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AO On-Site – Venice – Adrian Ghenie: “The Battle Between Carnival and Feast” at the Palazzo Cini Through November 18th, 2019

Sunday, May 12th, 2019

Adrian Ghenie’s Market Profiled in Art Newspaper

Wednesday, June 27th, 2018

New York – Adrian Ghenie: “Recent Paintings” at Pace Gallery Through February 18th, 2017

Thursday, February 16th, 2017

Adrian Ghenie’s Market Rise Profiled in NYT

Wednesday, November 9th, 2016

Adrian Ghenie Moves to Thaddaeus Ropac

Sunday, May 3rd, 2015

London – Adrian Ghenie: “Golems” at Pace Gallery Through July 26th, 2014

Friday, July 18th, 2014

New York – “Adrian Ghenie: New Paintings” at Pace, through May 4th 2013

Saturday, April 27th, 2013

AO On Site – London: Adrian Ghenie at Haunch of Venison through October 8, 2011

Thursday, September 22nd, 2011

AO Preview – Venice: “May You Live in Interesting Times,” The 58th Venice Biennale, May 11th – November 24th, 2019

Monday, May 6th, 2019

AO On-Site – London: Frieze Art Fair at Regent’s Park, October 4th – 7th, 2018

Friday, October 5th, 2018

AO Auction Recap – London: Post-War and Contemporary Evening Sales, October 4th – 5th, 2018

Friday, October 5th, 2018

AO Auction Recap – London: Christie’s and Phillips Contemporary and Post-War Evening Sales, October 6th, 2017

Sunday, October 8th, 2017

AO Auction Preview – London: Post-War and Contemporary Evening Sales, October 5-6th, 2017

Wednesday, October 4th, 2017

AO Auction Results – London: Sotheby’s Post-War and Contemporary Evening Sale, March 8th, 2017

Wednesday, March 8th, 2017

AO Auction Results – New York: Christie’s Post-War and Contemporary Evening Sale, November 15th, 2016

Wednesday, November 16th, 2016

AO Auction Recap – London: Christie’s Post-War and Contemporary Evening Sales, October 6th, 2016

Friday, October 7th, 2016

AO Auction Preview – London Contemporary and Post-War Evening Sales, October 5th – 7th, 2016

Monday, October 3rd, 2016

AO Auction Recap – London: Christie’s Post-War and Contemporary Evening Sale, June 29th, 2016

Wednesday, June 29th, 2016

AO Auction Recap – London: Sotheby’s Post-War and Contemporary Evening Sale, June 28th, 2016

Wednesday, June 29th, 2016

AO Auction Recap – London: Phillips 20th Century and Contemporary Evening Sale, June 27th, 2016

Tuesday, June 28th, 2016

AO Auction Preview – London: Summer Auctions, June 21st-29th, 2016

Monday, June 20th, 2016

AO Auction Recap – New York: Sotheby’s Post-War and Contemporary Evening Sale, May 11th, 2016

Wednesday, May 11th, 2016

AO Auction Recap – London: Sotheby’s Contemporary Art Evening Sale, February 10th, 2016

Wednesday, February 10th, 2016

New York – Genieve Figgis: “Good Morning, Midnight” at Half Gallery Through October 25th, 2014

Wednesday, October 22nd, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Jeffrey Deitch Featured on “Artbound”

June 17th, 2019

Jeffrey Deitch gets a profile in KCET’s Artbound program, spotlighting his recent work, his focus on Los Angeles’s thriving arts scene, and his early days expanding the scope of the contemporary art market.  “Some people say I created a monster because we basically invented the profession of professional art advisory,” Deitch says of his early work.
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CNN Speculates on Location of “Salvator Mundi” Painting

June 17th, 2019

CNN takes a look at the disappearance of Salvator Mundi after its landmark sale last year, noting that the work hasn’t been seen in public since its landmark sale.  “It’s either on the yacht or in a Geneva lock-up, and I’m slowly coming to the conclusion that the yacht is really quite plausible,” writer Ben Lewis said in a phone interview, alluding to speculation that the work is on a luxury yacht belonging to Saudi Arabia’s Crown Prince Mohammad Bin Salman. “But I would suggest that it may not be the safest environment in which to hang up this picture.”
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Sterling Ruby’s New Fashion Line Profiled in NYT

June 17th, 2019

Sterling Ruby’s new fashion line gets a profile in the NYT this week, as the artist and budding designer traces his experiences with fiber arts and clothing.   “Outside of the logistics of putting together the collection and the garments — in the kind of production of it — I don’t see it as any different to making a sculpture or a painting,” he says.
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