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Berlin – Mai-Thu Perret: “Agua Viva” at Galerie Barbara Weiss Through November 9th, 2019

Friday, November 1st, 2019

AO On Site – Art 43 Basel Final Photoset and AO News Wrapup

Monday, June 18th, 2012

AO On Site – Paris: FIAC Final Summary (with Photoset) October 19–23, 2011

Monday, October 24th, 2011

Living Artists

Thursday, July 7th, 2011

AO On Site Preview and Summary: 54th Venice Biennale 2011 Begins This Week

Monday, May 30th, 2011

AO On Site Report #2 – Art Basel, Switzerland, Focus on Quality Drives Buyers

Friday, June 18th, 2010

Go See – Berlin: George Condo at Sprüth Magers through March 2010

Saturday, February 13th, 2010

Don't Miss – London: Castellani/Flavin/Judd/Uecker at Haunch of Venison through October 31, 2009

Saturday, October 31st, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Guggenheim Hires First Full-Time Black Curator

November 18th, 2019

The Guggenheim Museum has hired its first full-time black curator: Ashley James. “Her work complements the Guggenheim’s mission to present the art of today,” says Nancy Spector, the Guggenheim’s artistic director and chief curator, “which we understand as a deep and expansive view of art history.”
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Former Marciano Foundation Employees Protest at LAXArt

November 18th, 2019

Following layoffs at the Marciano Art Foundation, former workers are protesting at LAXArt, which currently counts Olivia Marciano as a board member, as a way to force a public comment.  “I can’t say I’m not sympathetic,” says LAXart Director Hamza Walker. “I run a nonprofit art space, just trying to keep it afloat and keep a hospitable back of the house.”
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Rubens Landscapes Will Be Reunited After Two Centuries

November 18th, 2019

Two landscapes by Peter Paul Rubens intended as companions will be reunited for public display for the first time in more than 200 years, after the Wallace Collection decided it would begin lending works for the first time. “We are hugely supportive of this because the general public is the beneficiary,” says National Gallery director Gabriele Finaldi. “Things can happen now that couldn’t happen before that will be extraordinarily interesting and exciting for the public and scholars.”
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