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Andrew Kreps and Anton Kern Team Up for Temporary San Fran Gallery

Wednesday, March 23rd, 2016

New York – Darren Bader at Andrew Kreps Gallery Through June 21st, 2014

Saturday, June 14th, 2014

Andrew Kreps

Monday, March 31st, 2008

Art Dealers Association of America Adds New Members

Saturday, July 8th, 2017

AO On-Site: Art Basel Miami Beach 2015 at the Miami Beach Convention Center, December 3rd-6th, 2015

Thursday, December 3rd, 2015

AO On-Site: Frieze New York at Randall’s Island – May 9th-11th, 2014

Sunday, May 11th, 2014

AO On-Site: Dia Art Foundation Fall Gala, Monday, November 11, 2013

Monday, November 18th, 2013

The Armory Show 2013: Who’s In and Who’s Out

Tuesday, January 8th, 2013

AO On Site (Final Summary Part 2 of 2): The Art – Art Basel Miami Beach Art Fair 2012 Photoset and Recap

Monday, December 10th, 2012

Art Observed’s Art Basel Miami Beach 2012 Guide to Fairs and Events with Newslink Summary

Monday, December 3rd, 2012

New York – AO On Site: Dia Art Foundation’s Fall Night, Monday, November 12th, 2012

Wednesday, November 14th, 2012

AO On Site – London: Frieze London and Frieze Masters Summary and photoset, October 14th, 2012

Sunday, October 14th, 2012

AO On Site Photoset – New York: Frieze Art Fair Summary at Randall’s Island Park, May 4-7, 2012

Thursday, May 10th, 2012

AO On Site (with photoset)- New York: INDEPENDENT Art Fair, March 8–11, 2012

Tuesday, March 13th, 2012

AO On Site Photoset – Art Basel Miami Beach 2011: Art Public Sculpture Park in Collins Park, December 1-4, 2011

Tuesday, December 6th, 2011

AO On Site – Paris: FIAC Final Summary (with Photoset) October 19–23, 2011

Monday, October 24th, 2011

AO On Site (with Photoset) – Paris: FIAC 2011 Opening Day Review, October 21, 2011

Saturday, October 22nd, 2011

AO Onsite, New York – The Independent art fair Thursday March 3rd to Sunday, March 6th, 2011

Monday, March 7th, 2011

AO On Site: 303 Gallery’s 25th Anniversary Summer Celebration, Wednesday night, July 23 NYC (Update1)

Friday, July 25th, 2008

AO On Site: WHITNEY BIENNIAL 2008

Saturday, March 8th, 2008

Galleries

Thursday, December 27th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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