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Alanna Heiss and Massimiliano Gioni Sit Down for Talk in Art News

Wednesday, May 3rd, 2017

Nicholas Party Profiled in NYT

Thursday, August 29th, 2019

New York — Vito Acconci: “Where We Are Now (Who Are We Anyway?), 1976″ at MoMA PS1 Through September 18th, 2016

Sunday, September 4th, 2016

AO On Site – New York: Serkan Özkaya ‘David (Inspired by Michelangelo)’ on tour to permanent location at 21c Museum in Louisville, KY, March 5–6, 2012

Tuesday, March 6th, 2012

AO Onsite – Watermill, New York: “Voluptuous Panic” Bob Wilson’s 18th Annual Watermill Center Benefit

Monday, August 1st, 2011

AO On Site: Bomb Magazine’s 30th Anniversary Gala and Silent Auction, Friday, April 15th 2011

Monday, April 18th, 2011

Go See – New York: Lee Lozano ‘Tools’ at Hauser & Wirth through February 19, 2011

Saturday, January 15th, 2011

Newslinks for Monday, January 5th, 2009

Monday, January 5th, 2009

Newslinks 5.12.08

Monday, May 12th, 2008

New Position Created at MoMA for Kathy Halbreich

Thursday, September 27th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Jean-Michel Basquiat Work at TEFAF 2017 Revealed as Fake by André Heller

November 3rd, 2022

Musician and artist André Heller fabricated a falsely attributed Jean-Michel Basquiat for sale at TEFAF in 2017, Art News reports. “In retrospect, the whole thing is, firstly, a childish prank. Secondly, it is naturally showing off. And thirdly, it is a stupid mixture of fiction and truth,” he says. “Just a private fairy tale.”
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Monica Bonvicini “Pauses” Representation with König Galerie After Allegations Against Founder

November 3rd, 2022

Monica Bonvicini has “paused” her relationship with König Galerie after sexual harassment allegations broke against its founder, Johann König.
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Oscar yi Hou Profiled in NYT

October 25th, 2022

Artist Oscar yi Hou gets the profile treatment in the New York Times this week, as he opens a show at the Brooklyn Museum. “I think by creating symbolic densities, you’re able to invite the viewer to pay more attention to the works,” he says. “I try to honor the opacity of the subject.”
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