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Arthur Jafa Profiled in NYT

Friday, August 16th, 2019

Arthur Jafa, Lithuanian Pavilion Take Home Golden Lions This Year in Venice

Saturday, May 11th, 2019

Arthur Jafa Directs New JAY-Z Video

Tuesday, July 11th, 2017

New York – Arthur Jafa: “Love is the Message, The Message is Death” at Gavin Brown’s Enterprise Through December 17th, 2016

Tuesday, December 13th, 2016

AO On-Site – London: Frieze Art Fair, October 3rd – 6th, 2019

Friday, October 4th, 2019

AO FAIR PREVIEW – LONDON: FRIEZE LONDON ART WEEK, OCTOBER 3TH – 6TH, 2019

Tuesday, October 1st, 2019

AO Preview – Basel: The Art Basel Art Fair, June 13th – 16th, 2019

Saturday, June 8th, 2019

Budget Woes Cause Performance Cutbacks for Golden Lion-Winning Lithuanian Pavilion in Venice

Friday, May 31st, 2019

Prix International d’Art Contemporain Shortlist Announced

Wednesday, April 17th, 2019

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Tuesday, June 13th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Protest Takes Place on Met Steps

October 15th, 2019

A massive crowd of protestors descended on the steps of The Met yesterday, part of a protest against Columbus Day. “I want to remind you that this was not brought to you by the Met,”says Amin Husain, a member of Decolonize This Place. “This was brought to you by the comrades who came together to say Columbus Day is a sham.”
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Gavin Turk Profiled in The Guardian

October 15th, 2019

Gavin Turk gets a profile in The Guardian, discussing his recent activism and protest, and how he sees the art world unfolding in the face of climate crisis.   “Art is bound to get caught up in what’s happening in the wider world,” he says. 
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Nayland Blake Gives NYT Tour of Their Flatbush Apartment

October 15th, 2019

Nayland Blake gives the NYT a tour of their Flatbush apartment, showcasing work from fellow queer artists and the clutters of material and work that adorn their one bedroom space. “The only way that queer or marginalized cultures survive is through somebody loving them and somebody acting as the curator of their own museum,” Blake says. “That kind of intimate culture is just as valid as the high cultures that museums often traffic.”
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