Olafur Eliasson is interviewed in The Guardian this week, discussing some of his large-scale and ongoing projects, including his work on the ballet adaptation of the Jonathan Safran Foer work Tree of Codes in Manchester. “On stage will be a mirror, and it will reflect the room. It’s a stretch to say that it puts the audience on the stage,” says Eliasson. “However, they will be conscious of being visible there. But anyway, let’s see how it works.”
Read more at The Guardian
