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Alex Da Corte Interviewed in Washington Post

Thursday, May 2nd, 2019

Alex Da Corte Directs Video for St. Vincent

Friday, September 1st, 2017

Alex Da Corte Interviewed in NYT

Monday, March 28th, 2016

New York – Alex Da Corte: “Die Hexe” at Luxembourg and Dayan Through April 11th, 2015

Saturday, April 11th, 2015

AO Preview – New York: Frieze New York Art Fair at Randall’s Island, May 1st – 5th, 2019

Friday, April 26th, 2019

New York — “This Is Not a Prop” at David Zwirner Through August 3rd, 2018

Friday, August 3rd, 2018

AO Preview – New York: Frieze New York at Randall’s Island, May 5th – 8th, 2016

Tuesday, May 3rd, 2016

AO On-Site: NADA New York Art Fair at Basketball City, Through May 12th, 2013

Saturday, May 11th, 2013

London – “My Head is a Haunted House” at Sadie Coles HQ Through August 31st, 2019

Wednesday, August 21st, 2019

AO On-Site: Printed Matter’s New York Art Book Fair, September 22nd – 24th, 2017

Friday, September 22nd, 2017

Creative Time Flying Artist-Commissioned Flags Over New York Office

Thursday, June 15th, 2017

Ivanka Trump’s Art Collection Analyzed by Bloomberg

Thursday, December 22nd, 2016

AO On-Site – New York: Frieze Art Fair, May 5th – 8th, 2016

Thursday, May 5th, 2016

AO Fair Recap – Miami Beach: Art Basel Miami Beach and Miami Art Week, December 2nd – 6th, 2015

Tuesday, December 8th, 2015

AO On-Site: Art Basel Miami Beach 2015 at the Miami Beach Convention Center, December 3rd-6th, 2015

Thursday, December 3rd, 2015

AO Preview – Miami: Art Basel and Miami Art Week, December 3rd-7th, 2014

Sunday, November 30th, 2014

AO On-Site: Creative Time Fall Ball, November 12th, 2013

Monday, November 18th, 2013

AO On Site – New York: Here Comes: Mark Fletcher presents The Still House Group, through July 27, 2012

Wednesday, July 18th, 2012

Don’t Miss – New York: ‘Christmas in July’ at Yvon Lambert through July 30th, 2010

Wednesday, July 28th, 2010

AO On Site – London: Frieze London and Frieze Masters Summary and photoset, October 14th, 2012

Sunday, October 14th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

NYT Notes Generation Gap in Online Art Sales

June 9th, 2020

As art sales go online, the NYT notes an increasing generation gap, with older buyers tapering off their purchases and younger buyers continuing to collect. “The resistance from older collectors is still there,” says Anders Petterson, founder of analytics firm ArtTactic.  “When there is no physical art world, how do you substitute that experience?” he added. “Younger people are a lot quicker to adapt.”
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Unrest Over Killing of George Floyd Forces Museums to Address Institutionalized Racism

June 9th, 2020

A piece in the New York Times charts pressure on institutions to address problems of systemic racism and injustice in their organizations, collections and programs, following the social unrest caused by the killing of George Floyd at the hands of the police.  “I do not think art museums have done enough,” says Chris Anagnos, executive director of the Association of Art Museum Directors. “We have dabbled around the edges of the work, but in our place of privilege we will never live up to the statement that ‘museums are for everyone’ unless we begin to confront, examine and dismantle the various structures that brought us to this point.”
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Art Basel Cancelled

June 9th, 2020

Art Basel has completely cancelled the 2020 edition of its fair in the Swiss town, after an attempt to move the fair’s dates to September.  “While there are signs of hope as individual countries are coming out of lockdown, the global situation remains precarious, and, unfortunately, too many uncertainties remain to go ahead with the fair,” the organization said in a statement. “These include the health risks posed by large gatherings, the limitations on intercontinental travel, and the unclear Swiss regulatory environment for shows of Art Basel’s size. Given these uncertainties, we believe that the best option concerning the Basel show is to focus on next year’s edition and delivering a fair of the exceptional international quality that the artworld expects.”
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