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Arthur Jafa Profiled in New Yorker

Monday, December 14th, 2020

Art News Taps Arthur Jafa’s “Love is the Message…” as Most Important Work of Decade

Monday, December 2nd, 2019

Arthur Jafa Profiled in NYT

Friday, August 16th, 2019

Arthur Jafa, Lithuanian Pavilion Take Home Golden Lions This Year in Venice

Saturday, May 11th, 2019

Arthur Jafa Directs New JAY-Z Video

Tuesday, July 11th, 2017

New York – Arthur Jafa: “Love is the Message, The Message is Death” at Gavin Brown’s Enterprise Through December 17th, 2016

Tuesday, December 13th, 2016

AO On-Site – London: Frieze Art Fair, October 3rd – 6th, 2019

Friday, October 4th, 2019

AO FAIR PREVIEW – LONDON: FRIEZE LONDON ART WEEK, OCTOBER 3TH – 6TH, 2019

Tuesday, October 1st, 2019

AO Preview – Basel: The Art Basel Art Fair, June 13th – 16th, 2019

Saturday, June 8th, 2019

Budget Woes Cause Performance Cutbacks for Golden Lion-Winning Lithuanian Pavilion in Venice

Friday, May 31st, 2019

Prix International d’Art Contemporain Shortlist Announced

Wednesday, April 17th, 2019

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Tuesday, June 13th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jean-Michel Basquiat Work at TEFAF 2017 Revealed as Fake by André Heller

November 3rd, 2022

Musician and artist André Heller fabricated a falsely attributed Jean-Michel Basquiat for sale at TEFAF in 2017, Art News reports. “In retrospect, the whole thing is, firstly, a childish prank. Secondly, it is naturally showing off. And thirdly, it is a stupid mixture of fiction and truth,” he says. “Just a private fairy tale.”
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Monica Bonvicini “Pauses” Representation with König Galerie After Allegations Against Founder

November 3rd, 2022

Monica Bonvicini has “paused” her relationship with König Galerie after sexual harassment allegations broke against its founder, Johann König.
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Oscar yi Hou Profiled in NYT

October 25th, 2022

Artist Oscar yi Hou gets the profile treatment in the New York Times this week, as he opens a show at the Brooklyn Museum. “I think by creating symbolic densities, you’re able to invite the viewer to pay more attention to the works,” he says. “I try to honor the opacity of the subject.”
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