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AO On Site for the 54th Venice Biennale 2011: Preview (with photoset) of Christoph Schlingensief’s German Pavilion

Friday, June 3rd, 2011

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011

AO On Site Preview and Summary: 54th Venice Biennale 2011 Begins This Week

Monday, May 30th, 2011

Dr Harald Falckenberg

Tuesday, February 12th, 2008

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of Lithuanian Pavilion

Sunday, June 5th, 2011

AO On Site for the 54th Venice Biennale 2011: Preview (with photoset) of the 54th International Art Exhibition in the Central Pavilion, and announcement of 2011 winners of the Golden and Silver Lions

Saturday, June 4th, 2011

AO Auction/Event Preview -Watermill, New York: The 16th Annual Watermill Summer Auction and Benefit July 25, 2009

Thursday, July 23rd, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Michelangelo Sketch Sells for $24 Million in Paris

May 19th, 2022

A recently unearthed Michelangelo sketch, considered to be the artist’s first nude, has sold  at Christie’s Paris for a record 23 million euros ($24 million). “Michelangelo has decided to make the figure into something that corresponded more to his aesthetic by making him much more robust and monumental, while at the same time keeping the fragility of the figure, who is exposed and shivering” as he awaits baptism,” says Christie’s Old Masters expert Stijn Alsteens.
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Basquiat Work Sells for $85 Million at Phillips $224.9 Million Night

May 19th, 2022

The Jean-Michel Basquiat work from the collection of Japanese billionaire Yusaku Maezawa had a strong return to auction last night at Phillips, where it achieved $85 Million, part of a total sale of  $224.9 million, the highest in the company’s history. 
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Independent Art Fair to Launch New Fair Around 20th Century Work

May 17th, 2022

The Independent Art Fair will launch a new fair in September this year that will focus on 20th Century Works. “Over the years, there has been a shift, with next-generation dealers showing a more diverse group of artists and territories, geographically, socially, politically,” says Independent director Elizabeth Dee. “They are looking forward and looking back, saying, ‘We need to have a canon that looks like our program.’”
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