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Adam Szymczyk to Take Lecture Post in Vienna

Wednesday, March 6th, 2019

Curator Adam Szymczyk Interviewed on Documenta 14 in Artforum

Tuesday, April 4th, 2017

Documenta Curator Adam Szymczyk Interviewed on State of Greek Crisis and Its Ties to Event

Thursday, July 23rd, 2015

Kunsthalle Basel Curator Adam Szymczyk Profiled in New York Times

Sunday, November 24th, 2013

Documenta Not Facing Threats from Budget Deficit This Year

Thursday, November 16th, 2017

Documenta Work Faces Challenges by Far-Right Over Pro-Refugee Sculpture

Tuesday, August 22nd, 2017

AO On-Site: Athens, Greece and Kassel, Germany – Documenta 14: “Learning From Athens”, On View Through September 17th, 2017

Monday, June 12th, 2017

Hans Ulrich Obrist Tops ArtReview’s “Power 100″ List

Thursday, October 20th, 2016

Documenta Director Wants to Show Full Gurlitt Collection

Friday, April 17th, 2015

Documenta 17 to Take Place in Athens and Kassel

Tuesday, October 7th, 2014

Director of Kunsthalle Basel Named Curator for documents 14

Tuesday, November 26th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

The Louvre Working to Complete VR Tour of the Mona Lisa

October 16th, 2019

The Louvre is putting the finishing touches on a virtual reality tour that focuses on the Mona Lisa as it prepares its landmark show on Leonardo Da Vinci. “She is seated, and spectators will be facing her like a conversation, face to face,” says Dominique de Font-Réaulx, the Louvre’s director of mediation and cultural programming.
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German Arts Center Z.K.M. Recognized by NYT

October 16th, 2019

A piece in the NYT recognizes the German art center Z.K.M. in Karlsruhe, which has a reputation for spotting new and dynamic creative ideas, and which was an early supporter and collector of visual art.  “No other institution has a track record of really looking at the medium in depth,” says Christiane Paul, a media studies professor at the New School.
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Nick Cave Profile in NYT

October 16th, 2019

Nick Cave gets a profile in the NYT this week, part of a series celebrating “The Greats,” and discusses his career, including the construction of his first sound suit after the 1992 Rodney King beating.  “I felt like my identity and who I was as a human being was up for question. I felt like that could have been me,” he says. “Once that incident occurred, I was existing very differently in the world. So many things were going through my head: How do I exist in a place that sees me as a threat?”
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