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Alanna Heiss and Massimiliano Gioni Sit Down for Talk in Art News

Wednesday, May 3rd, 2017

New York — Vito Acconci: “Where We Are Now (Who Are We Anyway?), 1976″ at MoMA PS1 Through September 18th, 2016

Sunday, September 4th, 2016

AO On Site – New York: Serkan Özkaya ‘David (Inspired by Michelangelo)’ on tour to permanent location at 21c Museum in Louisville, KY, March 5–6, 2012

Tuesday, March 6th, 2012

AO Onsite – Watermill, New York: “Voluptuous Panic” Bob Wilson’s 18th Annual Watermill Center Benefit

Monday, August 1st, 2011

AO On Site: Bomb Magazine’s 30th Anniversary Gala and Silent Auction, Friday, April 15th 2011

Monday, April 18th, 2011

Go See – New York: Lee Lozano ‘Tools’ at Hauser & Wirth through February 19, 2011

Saturday, January 15th, 2011

Newslinks for Monday, January 5th, 2009

Monday, January 5th, 2009

Newslinks 5.12.08

Monday, May 12th, 2008

New Position Created at MoMA for Kathy Halbreich

Thursday, September 27th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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New York – Urs Fischer: “Sotatsu” at Gagosian Gallery Through June 23rd, 2018

May 26th, 2018

Urs Fischer, Sōtatsu (detail) (2018)New York, Artworks © Urs Fischer, Photo Rob McKeever
Urs Fischer, Sōtatsu (detail) (2018)New York, Artworks © Urs Fischer, Photo Rob McKeever

Throughout the career of Swiss artist Urs Fischer, space and form have long worked in lock step with acts of repetition and iteration, allowing his myriad approaches towards studio process to create ever-evolving forms and bodies of work that change as much from piece to piece as they do series to series.  For his most recent body of works on view now at Gagosian Gallery‘s uptown location, the artist takes this interest to a natural conclusion, creating a series of panel-based paintings that draw on a gradual evolution in the painter’s improvisations on single images.
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German Lost Art Plans New Guidelines for Project Funding

May 25th, 2018

Portrait of Adele Bloch-Bauer I, by Gustav Klimt, via Market WatchThe German Lost Art Foundation will begin developing guidelines for funding projects in provenance research for museums, collections and basic research, the Washington Post reports. The funding continues the organization’s attempts to provide restitution support for lost and looted art pieces.
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The Guardian Spotlights New Performance Piece at CERN

May 25th, 2018

Haroon Mirza and Gaika, via The GuardianThe Guardian spotlights an ambitious and expansive body of performance works set to take place at the CERN Large Hadron Collider, organized by a group of artists including Jack Jelfs and Haroon Mirza. “It’s like the way people look at Stonehenge,” says the DJ Elijah, who is part of the project. “That could be like Cern 1,000 years in the future – maybe not even that far ahead. ‘Why were people smashing particles together to work out how the universe started?’ This is the biggest machine ever created, maybe nothing will ever be bigger. So it might be seen as a ritual site.”
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