A recently unearthed Michelangelo sketch, considered to be the artist’s first nude, has sold at Christie’s Paris for a record 23 million euros ($24 million). “Michelangelo has decided to make the figure into something that corresponded more to his aesthetic by making him much more robust and monumental, while at the same time keeping the fragility of the figure, who is exposed and shivering” as he awaits baptism,” says Christie’s Old Masters expert Stijn Alsteens.
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Returning this year to The Shed in New York City’s recently redeveloped Hudson Yards, the 2022 edition of Frieze New York is now open, with a range of shows and projects spread throughout the exhibition space that include ambitious solo projects, surveys of gallery rosters, and focused, historical presentations that underscore the fair’s place as both a site for discovery, and one of the premier selling events of the yearly art world calendar. With over 65 dealers on hand from New York and around the globe, the fair signals something of a scale-back from the sizable expanses of the versions held at Randalls Island, yet nevertheless presents a dynamic and immersive program.
With the increasingly lively schedule of a spring art season in New York that feels like it’s finally finding its pacing again, attention and anticipation once again turns to the opening of this year’s edition of Frieze New York, set to open its doors in just a few days at its new home at The Shed. With the fair now nearing 10 years of operation in the city, this year’s edition should once again prove to be a strong note in the spring fair season. Read More »
Third floor of the Gallery Building, 57th Street, between 5th and 6th Avenue, in a sinuous corridor, a discreet sign on one of the doors: SPACETIME. The faint lighting inside sets the tone.
An array of artworks is on view: floating sculptures, abstract paintings, a black suitcase facing a plasticine ball, a tree adorned with paper disks, large prints, small models including detergent caps and yogurt lids, a shoebox on a shelf, flying boomerangs, and a Japanese scroll greet the viewer in the first two rooms. The gallery is intimate, and the experience is total. Gabriel Orozco’s ongoing project is a secret which spreads from word of mouth to fortunate visitors and passersby. The show encapsulates 30 years of work masterfully staged in these tight quarters.
Joseph Beuys, Untitled, 1954. All images courtesy of Aidan Chisholm for AO.
Alongside the 59th Venice Biennale, Palazzo Cini presents a retrospective exhibition dedicated to Joseph Beuys, the acclaimed German-born artist, teacher and theorist. Curated by Luca Massimo Barbero, director of the Fondazione Giorgio Cini Institute of Art History, and presented in conjunction with Thaddaeus Ropac gallery, Joseph Beuys: Fine-limbed is displayed on the second floor of the Campo San Vio, the museum and former home containing the historic art collection of Italian patron Vittorio Cini (1885-1977). Featuring thirty eight works with particular attention to Beuys’s early artistic development and drawings, this solo-exhibition explores his engagement with the body as a malleable conceptual and formal framework. Read More »
Marking a new iteration of his continued engagement with color, geometry and form, the New York outpost of Galerie Perrotin presents Daydream, a solo exhibition by artist Josh Sperling, organized across three floors of the gallery’s New York space, and on view April 28th through June 11th. The exhibition, Sperling’s largest, marks a return to key motifs in the artist’s practice, developed over the course of the last decade and re-articulated by Sperling in this new body of work. Additionally, in Daydream, the Ithaca-based painter will debut a new series, continuing his investigation into the material possibilities of color and form.
On view this month at David Zwirner in New York, the painter Michaël Borremans presents The Acrobat, an exhibition that continues the artist’s meticulous study of the history of painting and the structure and language of painterly composition.Taking place at the gallery’s 525 West 19th Street location in New York, this will be the artist’s seventh solo exhibition with the gallery and his first in New York since 2011. Read More »
Just opened this past weekend during the run of fairs over the course of the last week, The Brant Foundation Art Study center presents an exhibition of paintings and works on paper by Spencer Sweeney, the painter and artist whose rich, figurative compositions span a range of modes and practices, from show flyers to portraiture, abstractions to historical interpretations. Read More »
VENICE – “SURREALISM AND MAGIC: ENCHANTED MODERNITY” AT PEGGY GUGGENHEIM COLLECTION THROUGH SEPTEMBER 26TH, 2022May 9th, 2022
Leonora Carrington, The Chair: Daghda Tuatha dé Danann, 1955. All images courtesy of Aidan Chisholm for AO.
Surrealism and Magic: Enchanted Modernity marks the first major international exhibition focusing on Surrealist engagements with magic, alchemy and the occult. A two-part exhibition first on display at the Peggy Guggenheim Collection in Venice before traveling to Museum Barberini in Potsdam, Surrealism and Magic features approximately 60 works from more than 40 international museums and private collections. The exhibition coincides with the theme of the 59th Venice Biennale, The Milk of Dreams, which draws its title from the otherworldly book by Leonora Carrington, the English-born painter and storyteller whose work features prominently in both the Guggenheim show and the main exhibition of the Biennale. Read More »
Taking over once again at Spring Studios in downtown Manhattan, the Independent Art Fair opened its doors this week on a string of new works, curated exhibitions and special projects that once again illustrated its place as a premier fair event in the city. Now over ten years old, the fair has proven itself as something of a special case in the presentation of an art fair. Smaller in scale and more focused in terms of its gallery selections, the fair’s presentation feels more like a presentation of a series of small gallery shows run side-by-side. Offering a more nuanced, mellow browsing experience in conjunction with the fair’s invite-only exhibitor structure and immense glass windows, the fair has built a reputation as a boutique event with impressive draw.
This weekend marks a return of the New Art Dealers Alliance art fair to New York City, bringing with it a range of exploratory and expressive new work from emerging artists, smaller galleries and new projects. For those looking for new insights and fresh perspectives on contemporary art practice, its hard to ignore the call of the fair, which reprises its role as a central tentpole of a weekend of fairs, even as the city’s string of fairs has split up between several weeks this May. Set up in the sprawling Pier 36 complex on downtown Manhattan’s Eastern edge, the show is a dense pathway through the landscape of new art, mixing playful performance pieces, studied painting and anything in between, making the fair one of the more expansive and freewheeling events of the week. Read More »