Search Results

AO Auction Results – New York: Sotheby’s Impressionist and Modern Sale, May 9th, 2016

Tuesday, May 10th, 2016

AO Auction Preview – New York: Spring Auction Week, May 8th – 12th, 2016

Friday, May 6th, 2016

More Investors Looking to Art Funds in Strong Market, WSJ Reports

Monday, March 9th, 2015

AO – Auction Results: Christie’s Impressionist and Modern Art Evening Sale, Wednesday, May 8th, 2013

Thursday, May 9th, 2013

AO Auction Preview: Sotheby’s and Christie’s Impressionist and Modern Art Evening Sales, Tonight May 7th and tomorrow May 8th, 2013

Tuesday, May 7th, 2013

GO SEE – New York: ‘Matisse: Radical Invention, 1913-1917′ at the Museum of Modern Art through October 11, 2010

Monday, August 2nd, 2010

AO Auction Results: Sotheby’s Impressionist and Modern evening sale in London headlined by record-breaking Manet sale with foundering results for many lots

Wednesday, June 23rd, 2010

AO Auction Preview: Christie's and Sotheby's hold their biggest ever sales of Impressionist and Modern art in London

Monday, June 21st, 2010

Go see – New York: Cezanne to Picasso: Paintings from the David and Peggy Rockefeller Collection, through August 31, 2009

Thursday, August 13th, 2009

Sotheby’s Leads May Impressionist Sale with Trio of Works

Friday, April 8th, 2016

AO Auction Recap – London: Christie’s Impressionist and Modern Evening Sale, February 4th, 2015

Thursday, February 5th, 2015

Paris – Georges Braque at Grand Palais, Galeries nationales, through January 6th 2014

Saturday, November 16th, 2013

AO On Site Auction Results – New York: Sotheby’s Impressionist/Modern Sale November 4, 2009 – “An Incredible Thing to Experience”

Thursday, November 5th, 2009

Newslinks for Tuesday October 27th, 2009

Tuesday, October 27th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
Read More »

Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
Read More »

Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
Read More »

REFERENCE LIBRARY