Pace Gallery has taken on representation of Vito Acconci’s Acconci Studios, in partnership with Art Agency, Partners, the gallery announced in a statement. “A truly innovative creator and agitator who was foundational to contemporary art today, Acconci fits perfectly within Pace’s program of leading 20th and 21st century artists and estates,” said Marc Glimcher, Pace Gallery President and CEO. “There’s still so much of his practice to uncover and reexamine and we’re thrilled to join with Maria Acconci to share Vito Acconci’s vision and expand his legacy around the world.”
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Unlike his younger brother Balthus, Pierre Klossowski rarely enjoyed critical and popular acclaim in Europe as an artist during his lifetime, receiving even less attention from scholars and curators in the United States. However, his expansive oeuvre in drawing, in addition to his work in literature and translation offers an uncharted window to the cultural progressions of 20th century Western culture, complemented by his impressive painted oeuvre. Gladstone Gallery’s Brussels location is currently presenting a selection of works on paper by the artist, dated to the ‘80s, when the artist had finally focused his attention solely around art making. Before his late venture into art, Klossowski wore many different hats in his early years, translating works by Wittgenstein, Kafka, Nietzsche, and most importantly de Sade, whose notorious novel The 120 Days of Sodom was reprinted in the ‘60s under his helm, and led to the creation of one of Pasolini’s most notorious filmic adaptations. Read More »
Over the course of five decades, artist Fabio Mauri, worked across a broad range of media and formats, always focused around the visual languages and vocabulary of 20th Century political spheres, specifically in Europe. Exploring the mechanics and visual exponents of varied ideological states and their attendant political movements, Mauri’s work was an often brutal condemnation of World War II, the rise of Fascism and the Holocaust, while simultaneously examining these events’ lingering echoes in the post-war landscape. Mauri’s work gets a fascinating second look at his current Hauser & Wirth retrospective in New York, spreading his pieces across the spacious 22nd Street flagship location in an attempt to understand both his own meandering aesthetics, and the political situations they address. Read More »
In Sondra Perry’s first solo exhibition at Bridget Donahue, the linked subjects of representation and ownership are taken to task. The gallery, with all walls painted “Rosca Chroma Key blue”, is sparsely inhabited by a few black metal structures and one projected video, a stark arrangement that focuses the viewer’s attention tightly on the few elements there. Read More »
Currently on view at Regen Projects in Los Angeles, Catherine Opie returns to her home city for a show of new works that present the city in all of its fascinating, and occasionally frightening nuances. Continuing her photographic practice through a wide range of images and iconographies, the current show, The Modernist also features the artist’s debut filmic project.
“I like paintings that balance contradictions. I like paintings that look clear and simple at first glance and then sort of crumble under your gaze,” says painter, Thomas Nozkowski, the American painter whose work over the past several decades has spanned a range of styles and techniques, approaches and modes of seeing throughout his career. “And it’s even better if further looking enables you to put it together again, understand it in a new way.” Such modes of seeing and making pictures is presented this month at Pace Gallery in New York, running throughout the artist’s 50+ year career as a striking, and refreshing survey of his practice. Read More »
LaToya Ruby Frazier, Andrea Holding her daughter Nephratitioustide the Social Network Banquet Hall (2016 / 2017), all images via Gavin Brown’s
In her self-titled solo debut at Gavin Brown’s Enterprise, artist LaToya Ruby Frazier illustrates an American landscape where dualities intertwine, marring the boundaries separating joy from despair or abundance from nothingness. Her depictions of secluded interiors, occupied by domestic clutters and family histories translate into stories of struggle, while barren deserts under the California sun encapsulate human ardor. Spanning her two decade photographic practice, Frazier’s three-floor presentation at the gallery’s spacious Harlem location introduces one series on each floor. Complimented by the accents of the building’s previous life as a brewery, the photographer’s black and white gelatin silver prints explore dichotomies of public and private, meditating on the role of the camera lens as a witness of our profound and collective moments, be those experienced firsthand or communally mediated. Read More »
Spread across the rooms of Pace Gallery’s West 24th Street location, Louise Nevelson’s iconic wood sculptures draw the viewer through various geometric planes, familiar cultural forms and intriguing variations on a theme. The artist’s work has hung in the walls of Pace over 20 times in the past 50 years, and returns here with a particular focus on her pieces from the late 1950’s onwards, a point where her particular artistic voice was beginning to fully develop. Read More »
There is little doubt that Zach Bruder is seriously invested in space; both the tangible area delimited by the stretcher and the real and imagined places rendered on the canvas are of utmost importance to the Cleveland-born painter. The eight works included in Edening On, Bruder’s first solo exhibition at Magenta Plains in New York, flaunt the artist’s ability to render different spatial dimensions, finding a humorous irony and cohesive unity in their discordance. Read More »
New York – Rita Ackerman and Carol Rama: “Body Issues” at Marlborough Contemporary Through February 10th, 2018February 9th, 2018
Body Matters, currently on view at Marlborough Contemporary is a two piece art exhibition featuring the work of Rita Ackerman and Carol Rama. The juxtaposition of each artist’s works, which mine brusque gestures and varied approaches to the construction of the art object, creates a dialogue between the two artists, and an almost maniac motion of ideas and eras. The composition of each work inhabits a space amid the figurative and the abstract, where human form disappears and reappears with flashes of color and movement. The concordance of imagery of psychosexual fantasies, dark distortions and transgressive glitches initiates a conversation that honors and liberates the beauty of the female form. Read More »
For early entries in the art world’s annual calendar of art fairs, exhibitions and selling events, few can compare with the proceedings of Zona Maco during Mexico City’s annual art week. Now in its 15th year, the landmark fair for much of Latin American has grown even larger, expanding to host 170 galleries from around the globe within the confines of the Centro Banamex in the city, offering a program of conferences with international guests, a section with specialized publications and editorials, and the widest program of parallel activities with exhibitions at the most outstanding galleries and museums in the country.