Robert Irwin has been commissioned for a full-room installation at the Hirshhorn, bringing more than 100ft of scrim to respond to the museum’s uniquely circular architecture. “The 1960s is a crucial decade in the history of contemporary art, and Irwin’s investigations into the ways our perceptual processes are shaped and framed were at the forefront of the developments unfolding then,” says Evelyn Hankins, the Hirshhorn curator in charge of the exhibition.
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