The New Yorker profiles the efforts of the Whitney’s conservation department in preserving some of the more challenging works in its collection.  “I was excited by the immediacy of it—how I was often the first person restoring a canvas, as opposed to dealing with a century of past restorations,” says Carol Mancusi-Ungaro, who works as head of the museum’s replication committee. “And I loved, whenever possible, consulting with the artists themselves.”Read more at New Yorker

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