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Adam Szymczyk to Take Lecture Post in Vienna

Wednesday, March 6th, 2019

Curator Adam Szymczyk Interviewed on Documenta 14 in Artforum

Tuesday, April 4th, 2017

Documenta Curator Adam Szymczyk Interviewed on State of Greek Crisis and Its Ties to Event

Thursday, July 23rd, 2015

Kunsthalle Basel Curator Adam Szymczyk Profiled in New York Times

Sunday, November 24th, 2013

Documenta Not Facing Threats from Budget Deficit This Year

Thursday, November 16th, 2017

Documenta Work Faces Challenges by Far-Right Over Pro-Refugee Sculpture

Tuesday, August 22nd, 2017

AO On-Site: Athens, Greece and Kassel, Germany – Documenta 14: “Learning From Athens”, On View Through September 17th, 2017

Monday, June 12th, 2017

Hans Ulrich Obrist Tops ArtReview’s “Power 100″ List

Thursday, October 20th, 2016

Documenta Director Wants to Show Full Gurlitt Collection

Friday, April 17th, 2015

Documenta 17 to Take Place in Athens and Kassel

Tuesday, October 7th, 2014

Director of Kunsthalle Basel Named Curator for documents 14

Tuesday, November 26th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jean-Michel Basquiat Work at TEFAF 2017 Revealed as Fake by André Heller

November 3rd, 2022

Musician and artist André Heller fabricated a falsely attributed Jean-Michel Basquiat for sale at TEFAF in 2017, Art News reports. “In retrospect, the whole thing is, firstly, a childish prank. Secondly, it is naturally showing off. And thirdly, it is a stupid mixture of fiction and truth,” he says. “Just a private fairy tale.”
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Monica Bonvicini “Pauses” Representation with König Galerie After Allegations Against Founder

November 3rd, 2022

Monica Bonvicini has “paused” her relationship with König Galerie after sexual harassment allegations broke against its founder, Johann König.
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Oscar yi Hou Profiled in NYT

October 25th, 2022

Artist Oscar yi Hou gets the profile treatment in the New York Times this week, as he opens a show at the Brooklyn Museum. “I think by creating symbolic densities, you’re able to invite the viewer to pay more attention to the works,” he says. “I try to honor the opacity of the subject.”
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