The Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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With the bustling week of sales and exhibitions in Basel now capped, the final major auctions of the spring are set to take place in London, as two weeks of auctions will look to test the waters of a market seemingly on the rebound after a strong outing earlier this season in New York. Beginning this week with a pair of Impressionist and Modern Sales, the week’s proceedings should make for an intriguing wrap up of the first half of 2018. Read More »
It’s hard to estimate Leo Fitzpatrick’s impact on the course of Marlborough Contemporary’s programming. The director, who joined the gallery in 2015, has dipped his toes into any number of puddles over the course of his time with the gallery, yet always bringing an equally studied and adventurous approach to curation across the gallery’s two story exhibition space. The shows have twisted in and out of the gallery’s broader curatorial vision, pulling both from the deeper reaches of contemporary art history and from the gallery’s list of frequent collaborators. For his most recent exhibition project, BURNT, Fitzpatrick continues this trend, inviting a broad swath of artists to a show that manages to both unite diverse voices and focus them towards the modern American cultural landscape. Read More »
Sean Kelly’s exhibition of 180 small scale portraits by Chinese artist Liu Wei offers an intimate and thought-provoking survey into the psychological layers of portraiture, a genre almost as archaic as art history itself. Entitled 180 Faces, the exhibition of modest scale portraits of anonymous individuals are hung akin to the style of the salon, with a twist on the traditional display fashion as the frames’ sleek surfaces blend into the gallery’s contemporary white-cube interior. Read More »
Offering a fitting counterpoint to the expanses of the Messe Basel, Liste Art Fair has returned to Warteck, a former schoolhouse on the banks of the Rhine now serving as an exhibition and performance space, for another year of exhibitions showcasing adventurous and exploratory proects from a range of galleries around the globe. Liste continues to build on its position as one of the central hubs for the week of Art Basel, priding itself on a careful curation of young galleries, dynamic, forward-thinking works, and a roster of performances that remains one of the week’s main draws.
Art Basel has opened its doors, kicking off a marathon week of sales and shows in the Swiss city that marks another year for the landmark giant of contemporary and modern art selling. Marking the terminus for the first half of the year’s major primary market activity, the fair once again showed why its impressive scale and appointments makes it such a draw for collectors, artists and dealers.
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“Back in the day the club was my safe place-and losing myself on the dance floor has always kept me centered.”
The Let Go is artist Nick Cave’s new work at Park Avenue Armory, a multi-sensory performance using visual works, sounds, and movement to transform the Armory into a dance-based town hall aimed at bringing together visitors, performers, DJs, dancers and community members to participate in a collective act of catharsis. The audience is asked to let go of frustration and negativity, and to uplift one another as they participate in this powerful socially-engaged piece. Stringing together a series of interrelated works, The Let Go is bounded by the installation Chase, and where a performance titled The Up Right, featuring one of Cave’s signature Sound Suits, is activated by a jazz keyboardist, choir and opera singer. Concluding the performance, the “town hall” becomes a dance hall, complete with DJ. Read More »
The work of artist Charles Ray draws particular strength from its deliberateness and commitment to concept. The artist’s figurative sculptures are direct in their depiction, yet draw particular strength from the nuance of their subject matter, and the mastery of the artist’s hand. Returning to New York for a show of new work at Matthew Marks this month, Ray has once again cemented this reputation, bringing a small but powerful selection of works to bear on the gallery space, and once again underscoring why he is a living legend in the world of contemporary sculpture. Read More »
As the days of summer tick by, and the weather grows ever warmer in Europe, the art world once again returns to the namesake home of the Art Basel fair, which takes over the Swiss city for its annual run of sales and project exhibitions, held in conjunction with a number of various exhibitions and shows across the city. Marking the final run of market activity before a well-deserved summer recess, the fair should offer a last glimpse at the European art market’s health before the fall season. Read More »
The term “over-saturation” feels particularly apt in describing the work of artist Borna Sammak, who for the past several years has worked at a uniquely playful and disturbing juncture of pop culture iconography. Perhaps best known for his canvases comprised of hundreds of heat-press t-shirt graphics layered with an almost machinic sense of repetition, Sammak’s approach to visual arrangements revels in chaos and confusion, yet almost always allows the viewer a moment to settle and find subtle rhythms and aesthetic logics within his swirling compositions. Read More »
Now through June 16, Petzel Gallery’s Chelsea location presents Patagonia, an exhibition of 11 new works by Wade Guyton. As the brief and succinct Press Release states, this show features images of paintings drying, scraps of linen, lunch remains, and other details of the studio. The images featured are large-scale prints made from an Epson UltraChrome K3 inkjet printer, complete with glitches and streaks left from this printing process. The use of the inkjet printer to produce large-scale images on canvas has become a signature feature of the work of the artist’s ‘post-conceptual’ ouevre, much like the color black and X symbol had previously been incorporated into his works. Read More »