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New York – Anselm Kiefer: “Transition from Cool to Warm” at Gagosian Gallery Through July 14th, 2017

Wednesday, July 5th, 2017

Anselm Kiefer Profiled in New Yorker

Tuesday, June 27th, 2017

Anselm Kiefer to Receive J. Paul Getty Medal

Thursday, March 23rd, 2017

Anselm Kiefer Controversy Continues in Beijing After Curators Criticize Artist’s Dealers

Tuesday, February 14th, 2017

London – Anselm Kiefer: “Walhalla” at White Cube Gallery Through February 12th, 2017

Wednesday, February 8th, 2017

New York Times Reports on Controversial Anselm Kiefer Exhibition in Beijing

Wednesday, November 23rd, 2016

CAFA Beijing Moving Forward with Disputed Anselm Kiefer Exhibition

Friday, November 18th, 2016

Anselm Kiefer’s Studio Robbed of €1.3 million Sculpture and Several Tons of Raw Marble

Thursday, September 1st, 2016

Anselm Kiefer Interviewed in Financial Times

Sunday, September 21st, 2014

Large Collection of Anselm Kiefer Will Be on Extended Loan to the Kunsthalle Mannheim

Thursday, August 7th, 2014

Paris – Anselm Kiefer: “Die Ungeborenen” at Galerie Thaddaeus Ropac Through February 23, 2013

Wednesday, February 13th, 2013

Go See – Tel Aviv: Anselm Kiefer ‘Shevirat Ha-Kelim (the breaking of the vessels)’ at Tel Aviv Museum of Art through April 30, 2012

Saturday, January 21st, 2012

London: Anselm Kiefer at White Cube Bermondsey through February 26, 2012

Friday, January 20th, 2012

Go See – Salzburg: Anselm Kiefer ‘Alkahest’ at Thaddaeus Ropac through September 24, 2011

Tuesday, September 13th, 2011

Go See – New York: Anselm Kiefer's "Next Year in Jerusalem" at Gagosian Gallery through December 18th

Sunday, December 5th, 2010

Don’t Miss – Paris: Anselm Kiefer ‘Unfruchtbare Landschaften’ at Yvon Lambert through June 26th, 2010

Wednesday, June 16th, 2010

Go See – London: Anselm Kiefer’s ‘Karfunkelfee and the Fertile Crescent’ the artist’s largest show in London to date, at the White Cube Gallery, through November 1st

Sunday, October 25th, 2009

Go See: Anselm Kiefer at Galerie Thaddaeus Ropac, Salzburg, through August 27, 2008

Monday, August 11th, 2008

GO SEE: Anselm Kiefer at Gagosian, LA March 30 – April 27

Friday, April 11th, 2008

Anselm Kiefer

Wednesday, March 12th, 2008

Collection of Works Worth Upwards of €300 million Disappears

Wednesday, November 20th, 2019

Städel Museum Embarks on Post-War Art Research Project

Friday, September 7th, 2018

AO Preview – New York: Frieze New York Art Fair at Randall’s Island, May 5th – 7th, 2017.

Sunday, April 30th, 2017

Never-Before Seen Rodin Sculpture to Go on View at Musée Rodin

Wednesday, March 15th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

CNN Looks at Business and Legality of Removing and Selling Street Art Pieces

January 21st, 2020

CNN has a piece this week on the business behind removing and selling street art murals, and the legality that drives who can remove and sell a piece. “Generally, when you purchase a building, you own the fixtures within the building, whether they’re ceiling fans or [a] fine art mural painting on a wall,” says Paul Cossu, a partner at legal firm Pryor Cashman and part of the firm’s art law group. “Of course, what an owner can do with a fine art mural after acquiring the building will depend, in part, on whether the mural is protected by the Visual Artists Rights Act.”
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Art Thieves Confess to Stealing Gustav Klimt Work and Returning It

January 21st, 2020

Two men have confessed to stealing the Gustav Klimt recently discovered in the wall of a Piacenza gallery, as well as to returning the work. “They said they returned the painting four years ago,” says Guido Gulieri, the pair’s lawyer. “But we don’t yet know the details of how it came to be [in the recess] and what exactly happened to the painting in the intervening years. They had confessed before but were not believed.”
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Desert X AlUla Annnounces Artist List

January 21st, 2020

The inaugural edition of Desert X AlUla in Saudi Arabia has announced its artist list, including work by Lita Albuquerque, Wael Shawky, Superflex, and more. This edition of the event has earned strong condemnation for its part in the country’s push to rebrand itself as open and free after the murder of journalist Jamal Khashoggi.  “Unless artists are willing to make their host’s state control of expression an explicit subject of their work, those who participate cannot escape compromise from the polluted context,” says critic Christopher Knight.
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