Global contemporary art events and news observed from New York City. Suggestion? Email us.


Home » New York: Domenico Gnoli ‘Paintings 1964-1969′ at Luxembourg & Dayan through June 30th, 2012

New York: Domenico Gnoli ‘Paintings 1964-1969′ at Luxembourg & Dayan through June 30th, 2012

June 19th, 2012


Domenico Gnoli, Ritratto di Luis T (1967) All images courtesy Luxembourg & Dayan unless otherwise noted.

Prodigious Italian artist Domenico Gnoli left behind only several dozen paintings when he met an early fate – at age 36 – in April 1970. Eighteen of those important works are currently on display in the first U.S. exhibition dedicated to the artist in over 40 years. The paintings are primarily acrylic mixed with sand; finely detailed and close cropped, they are intimate portraits of a very certain place and time.


Domenico Gnoli, Poltrona (1966)


Domenico Gnoli Striped Shirt Lapel (1969)


Domenico Gnoli, Due Dormienti (1966)

Focusing attention on the daily objects of a bourgeois Italian society, Gnoli played in direct opposition to the politicism of  the then-popular Arte Povera movement. Gnoli typically painted his cropped compositions on a relatively large scale – often elevating the buttons of a blouse or braid of hair to an almost holy, reverential state – all while maintaining a serene pluckiness of hand and a uniquely tender sense of humor.


Domenico Gnoli, Green Bed (1969)


Domenico Gnoli, Curly Red Hair (1969) Photograph by Alain Speltdoorn


Domenico Gnoli, Striped Trousers (1969) Photograph by Alessandro Vasari


Domenico Gnoli, Corner (1968)


Domenico Gnoli, Busto Da Donna in Rosa (1966)


Domenico Gnoli, Chemisette Verte (1967)

Also on display is a set of works by Gnoli titled What Is A Monster?, in which the artist performed a rare commission and created several bizarre caricatures of fish and animals on carton. In these works a snail resides lazily on a sofa, a woman’s face can be seen on a sole fish in a bathtub, and an ostrich bumps along in the backseat of an old automobile. The images can be seen as fantastical, natural representations of the human soul – or as animals in unusual places. Comedic in their grotesqueness, beautiful in their detail, the series (and exhibition) is a success.


Domenico Gnoli, What is a Monster? Ostrich in a Car (1967)


Domenico Gnoli, What is a Monster? Snail on a Chair (1967)


Domenico Gnoli, What is a Monster? Woman Sole in Bath Tub (1967)

The show at Luxembourg & Dayan runs through June 30, 2012.

—D. Cloninger

Related Links:

Exhibition Site [Luxembourg & Dayan]

Leave a Reply