in Both Sales and Prices [NY Times]
Art-Market Rout Persists: Rothko Snubbed at Auction [Bloomberg]
Buyers Cool to Private-Collection Art at Christies [Reuters]
Market Forces Bring Fire-Sale Prices for Christie’s “Modern Age” [Art Info]
The Modern Age: Property from the Hillman Family Collection [Art Daily]
Christie’s Wan and Woeful Night [CultureGrrl]
more auction results, quotes and images after the jump…
In attendance at the auction were art world figures such as Jeffrey Deitch, David Zwirner, Long Island dealer David Benrimon and London dealer Libby Howie. Auctioneer Christopher Burge, honorary chairman of Christie’s in America, worked diligently against the slumping demand. He quoted later to the New York Times: “The estimates were from an earlier time, and the market has changed now.” New York dealer David Nash quoted to Bloomberg: “Prices are at the levels of two years ago.”
A highlight of the auction was supposed to be the 7-foot tall, 1960, classic Rothko work “No. 43 (Mauve)” (see image above) estimated at $20 million to $30 million. The bidding opened at $10 million, but had no bidders. It was said that before the auction some noted that the painting had condition issues.
Fernand Léger’s “Study for a Nude Model in the Studio” from 1912 sold to a telephone bidder for $2.9 million, or $3.3 million with fees which was just at its low estimate of $3 million.
The evening’s most expensive sale was Giorgio De Chirico’s 1914 “Metaphysical Composition,” (see image above) from the Hillman collection which sold for $6.1 just above the $6 million low projection to an unidentified telephone bidder.
René Magritte’s 1947 “Empire of the Lights,” a gouache of one of the artist’s most iconic works (see image at top of post) was purchased by David Benrimon for $3.1 million ($3.5 millionwith Christie’s fees), just above its high estimate of $3 million
Marc Porter, President of Christie’s Americas, quoted to ArtDaily: “Private collectors continue to be the primary force on the market, collecting masterworks against a backdrop of a difficult economic climate. We saw record prices for works on paper by Seurat and Magritte, and the Alice Neel Portrait of Robert Smithson, demonstrating that collectors continue to take advantage of the appearance on the market of desirable works of art.”