Remembering, Ai Weiwei’s installation of 9,000 backpacks conceived for the façade of Haus der Kunst reading “She lived happily for seven years in this world” via Monoculaire
Ai Weiwei’s work is currently showing at Haus der Kunst in Munich. The major solo exhibition titled “So Sorry” is authenticating the artist’s move towards increasingly political realm. Older works by Ai Weiwei will be shown at the German art house along with two newly commissioned ones. Chris Dercon, the curator of the show, and Ai Weiwei conceived of the large-scale collaboration almost three years ago.
One of the most important Chinese artists of 20th century, Ai Weiwei does not allow place for contextual involvement that surpasses his artistic intentions. This is not to say that any possibility of “third meaning” is denied, yet it is manipulated to an extent that the relationship between the work and the space of the museum becomes parallel to the dynamics of a dictatorial system. The history of Haus der Kunst – the Third Reich’s first monumental propaganda building commissioned by Hitler to display German art – is put into the servitude of Ai Weiwei’s political message masterfully, thus symptomatic of accordingly the artist’s achievement and curatorial ideal- one where the curator achieves the illusion of absence. Ai Weiwei’s show at Haus der Kunst runs through January 17, 2010.
Soft Ground and Rooted Upon, Ai Weiwei via Artdaily
More text and images after the jump…
Installation view of Cube Light, Ai Weiwei via Zimbio
“We all need to give our opinion about it or have to make some kind of judgment; otherwise we are a part of it” says Ai Weiwei about the reigning political regime in China. The artist who was beaten by Chinese police resulting in brain hemorrhage, has become more actively involved in his criticism of the system as opposed to being silenced. Using every means of public broadcast, ranging from a twitter account to a blog which is being regularly shut down for its call for freedom of speech, Ai Weiwei has established a new kind of artistic practice, where expression is not autonomously the condition of artistic path, but rather obviously its message.
One of the works on view is an installation of 100 roots and tree parts growing out of the Haus der Kunst’s floor, quite literally engaging in an active open dialogue with its past, while maintaining an upper hand as art becomes reminiscent of what it represents: dictatorship. The roots are placed on “Soft Ground” a work comprised of 929 tiles that are a faithful reproduction of the patterns of the floor beneath them.
Detail installation view of Rooted Upon, Ai Weiwei via Zimbio
As Ai Weiwei comments on the political phenomenon of public apology following a failure, “So Sorry” becomes a show that revives the mistakes too grand to be excused, thus mocking the idea of an apology and calling for actual change. His installation titled “Remembering” for the façade of Haus der Kunst reads the words spoken by a mother whose seven year old daughter fell victim to a poorly built school that did not stand the 2008 Sichuan earthquake. The child was one of the thousands. Now 9000 school backpacks covering Haus der Kunst read “She lived happily for seven years in this world.”
Also showing at Haus der Kunst are Ai Weiwei’s older works and a documentation of those works. For instance the walls of the biggest exhibition space in the building is covered with photographs of the Chinese individuals that the artist flew in to 2007 “Documenta” exhibit in Kassel.
An interesting curatorial decision was the creation of a blog on Haus der Kunst website where Ai Weiwei posts for the first time in English. Known for distributing information and ideas restricted by the Chinese government through means of blogging, the artist’s reporting on the development of the show is appropriately reinforcing the notion of speaking up for freedom of speech and press as art.
20 Chairs from the Qing dinasty, Ai Weiwei via Zimbio
Ai Weiwei Blog [Haus Der Kunst]
Ai Weiwei: So Sorry [Haus der Kunst]
Haus der Kunst: Ai Weiwei: So Sorry [The Art Newspaper]
Ai Weiwei, Nursing Head Wound, Sharpens China Criticism: Review [Bloomberg]
Chinese artist Ai Weiwei opens critical exhibition in Munich [Deutsche Welle]
Ai Weiwei Presents New Works Especifically Made for Haus der Kunst [ArtDaily]