A new study finds that few American art collectors sell their works once they have purchased them, the New York Post reports. “Collectors don’t apply the same principles to buying art that they would to a typical investment portfolio of stocks and bonds,” says John Mathews, head of private wealth management and ultra-high net worth at UBS Americas. “It is important, however, to institute management structures to ensure their legacy remains protected, correctly valued and insured.”
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In his current show at Metro Pictures, artist Jim Shaw presents a group of new paintings, sculptures, and drawings—all from 2017. The show is the first in the city since his survey The End is Here was presented at the New Museum in 2015. Shaw’s work often mixes American cultural references with comic books, art history, religion, Greek mythology and his own subconscious. Suffice it to say that in the time that has passed since his New Museum. exhibition the political and social climate in America has undergone an upheaval. For this new show Shaw combines his usual brand of dark humor with themes of materialism, war and corruption in works that speak to the current state of affairs in America, post-presidential election.
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Enrico Castellani, one of Europe’s pioneering avant-garde artists in the year’s following WWII, has passed away at the age of 87 in his home of Celleno, Italy, near Rome. Castellani was a relentlessly inventive and creative painter, having worked closely with a number of groups and collectives including Cobra group, Group Zero, and the Neo-Concrete artists in Brazil. Read More »
Bali-based artist Ashley Bickerton’s first U.S. survey dedicated to his multimedia work serves as a compact retrospective of his four-decade long career, shaped by various geographical and ideological milestones that show a continued response to the artist’s ongoing quest for meaning and space for contemplation in modern age. The exhibition, on view now at The FLAG Art Foundation proceeds a larger survey, Ornamental Hysteria, which opened in the spring of 2017 at the Damien Hirst-owned Newport Street Gallery in South London, including a total of 51 familiar and new works by the artist. The artist offers a range of work from both his current time in Bali and his long residency in New York, where Bickerton emerged in the 1980’s alongside Jeff Koons and Peter Halley. The show offers selections from various periods of his career, mostly including sculpture and painting, two mediums that have always remained intertwined since his early days. Read More »
A contingency is a future event or circumstance that is possible but cannot be predicted with certainty, one that may rely on distinct conditions or concessions made in the present. This conditional framework serves as the namesake of the most recent exhibition of work on view at Luxembourg and Dayan this month, one that poses its exploration of the Italian post-war as contingent on a viewer’s willingness to freely-associate between various modes of practice in contemporary art. Read More »
Turning the corner onto the iconic drag of Ocean Drive, one’s attention is immediately drawn to the slender white tent laid out along the ocean skyline, a gleaming structure that houses the Untitled Art Fair underneath its minimalist structure. Its annual home, placed squarely in the midst of boozey beachgoers, restaurant soundsystems, and the annual flood of Art Basel Miami Beach visitors, the fair has one of the more unique positions in a week full of unique offerings, one that balances some of the most familiar sights of the city with the impressive work on view inside. Compounded by the floor to ceiling windows in the fair tent, the fair is an annual must-attend for those looking to get their dose of dynamic contemporary art and Florida sun in one go. Read More »
As far as fairs go each year in Miami, few can compare with the unique flair and spirit of the New Art Dealers Association’s annual production in Miami, taking over hotel lobbies and ballrooms with a collection of works from young artists, smaller galleries and inventive projects that always make for an engaging, freewheeling time matched only by the fair’s impressive eye for vintage Miami charm. So when the brutal storms that ravaged the southern tip of Florida this year made for some complications in planning at the fair’s annual haunt up-beach at The Deauville, it seemed as if some of the wind had been kept from its sails. Taking over Ice Palace Studios in an area close to downtown Miami, NADA’s most recent iteration manages to make the best of an unfortunate situation, adding the familiar atmosphere and communal spirit of the fair to an intriguing new locale on the other side of Biscayne Bay.
AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 7th – 10th, 2017December 8th, 2017
The doors have opened on the latest edition of Art Basel Miami Beach, bringing a stream of collectors and dealers into the Miami Beach Convention Center for another year of the fair’s high-profile sales, and an annual look back at the year for the art world. Commanding a roster of over 200 galleries from around the world, the marquee event of the fall market season in the U.S., and one of the biggest social events of the art world calendar has gotten underway, with thousands flocking to the sun and sand of the Florida metropolis.
As another year in the art world draws to a close, global attention turns to the southern tip of the U.S. for another year of Art Week Miami, the sprawling multi-fair spectacle that each year flood both Miami Beach and Miami proper with waves of art lovers, artists, collectors and revelers for a range of installations and exhibitions, not to mention the infamous schedule of parties and events surrounding the week. Read More »
This spring, the Romanian Pavilion at the Venice Biennale opened its exhibition for this year’s iteration of the institution’s ongoing exhibition. The show, a string of drawings and paintings creeping up the walls of the gallery, and running across each of the rooms formed dense networks of gestures and panels that made each of their respective movements and concepts all the more powerful. The show was a review of the career of Geta Bratescu, the 91-year old artist whose career has investigated the range of 20th Century practice as her own relationship to it grew and evolved over the course of her life. In the months running up to the opening of the exhibition, Bratescu joined on with Hauser & Wirth, and now brings a range of her works to bear on the gallery’s Chelsea exhibition space. Read More »
New York – Shirazeh Houshiary: “Nothing is deeper than the skin” at Lisson Gallery Through December 22nd, 2017November 29th, 2017
Iranian-born, London-based artist Shirazeh Houshiary returns to Lisson Gallery this month for a show of new works at the gallery’s New York location on 24th Street in Chelsea, continuing her nuanced exploration of architectural and gestural interactions. Reflecting on physical and immaterial qualities that shape art and human life, the artist’s work in her new show draws on dualities of structure and chance, friction and fluidity, and the nuances of space that both bound and interact with the work itself.