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Anne Imhof Releases Soundtrack to “Faust”

Thursday, September 19th, 2019

Anne Imhof Profiled in Vogue

Tuesday, March 26th, 2019

Venice – Anne Imhof: ‘Faust’ at the German Pavilion, Winner of the Golden Lion for Best Pavilion at the Venice Biennale Through November 26th, 2017

Monday, June 26th, 2017

Anne Imhof Wins €100,000 Absolut Art Prize

Saturday, May 13th, 2017

AO Preview – Venice: “May You Live in Interesting Times,” The 58th Venice Biennale, May 11th – November 24th, 2019

Monday, May 6th, 2019

Natascha Sadr Haghighian to Represent Germany Next Year in Venice

Thursday, October 25th, 2018

AO On-Site – Venice: The National Pavilions at the Venice Biennale, May 13th – November 26th, 2017

Saturday, May 13th, 2017

Venice Biennale Awards Ceremony, May 13th, 2017

Saturday, May 13th, 2017

AO Preview – Venice Biennale Vernissage, May 10th – 13th, 2017

Monday, May 8th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Protest Takes Place on Met Steps

October 15th, 2019

A massive crowd of protestors descended on the steps of The Met yesterday, part of a protest against Columbus Day. “I want to remind you that this was not brought to you by the Met,”says Amin Husain, a member of Decolonize This Place. “This was brought to you by the comrades who came together to say Columbus Day is a sham.”
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Gavin Turk Profiled in The Guardian

October 15th, 2019

Gavin Turk gets a profile in The Guardian, discussing his recent activism and protest, and how he sees the art world unfolding in the face of climate crisis.   “Art is bound to get caught up in what’s happening in the wider world,” he says. 
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Nayland Blake Gives NYT Tour of Their Flatbush Apartment

October 15th, 2019

Nayland Blake gives the NYT a tour of their Flatbush apartment, showcasing work from fellow queer artists and the clutters of material and work that adorn their one bedroom space. “The only way that queer or marginalized cultures survive is through somebody loving them and somebody acting as the curator of their own museum,” Blake says. “That kind of intimate culture is just as valid as the high cultures that museums often traffic.”
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