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New York — Ashley Bickerton at The FLAG Art Foundation Through December 16th, 2017

Wednesday, December 13th, 2017

Ashley Bickerton

Thursday, November 27th, 2008

AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 7th – 10th, 2017

Friday, December 8th, 2017

AO Preview – New York: Frieze New York at Randall’s Island, May 5th – 8th, 2016

Tuesday, May 3rd, 2016

AO On Site Miami Beach – OHWOW: “It Ain’t Fair”, Friday, December 7th, 2012

Sunday, December 9th, 2012

Living Artists

Thursday, July 7th, 2011

Go See – New York: ‘Skin Fruit: Selections from the Dakis Joannou Collection’ at The New Museum through June 6, 2010

Monday, May 3rd, 2010

Gap Releases Whitney Artists T-Shirts

Friday, May 16th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Tate Seeking Young Trustee for Museum Leadership

April 20th, 2018

tate, via Art NewspaperThe Tate is looking to appoint its first trustee to represent the interests of people aged 16-25, and will lower prices for younger visitors, the Art Newspaper reports. Tate head Maria Balshaw is reportedly seeking “a cultural entrepreneur and digital native” to help represent the interests of a new generation at the museum.
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Tate Archives Showcases Founding of New Outposts

April 20th, 2018

Tate Modern, via New YorkerThe newly opened Tate archives get a spotlight in the Art Newspaper this week, profiling the struggle and logistics behind opening the Tate Britain and Tate Modern as separate branches of the same institution. “I was always worried about appearing isolationist in regard to British art,” the piece quotes former Modern head Nicholas Serota. 
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MoMA Acquires Famed Chris Ofili Portrait

April 19th, 2018

Chris Ofili, Holy Virgin Mary, via BloombergBloomberg has a piece this week on the market growth for contemporary black artists, including in its piece the news that MoMA has acquired Chris Ofili’s famous Holy Virgin Mary, from collector Steve Cohen. “Collectors are very interested in what artists of color have to say now,” says dealer Jack Shainman. “For many years it didn’t matter.”
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