Search Results

Los Angeles – “New Images of Man” at Blum & Poe Through March 14th, 202

Friday, March 13th, 2020

Art World Groups Mobilize Against Ivanka Trump

Tuesday, March 7th, 2017

New York – Francesca Woodman: “I’m trying my hand at fashion photography” at Marian Goodman Gallery Through March 13th, 2015

Friday, March 13th, 2015

New York City: Carroll Dunham at Gladstone Gallery Through January 19th, 2013

Friday, January 11th, 2013

AO On Site – New York: “We the People” at Robert Rauschenberg Foundation, Through November 9th, 2012

Wednesday, October 24th, 2012

New York: ‘Grisaille’ at Luxembourg & Dayan extended through January 28, 2012

Thursday, January 26th, 2012

Go See – New York: ‘Unpainted Paintings’ at Luxembourg & Dayan through May 27th 2011

Friday, May 13th, 2011

AO Guest Editorial/Review by Patrick Meagher of The Silvershed – New York: “Jeff Koons: Made in Heaven, Paintings” at Luxembourg & Dayan, through January 21, 2010

Monday, October 11th, 2010

AO On Site: “Pretty Ugly” at Gavin Brown’s Enterprise and Maccarone in New York, through August 29

Friday, July 11th, 2008

AO On-Site – London: Frieze Art Fair, October 5th – 8th, 2017

Saturday, October 7th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jean-Michel Basquiat Work at TEFAF 2017 Revealed as Fake by André Heller

November 3rd, 2022

Musician and artist André Heller fabricated a falsely attributed Jean-Michel Basquiat for sale at TEFAF in 2017, Art News reports. “In retrospect, the whole thing is, firstly, a childish prank. Secondly, it is naturally showing off. And thirdly, it is a stupid mixture of fiction and truth,” he says. “Just a private fairy tale.”
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Monica Bonvicini “Pauses” Representation with König Galerie After Allegations Against Founder

November 3rd, 2022

Monica Bonvicini has “paused” her relationship with König Galerie after sexual harassment allegations broke against its founder, Johann König.
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Oscar yi Hou Profiled in NYT

October 25th, 2022

Artist Oscar yi Hou gets the profile treatment in the New York Times this week, as he opens a show at the Brooklyn Museum. “I think by creating symbolic densities, you’re able to invite the viewer to pay more attention to the works,” he says. “I try to honor the opacity of the subject.”
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