Untitled (Four Single Men with Interchangeable Backgrounds Looking to the Right) (1977) by Richard Prince, via The Met
Currently on view at the Metropolitan Museum of Art is “The Pictures Generation, 1974-1984.” It is the first major museum exhibition devoted entirely to the “Pictures Generation,” a close-knit group of artists concentrating on the self-reflexive and critical principles of Minimal and Conceptual Art. The exhibition explores how images shape perceptions of ourselves and the world and features 160 works made in all media by thirty artists including Cindy Sherman, Richard Prince, Barbara Kruger, Sherrie Kruger, Sherrie Levine, Robert Longo, Louise Lawler, Laurie Simmons and David Salle.
The Pictures Generation, 1974-1984 [Exhibition Page]
The Original Artistic Recyclers [Wall Street Journal]
The Pictures Generation [The New Yorker]
At the Met, Baby Boomers Leap Onstage [NewYorkTimes]
Framing the Message of a Generation [NewYorkTimes]
The Pictures Generation: A Conversation with Douglas Eckund [Art in America]
Preview the Met’s Fab New Show, “The Pictures Generation” [The Washington Post ]
American Soldier (1974-1984) by Robert Longo, via The Met
The artists represented in the exhibition refer to only one kind of art being made at the time. Born in the Mid-1940s to early 1950s and growing up during the era of the Cold War, many artists from this group were influenced by the effects of Pop Art and Conceptualism where ideas replaced objects and images and the very meaning of art was questioned.
Untitled Film Still #54 (1980) by Cindy Sherman, via The Met
The term “Pictures” was first used for Douglas Crimp’s “Pictures” show at Artists Space in 1977. It was accompanied by an essay later revised and reprinted in the journal October where he wrote of a new art “whose dimension is literally or metaphorically temporal” relying on the “processes of quotation, excerptation, framing, and staging…underneath each picture there is always another picture.”
Untitled (You are not Yourself) (1981) by Barbara Kruger, via The Met
Emphasized throughout the exhibition is the idea of different generations having distinct relationships to art and culture. Even so, what is striking is the stylistic diversity of the work displayed. For example, David Salle, normally known for his paintings, is seen here as an installation artist. Matt Mullican, whose work usually centers on large-scale prints, is represented in the show by a small collage made up of dead figures taken from action comics.
Framed Section of an Angel’s Wing (1978) by Matt Mullican, via The Met
Curated by Douglas Ecklund, the exhibition is a breakthrough about the enormous influence of the “Pictures” artists and the power of branding in art.
Big Camera, Small Camera (1977) by Laurie Simmons, via The Met
Golden Distance (1976) by Tony Brauntuch, via The Met