Peter Paul Rubens’s The Massacre of the Innocents will travel to the Rubenshuis museum in Antwerp this fall from the Art Gallery of Ontario, Art Newspaper reports. The painting, last sold in 2002 for £49.5 million, will be a part of research projects during its loan. “We can imagine with disbelief that he painted as much as he did within that relatively small space over a relatively short period of time… He establishes what is arguably the most productive artistic studio of all time to date in that space,” says Sasha Suda, the AGO’s curator of European art.
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Currently on view at Reena Spaulings in New York, artist Peter Fischli has brought together a body of small-scale works under the title Cans, Bags and Boxes. Marking an elaboration and subtle reinterpretation of a body of works originally shown in Los Angeles last year, the exhibition emphasizes Fischli’s razor-sharp wit and roving creative vision. Read More »
New York – Tony Oursler: “TC: the most interesting man alive” at Lisson Gallery Through August 10th, 2018August 8th, 2018
Tony Conrad stands among the pinnacle of modern artistic practice; a pioneering and influential experimental filmmaker, musician, composer, artist and educator whose body of work can rarely be traced within the framework of just one discipline or school of thought. A longtime educator in conjunction with his expansive practice, Conrad’s work moves at a sprint through ideas and constructs, and has remained influential on much of the artists who worked around and with him. One of these artists was Tony Oursler, who met Conrad in 1979 and performed in a number of Conrad’s films, ultimately forging a bond that would lead to a range of collaborations and pieces. Among these is TC: the most interesting man alive, a short biopic piece that incorporates a range of cinematic, graphic, narrative and autobiographical approaches to produce a new form of biopic about the late artist Tony Conrad. Read More »
New York – “The Mechanics Of Fluids, Curated By Melissa Gordon” at Marianne Boesky Through August 3rdAugust 4th, 2018
Currently on view at Marianne Boesky’s Chelsea exhibition space, the gallery’s entry in the annual string of summer group shows dives into the work of artist-turned-curator Melissa Gordon. Gordon, whose work explores shifting, ever-changing experiences in texture and materiality, turns her aesthetic sensibilities towards a broader selection of women artists, charting a broad trajectory of voices and strategies including work by Lynda Benglis, Helen Frankenthaler, Laura Owens, Amy Sillman and others, all set set off by an architectural intervention of Gordon’s own design. Read More »
David Zwirner’s summer group exhibition, This Is Not a Prop brings together aesthetically slick and conceptually witty works by an intergenerational group of artists working in a variety of media. The thread weaving through the show is questioning of bodies’ relationship to objects, both in harmony and discord, as most vividly manifested in two Franz West sculptures from the ‘90s spearheading the exhibition. Read More »
Currently on view at Metro Pictures, and continuing a trend this summer towards artists taking the curatorial reins for the summer group shows across the city, Josh Kline has pulled together a body of work for the Chelsea exhibition space under the title Evidence. Featuring the work of seven artists, Evidence investigates the nature of documentation and reality in post-truth America, posing the state of modern political discourse as an opportunity to reframe and rethink the act of expression. Read More »
Drawing on the writings of the late theorist Mark Fisher as a starting point for broader explorations of modern artistic practice and its possibilities in challenging the status quo of the global capitalist landscape, Dan Herschlein has dipped his toe into the world of curating, organizing an exhibition around the work David Altmejd, Adam Putnam, Elizabeth Jaeger, Gil Batle, and more at JTT. Using varied approaches and modes of creative making, including illustration, sculpture and even graphic novels, Herschlein’s show delves into the idea of just how modern practice might be able to work around “culturally sanctioned ideals” or to explore how the human mind may be able to sustain itself beyond these ideals. Read More »
New York — “Painting: Now and Forever, Part III” at Matthew Marks Gallery and Greene Naftali Through August 17, 2018July 30th, 2018
Following past iterations in 1998 and 2008 iterations, Painting: Now and Forever, Part III occupies the gallery spaces of Matthew Marks Gallery and Greene Naftali spread across Chelsea. Spanning five spaces in total, the ambitious checklist includes an impressive roster of over forty artists. While loosely grouping the show around style and visual vocabulary in each space, the exhibition more broadly tackles the stylistic and thematic concerns contemporary painting—mostly figurative–over the past decade.
Nicole Eisenman, Luck Lines (2018), via Greene Naftali Read More »
Currently on view at David Zwirner’s 24 Grafton Street location in London, artist Carol Bove has erected a series of her recent sculptures, exploring the artist’s continued practice combining tightly orchestrated references to the canon on modern sculpture with her own enigmatic interpretations and spatial innovations. The show, which closes at the end of the week, marks a another chapter in Bove’s impressive vision, as her brightly colored, monolithic works continue to shift and evolve in vision and scope. Read More »
In reference to the address of Cabaret Voltaire – the birthplace of Dada in Zurich, Switzerland, Hauser & Wirth’s current exhibition Spiegelgasse (Mirror Alley), takes the landmark avant-garde movement as a starting point, and dives into the history of modern and contemporary Swiss art. Curated by Gianni Jetzer, Mirror Alley presents a range of works from the 1930s to the present day. Read More »
On view now at Galerie Perrotin in Paris, artist Iván Argote has traced a striking psycho, winding together disparate locales, global actions and fragments of a broader social narrative to understand and explore the world around us. The show, which draws on the artist’s range of actions and pieces investigating political action and history, offers a range of potentials for joining together global populations, often through a combination of art and action.