Collector and Felix co-founder Dean Valentine is profiled in the NYT this week, reflecting on his successful fair and his own collecting habits. “I learned a lot of what I know about art from hanging out with dealers in the mid-90s and asking them, ‘Why is this any good?’” the former president of Walt Disney Television and CEO of UPN said.
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Delving into the life and work of the monumental American writer James Baldwin, Hilton Als has taken another turn as a curator at David Zwirner Gallery, mounting an exhibition that both explores and critiques the artist’s career, and his complicated relationship to the political landscape and social conflicts of the United States. The show, following up on Als’s exploration of the work of Alice Neel, is a nuanced review of Baldwin’s connections between Paris and New York and its diverse art scenes, in conjunction with his own aesthetic longings beyond that of his writing. Read More »
For a city that has embraced its emergence onto the global arts stage in recent years, its still an impressive feat that Los Angeles’s first major market week would open with four well-curated and diverse events, perhaps even more impressive that each would manage to express such a unique vision and concept in relation to the broader fabric of the week. From Frieze’s dynamic use of the Paramount Studios lots to SPRING/BREAK’s utilization of fruit stands downtown, the mixture of familiar forms in intriguing locales has helped define this whirlwind week in California.
Calvin Marcus at Clearing Read More »
AO On-Site – Los Angeles: SPRING/BREAK LA at The Stalls at Skylight ROW DTLA, February 15th – 17th, 2019February 17th, 2019
Opening up its own intriguing take on the landscape of Los Angeles and its ample supply of artists and galleries, SPRING/BREAK has brought its production to the City of Angels for the first time, launching a supplementary event that feels particularly resonant amid the hustle and bustle of Frieze week. Read More »
The design for the 2019 edition of the Serpentine Pavilion has been announced, with Japanese designer Junya Ishigami tapped to execute a light, illusory design appearing as if it was quite hefty and overpowering. “Possessing the weighty presence of slate roofs seen around the world, and simultaneously appearing so light it could blow away in the breeze, the cluster of scattered rock levitates, like a billowing piece of fabric,” his firm said in a statement. Read More »
As Thursday draws to a close, and the sun sets over the Pacific, the Frieze Los Angeles Art Fair has wrapped its first day of operation, closing on a a particularly strong and visually striking event that lived up to the anticipation many had afforded it. Installed around the enigmatic environs of the Paramount aquatic tank, the fair’s installation structure and emphasis on its normal uses lent the event a flair that likely will rarely be matched among the highest levels of the contemporary fair circuit. Its strange inclusion of a massive painted skyline against the rows of booths made for a captivating comment on the land of make-believe so many afford the city as a characteristic.
Ken Price, L.A Bowl (1991) at Mathew Marks Read More »
AO On-Site – Los Angeles: Art Los Angeles Contemporary at Santa Monica Airport, February 13th – 17th, 2019February 14th, 2019
Opening the week of art fairs in Los Angeles, the VIP preview for Art Los Angeles Contemporary has gotten underway at the Santa Monica Airport this evening. The tenth edition of the fair continues its place as a site for established and emerging galleries from around the world, with a strong focus on the city’s own arts communities. Outdating the Frieze art fair by a full decade, ALAC has long been a centerpiece in the landscape of Los Angeles’s contemporary arts scene. Now, the fair seems to have taken on a more boutique stature among the increasingly fragmented landscape of the city’s fair offerings. Read More »
Taking a new spin on Art Week in the Californian metropolis, this week sees the inaugural edition of Frieze Los Angeles, a new fair opening under the sunny skies of the Golden State. Setting up shop at Paramount Studios, this week will serve as something of a victory lap for a city whose contemporary arts offerings have exploded in past years, and which has taken on the role of a cultural capital for both artists and the galleries representing them.
Artist Robert Ryman, one of the prime engineers of a new style of painterly abstraction during the Post-War era of Contemporary art, has passed away at the age of 88. The artist, whose iconic white canvases, executed with brusque brushstrokes and a particular interest in the examination of the painting across multiple contexts and dimensions, was widely hailed as a link between the abstraction of the 1950’s and the conceptual minimalism of the 1970’s. Read More »
New work by Charles Long, Paradigm Lost, is currently on view at the Tanya Bonakdar Gallery in New York through February 9. This exhibition brings together work that the artist has created over the past year, continuing the artist’s “investigation of the forms scattered on the shore of modernism’s receding wave.” For Long’s thirteenth solo exhibition with the gallery, the artist continues his long-standing exploration of the legacy and trajectory of modernism, pointing to the need to renegotiate and transcend its shortcomings. With reference to various figureheads of the 20th century, Paradigm Lost illustrates the casualties and excesses staged by the present moment’s patriarchal forbearers with nuance and play.
Installation view. All images via Tanya Bonakdar Gallery.
As a resident of Mt. Baldy, California for over a decade, Long’s current work has been inspired by the deteriorating landscape, detritus and tree trunks, that he has encountered during his daily walks through this landscape. As trees die and other effects of climate change take hold, the village has become overrun with stumps and stacks of massive logs. For Long, the symbolic weight of this material resonates with the social and political consequences of the inheritance of patriarchy. In light of this, paradigm lost approaches Long’s role in these circumstances, taking into account his identity as a socially gendered being.
In one work, Long replaced the concentric rings of a tree stump with a cross-section of the human penis. From this, a third association appeared. As the artist explains “The anatomical cross section oddly resembled a face or ancient mask that looked back at me with an expression of confusion or sorrow…The new works then spilled out from this tear in the fabric of my being in myriad images and forms of this open body, creating a mythological world, all of it bound of the sole motif derived from the anatomical cross section of the human male anatomy.”
Accordingly, Paradigm Lost seeks to offer a place to contemplate the “aftermath of a patriarchal apocalypse.” Though this collapse of the patriarchy is largely imagined in the space of the exhibition, the work therein seeks to create space to contemplate the effects and conditions that led to this hypothetical extinction. Long’s immersive exhibition creates space for mourning the planet, as well as the collapsing social and political systems that have failed, while remaining open to nuance and sardonic critique. Ultimately, the exhibition is a meditation on the future, hoping to set the stage for an unscripted performance that will usher in the new paradigm.
— A. Corrigan
Exhibition page [Tanya Bonakdar Gallery]
Offering a counter point to the big budget proceedings at Zona Maco across town, Material Art Fair has once again returned to the spacious halls of the Expo Reforma once again (the first time in the same location as a previous edition), opening its doors this Thursday to strong attendance and interest from collectors and attendees. Read More »