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Adam Lindemann Plans LA Loft Building in Arts District

Tuesday, August 1st, 2017

Adam Lindemann Talks to New York Times on His Auction Week

Monday, May 16th, 2016

Adam Lindemann in Contract for Andy Warhol’s Montauk Estate

Monday, October 19th, 2015

Adam Lindemann Opening Venus Over Los Angeles

Friday, February 6th, 2015

Adam Lindemann Reviews the Art World on Instagram

Tuesday, June 17th, 2014

Adam Lindemann

Monday, February 14th, 2011

A bit of gossip: Larry Gagosian vs. Adam Lindemann…

Sunday, November 25th, 2007

AO On Site – New York: “Bulletin Boards” at Venus Over Manhattan curated by Matthew Higgs of White Columns and featuring works by Rita Ackermann, Adam McEwen, Nate Lowman, Gavin Brown and others through August 24, 2012

Tuesday, August 14th, 2012

Christie’s Selling Basquiat Poised to Possible Break Auction Record

Thursday, April 14th, 2016

Andy Warhol’s Montauk Home Sells for $50 Million

Saturday, December 26th, 2015

Katherine Bernhardt Installs Mural at Venus Over LA

Thursday, July 30th, 2015

Bloomberg Looks at Speculation and Risk in Art Investing

Monday, February 16th, 2015

New York – Maurizio Cattelan: “Cosa Nostra” at S|2 Through November 26th, 2014 and Venus Over Manhattan Through January 10th, 2015

Wednesday, November 26th, 2014

Miami: “Piston Head” Presented by Venus Over Manhattan at 1111 Lincoln Road, December 3rd-8th, 2013

Friday, December 6th, 2013

New York – AO Auction Results: Sotheby’s Contemporary Evening Sale, Tuesday May 14th, 2013.

Wednesday, May 15th, 2013

New York – Jack Goldstein: “Where Is Jack Goldstein?” at Venus Over Manhattan Through January 15th, 2013

Saturday, December 15th, 2012

AO Newslink

Saturday, November 17th, 2012

AO Interview with Peter Coffin regarding his show “A,E,I,O,U” at Venus Over Manhattan, through Nov. 2, 2012

Saturday, October 20th, 2012

AO Newslink

Friday, August 10th, 2012

AO Newslink

Saturday, June 30th, 2012

AO Newslink

Friday, June 22nd, 2012

AO On Site (with video and photoset) – Greenwich, CT: Karen Kilimnick at The Brant Foundation Sunday May 6th, show runs through September 2012

Monday, May 7th, 2012

AO Newslink

Friday, May 4th, 2012

AO Newslink

Thursday, April 26th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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