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Biennale Golden Lions Announced: Adrian Piper for Best Artist, Armenia for Best Pavilion

Sunday, May 10th, 2015

AO On-Site – Venice: “All the World’s Futures” at the Giardini in Venice Through November 22nd, 2015

Saturday, May 9th, 2015

Vienna: Cindy Sherman ‘That’s me – That’s not me’ at Sammlung Verbund Vertical Gallery through May 16, 2012

Wednesday, March 28th, 2012

Go See – New York: "Photoconceptualism 1966-1973" featuring works by Bruce Nauman, Dan Graham, Robert Smithson, Mel Bochner, Gordon Matta-Clark, Edward Ruscha Whitney Museum of American Art, through September 20, 2009

Wednesday, August 26th, 2009

Brooklyn Museum

Tuesday, December 25th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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German Lost Art Plans New Guidelines for Project Funding

May 25th, 2018

Portrait of Adele Bloch-Bauer I, by Gustav Klimt, via Market WatchThe German Lost Art Foundation will begin developing guidelines for funding projects in provenance research for museums, collections and basic research, the Washington Post reports. The funding continues the organization’s attempts to provide restitution support for lost and looted art pieces.
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The Guardian Spotlights New Performance Piece at CERN

May 25th, 2018

Haroon Mirza and Gaika, via The GuardianThe Guardian spotlights an ambitious and expansive body of performance works set to take place at the CERN Large Hadron Collider, organized by a group of artists including Jack Jelfs and Haroon Mirza. “It’s like the way people look at Stonehenge,” says the DJ Elijah, who is part of the project. “That could be like Cern 1,000 years in the future – maybe not even that far ahead. ‘Why were people smashing particles together to work out how the universe started?’ This is the biggest machine ever created, maybe nothing will ever be bigger. So it might be seen as a ritual site.”
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Accademia Carrara in Bergamo Discovers $30 Million Mantegna in Storage

May 25th, 2018

Mantegna, via Washington PostA painting that sat for more than 100 years in the basement of the Accademia Carrara in Bergamo will be credited as a work by master Andrea Mantegna, placing its value at around $30 million. “It’s a wonderful surprise,” says Dr.Keith Christiansen, John Pope-Hennessy Chairman of the Department of European Paintings at the Met. “An absolutely top-quality work by one of the defining artists of the early Renaissance.”
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