The Economist reviews the touring exhibition of the M+ Museum collection, before the Hong Kong museum opens its doors in 2019, and profiles some of the most important contributors to the emergence of Chinese contemporary art worldwide, including businessman and diplomat Uli Sigg, and Guy Ullens, founder of the Ullens Centre for Contemporary Art. “The view was that art and culture were enshrined in the past—that Chinese art was ‘something ancient’,” says Edmund Capon, who served as head of the Art Gallery of New South Wales.
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