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London: ‘Bauhaus: Art As Life’ at The Barbican Art Gallery through August 12, 2012

Friday, June 8th, 2012

New York Times Looks at Basquiat’s Musical Tastes in Profile Piece

Friday, September 22nd, 2017

Jean-Michel Basquiat Profiled in The Guardian

Tuesday, September 5th, 2017

Doug Aitken Opens New Version of “Station to Station” in London

Tuesday, June 30th, 2015

New York Times Takes a Look at Unique Museum and Exhibition Space Designs

Friday, May 16th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Atelier Van Lieshout Work to Go to Centre Pompidou

October 17th, 2017

Atelier Van Lieshout, via NYTDesign group Atelier Van Lieshout’s Domestikator sculpture, originally deemed too lewd for an installation outside the Louvre, will go on view outside the Centre Pompidou.“To have this major piece in front of the Pompidou is a victory,” says Julien Lombrail, director of the London-based gallery Carpenters Workshop, which represents the artists. “It’s an incredible moment for Paris and the public when we have so many issues surrounding art and censorship. It’s important for us to engage for the future.”
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New York Times Spotlights Challenges for Fall Auction Calendar

October 17th, 2017

Francis Bacon in London, via NYTA piece in the New York Times notes the growing stature of the London Contemporary Art auctions each October, and the challenges of two sets of major auctions each fall focusing on marquee works between New York and London. “There’s a volume issue,” says advisor Anthony McNerney of this month’s sales in the British capital. “A lot of collectors were feeling ‘art blind.’ ”
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Never-Before-Auctioned Léger Leads Christie’s Auction with $65 Million Estimate

October 17th, 2017

Fernand Leger, via NYTFernand Léger’s Contraste de formes, a work which has never been auctioned, will go on sale at Christie’s next month in New York, carrying with it an estimate of $65 million.  The price would set a new record for the artist. “Executed just months before the First World War, Contraste de formes, with its groundbreaking abstract conception and its thrillingly preserved physical state, is without question a major work of Modern Art,” says Conor Jordan, deputy chairman of Impressionist and modern art at Christie’s.
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