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Claes Oldenburg is Profiled in New York Times

Tuesday, October 17th, 2017

Claes Oldenburg Featured in Interview Magazine This Month

Thursday, December 10th, 2015

Claes Oldenburg and Coosje van Bruggen Donate 175 Works to Stedelijk Museum

Friday, February 6th, 2015

New York – Claes Oldenburg at the Museum of Modern Art through August 5th, 2013.

Wednesday, July 17th, 2013

Bilbao – Claes Oldenburg: “The Sixties” at Guggenheim Museum Bilbao, through February 17th 2013

Saturday, February 16th, 2013

Seoul: Claes Oldenburg and Coosje van Bruggen at PKM Trinity Gallery Through January 15th, 2013

Tuesday, January 15th, 2013

AO ONSITE – NEW YORK: CLAES OLDENBERG/COOSJE VAN BRUGGEN: THEATER AND INSTALLATION AT THE PACE GALLERY THROUGH JUNE 23, 2012

Wednesday, June 20th, 2012

Go See – New York: Claes Oldenburg at the Whitney Museum of American Art, Through September 6, 2009

Tuesday, May 26th, 2009

Claes Oldenburg

Thursday, January 3rd, 2008

AO On Site at the 54th Venice Biennale 2011: Dasha Zukhova and The Garage Center for Contemporary Culture presents “Commercial Break” curated by Neville Wakefield

Monday, June 6th, 2011

New York – Trevor Paglen: “A Study of Invisible Images” at Metro Pictures Through October 21st, 2017

Wednesday, October 18th, 2017

New York – Elizabeth Orr: “Our Hallway Is Surrounded” at Bodega Through October 15th, 2017

Sunday, October 15th, 2017

AO On-Site – London: Frieze Art Fair, October 5th – 8th, 2017

Saturday, October 7th, 2017

New York — Hélio Oiticica: “To Organize Delirium” at the Whitney Museum of American Art Through October 1st, 2017

Sunday, October 1st, 2017

Münster – Skulptur Project Münster, Through October 1st, 2017

Thursday, September 28th, 2017

New York — Andreas Schulze: “Vacanze 365″ at Team Gallery Through September 30th, 2017

Wednesday, September 27th, 2017

New York – Tom Sachs: “Objects of Devotion” at Sperone Westwater Through October 28th, 2017

Wednesday, September 20th, 2017

AO On-Site – Chicago: EXPO Chicago Art Fair, September 13th – 17th, 2017

Sunday, September 17th, 2017

Bridgehampton, NY – Mary Heilmann: “Painting Pictures” at Dan Flavin Institute Through May 27th, 2018

Monday, September 11th, 2017

Alex Da Corte Directs Video for St. Vincent

Friday, September 1st, 2017

New York – Julien Ceccaldi: “Gay” at Lomex Gallery Through August 17th, 2017

Thursday, August 17th, 2017

New York – Harumi Yamaguchi Presented by Project Native Informant at Bridget Donahue Gallery for CONDO New York Through July 29th, 2017

Sunday, July 23rd, 2017

New York – Louise Lawler: ‘WHY PICTURES NOW’ at MoMA Through July 30th, 2017

Thursday, July 20th, 2017

New York: Roni Horn at Hauser & Wirth Through July 29th, 2017

Monday, July 17th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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