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Armory Show Announces Exhibitor List

Wednesday, November 8th, 2017

Armory Show Names Curators for 2018 Edition

Friday, June 9th, 2017

AO On-Site – New York: The Armory Show, March 1st – 5th, 2017

Thursday, March 2nd, 2017

Collective to Levitate Concrete Block for Armory Show Installation

Friday, February 24th, 2017

New York Times Spotlights Benjamin Genocchio’s First Turn as Armory Show Head

Wednesday, January 11th, 2017

Armory Show Announces 2017 Exhibitor List

Wednesday, November 23rd, 2016

Nicole Barry to Take Over as Deputy Director of Armory Show

Friday, September 30th, 2016

Armory Show Announces 2017 Curators

Wednesday, June 1st, 2016

AO On-Site – New York: The 22nd Annual Armory Show at Piers 92 & 94, March 3rd – 6th, 2016

Thursday, March 3rd, 2016

Gallery to Recreate Joan Miró’s Studio at Armory Show

Monday, January 25th, 2016

Artnet News Chief Benjamin Genocchio to Head Up Armory Show

Friday, December 18th, 2015

AO On-Site – New York: The 2015 Armory Show at Piers 92 & 94, March 4th – 8th, 2015

Friday, March 6th, 2015

Armory Show Announces 2015 Special Projects

Wednesday, February 18th, 2015

The Armory Show Announces Exhibitor List

Sunday, December 28th, 2014

AO Recap – New York: The Armory Show at Piers 92 and 94, March 6th-9th, 2014

Wednesday, March 12th, 2014

AO On-Site – New York: The Armory Show Art Fair at Piers 92 and 94, March 5th – 9th, 2014

Thursday, March 6th, 2014

Xu Zhen Teams with Armory Show and Citibike for Special Design

Friday, February 28th, 2014

2014 Armory Show Exhibitor List Announced

Wednesday, November 27th, 2013

Armory Show Announces Xu Zhen as 2014 Commissioned Artist

Thursday, October 3rd, 2013

AO On-Site: The 2013 Armory Show in New York City – March 6th-10th, 2013

Friday, March 8th, 2013

100 Years On, The Armory Show Looks Back at its Definitive First Show

Sunday, February 24th, 2013

The Armory Show 2013: Who’s In and Who’s Out

Tuesday, January 8th, 2013

Exhibitions Recall the Controversial 1913 Armory Show, One Hundred Years Ago

Wednesday, January 2nd, 2013

Armory Show Announces 2013 Exhibitor List

Thursday, December 20th, 2012
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New York — “Words Without Thoughts Never to Heaven Go” at Almine Rech Gallery Through December 16th, 2017

December 14th, 2017

Words Without Thoughts Never to Heaven Go (Installation View)
Words Without Thoughts Never to Heaven Go (Installation View)

Almine Rech Gallery, one of Paris’s foremost galleries, opened its first New York location more than a year ago on the Upper East Side, bringing with it a unique program that mixes a strong artist roster with a consistently adventurous curatorial project.  For its most recent venture, the gallery has brought together key figures from the canon of 20th century Western art for Words Without Thoughts Never to Heaven Go. Adapting its title from a line in Shakespeare’s Hamlet, the exhibition investigates ways artists use text as an allegorical element. Serving as a chronological and thematic starting point to the exhibition is Être ou ne pas être, Picasso’s 1912 painting considered as one of the foremost examples of appropriation of text in modern painting. Declaring “to be or not be” in French with gouache on paper, Picasso not only pays homage to one of the most emblematic texts ever written, but he also questions the mimetic essence of a painting. Can a painting of words serve to depict an image?
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Clearing Gallery Opens Shop Uptown

December 14th, 2017

Clearing Gallery's uptown space, via Art NewsClearing Gallery has opened a new space in New York City, setting up a second location at 43 East 78th Street. “We have private dealers, galleries, and museums around, so it’s a super location,” says gallery owner Olivier Babin. “As much as Bushwick is off the beaten path, this is in the center of everything. I mean, we’re across the street from the Carlyle!”
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American Collectors Rarely Sell Prized Works Once Purchased

December 13th, 2017

Christie's, via NY postA new study finds that few American art collectors sell their works once they have purchased them, the New York Post reports. “Collectors don’t apply the same principles to buying art that they would to a typical investment portfolio of stocks and bonds,” says John Mathews, head of private wealth management and ultra-high net worth at UBS Americas. “It is important, however, to institute management structures to ensure their legacy remains protected, correctly valued and insured.”
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