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New York – “The Big Picture: Desiderio, Fischl, Rauch, Saville, Tansey” at New York Academy of Art Through March 9th, 2014

Saturday, March 1st, 2014

AO On Site – New York: New York Academy of Art’s 20th Annual ‘Take Home a Nude’ Benefit at Sotheby’s, October 17, 2011

Tuesday, October 18th, 2011

AO On Site – New York: The New York Academy of Art’s 19th Annual “Take Home a Nude” Benefit at Sotheby’s October 18, 2010

Tuesday, October 19th, 2010

AO On Site – The New York Academy of Art 18th Annual Take Home a Nude at Sotheby’s October 7th, 2009

Monday, October 12th, 2009

New York – Ali Banisadr: “Motherboard” at Sperone Westwater, through April 19th 2014

Friday, April 18th, 2014

AO On Site – New York: Will Cotton at Mary Boone Gallery through June 30, 2012

Friday, May 11th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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