Search Results

Pierre-Auguste Renoir

Wednesday, March 19th, 2008

Renoir Painting Stolen from French Auction House

Wednesday, October 4th, 2017

French Mechanic Purchases What May be Lost Renoir for $700

Wednesday, May 11th, 2016

Stolen Renoir Painting Discovered at Flea Market Must Return to Museum

Sunday, January 12th, 2014

Authorities Investigate Sotheby’s Sale of Stolen Renoir

Wednesday, August 7th, 2013

“Renoir” Director Uses Convicted Forger to Recreate Work for Film

Monday, March 25th, 2013

AO Auction Recap – Christie’s Impressionist and Modern Evening Sale, February 28th, 2017

Tuesday, February 28th, 2017

Billionaire Hasso Plattner’s Barberini Museum Opens in Potsdam

Friday, January 20th, 2017

Manhattan Dealer Sues Over Sale of Forged Paintings

Thursday, July 7th, 2016

AO Auction Recap – Christie’s Impressionist and Modern Evening Sale, June 22nd, 2016

Wednesday, June 22nd, 2016

AO Auction Recap – New York: Christie’s Impressionist and Modern Evening Sale, May 12th, 2016

Friday, May 13th, 2016

New York – Sherrie Levine at David Zwirner Through April 2nd, 2016

Monday, March 28th, 2016

AO Auction Recap – London: Christie’s Impressionist, Modern and Art of the Surreal Evening Sales, February 2nd 2016

Tuesday, February 2nd, 2016

Pressure Mounts on London to Return Works to Dublin

Saturday, January 9th, 2016

VR App Launches with 3-D Recreation of Cortauld Gallery

Monday, November 23rd, 2015

AO Auction Recap: Impressionist and Modern Evening Sales, May 6th-7th, 2014

Thursday, May 8th, 2014

Additional Works Seized from Salzburg Home of Cornelius Gurlitt

Tuesday, February 11th, 2014

New York – “The Impressionist Line from Degas to Toulouse-Lautrec: Drawings and Prints from the Clark” at The Frick Collection, Through June 16th 2013

Tuesday, June 11th, 2013

AO Newslink

Friday, September 28th, 2012

AO Auction Results – London: Christie’s Impressionist and Modern Art Evening Sale, Wednesday, June 20, 2012

Thursday, June 21st, 2012

AO Auction Preview – London: Impressionist and Modern Art Evening Sales, June 19 – 20, 2012 set to begin

Tuesday, June 19th, 2012

AO Onsite Auction Results – New York: Impressionist & Modern Art Evening Sale at Sotheby’s Realizes $200M, Restituted Klimt Sells for $40M

Thursday, November 3rd, 2011

Deceased Artists

Thursday, July 7th, 2011

AO Onsite Auction Results – London: Impressionist & Modern Sale at Sotheby’s London February 8, 2011 Brings in £68.8 Million ($111 million); Featured Picasso Sells for £25.2 million, Giacomettis Bought In

Tuesday, February 8th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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