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Barbara Gladstone Joins Board at Artists Space

Sunday, March 4th, 2018

Go See – New York: Kai Althoff “Punkt, Absatz, Blümli (period, paragraph, Blümli)” at Barbara Gladstone through March 5th, 2011

Wednesday, February 16th, 2011

Don’t Miss – New York: Huang Yong Ping at Barbara Gladstone Gallery through July 31, 2009

Wednesday, July 22nd, 2009

Go See: Thomas Hirschorn’s ‘Universal Gym’ at Barbara Gladstone, New York, through April 11th 2009

Friday, March 27th, 2009

Ian Cheng Now Represented by Gladstone Gallery

Saturday, September 9th, 2017

Matthew Barney to Reprise 1991 Works from “Blind Perineum” at Gladstone

Sunday, July 24th, 2016

AO On Site – New York: Anish Kapoor at Gladstone Gallery through June 9, 2012

Tuesday, June 5th, 2012

AO On Site with photoset – New York: Opening of Matthew Barney ‘DJED’ at Gladstone Gallery through October 22, 2011

Thursday, October 6th, 2011

New York – Walter Dahn: “4th Time Around (My Back Pages)” at Venus Over Manhattan Through October 26th 2013

Friday, October 18th, 2013

New York – AO On Site: Dia Art Foundation’s Fall Night, Monday, November 12th, 2012

Wednesday, November 14th, 2012

AO Onsite Photoset – Art 43 Basel, Art Unlimited and Art Statements section previews

Wednesday, June 13th, 2012

Friday, December 2nd, 2011

AO On Site Photoset, with link summary – Art Basel Miami Beach 2011: Main Fair Preview and News Summary, Wednesday, November 30, 2011

Thursday, December 1st, 2011

AO On Site – Paris: FIAC Preview (with photoset) and News Summary, October 20–23, 2011

Thursday, October 20th, 2011

AO On Site at the 54th Venice Biennale 2011: Dasha Zukhova and The Garage Center for Contemporary Culture presents “Commercial Break” curated by Neville Wakefield

Monday, June 6th, 2011

AO On Site Preview and Summary: 54th Venice Biennale 2011 Begins This Week

Monday, May 30th, 2011

AO On Site – Paris: FIAC 2010 begins at the Grand Palais and the Cour Carrée du Louvre through Sunday October 24th

Tuesday, October 19th, 2010

AO Guest Editorial (With Video): Collective Show at Participant Inc., September 15 through September 26, 2010

Friday, October 1st, 2010

AO on site – Final installment and news summary – Art Basel, Switzerland, sets attendance records, sets very positive tone, concludes

Monday, June 21st, 2010

AO On Site Report #2 – Art Basel, Switzerland, Focus on Quality Drives Buyers

Friday, June 18th, 2010

AO On Site – Art Basel, Switzerland: Art 41 Basel 2010 opens today

Monday, June 14th, 2010

Art Observed Newslinks for Sunday, December 20th, 2009

Sunday, December 20th, 2009

AO On Site: Banks Violette’s “Not Yet Titled” at Team Gallery New York, through June 20th, 2009

Friday, May 8th, 2009

Newslinks for Thursday, March 12, 2009

Thursday, March 12th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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