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Matthew Barney Interviewed in New York Times

Sunday, September 20th, 2015

AO Newslink

Tuesday, June 5th, 2012

AO On Site with photoset – New York: Opening of Matthew Barney ‘DJED’ at Gladstone Gallery through October 22, 2011

Thursday, October 6th, 2011

Go See: Tom Sachs at Lever House & Sperone Westwater, New York, through June 21

Tuesday, May 13th, 2008

Alex Katz Creates 60-foot Mural for Barney’s

Monday, May 11th, 2015

Alex Katz Creates Designs for Art Production Fund and Barney’s Fundraiser

Wednesday, April 29th, 2015

Tuesday, August 16th, 2011

AO On Site – NYC: “Salad days” at The Journal Gallery Through December 15th, 2010 (with Video Interview and Editorial by Patrick Meagher)

Tuesday, December 14th, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Michelangelo Sketch Sells for $24 Million in Paris

May 19th, 2022

A recently unearthed Michelangelo sketch, considered to be the artist’s first nude, has sold  at Christie’s Paris for a record 23 million euros ($24 million). “Michelangelo has decided to make the figure into something that corresponded more to his aesthetic by making him much more robust and monumental, while at the same time keeping the fragility of the figure, who is exposed and shivering” as he awaits baptism,” says Christie’s Old Masters expert Stijn Alsteens.
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Basquiat Work Sells for $85 Million at Phillips $224.9 Million Night

May 19th, 2022

The Jean-Michel Basquiat work from the collection of Japanese billionaire Yusaku Maezawa had a strong return to auction last night at Phillips, where it achieved $85 Million, part of a total sale of  $224.9 million, the highest in the company’s history. 
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Independent Art Fair to Launch New Fair Around 20th Century Work

May 17th, 2022

The Independent Art Fair will launch a new fair in September this year that will focus on 20th Century Works. “Over the years, there has been a shift, with next-generation dealers showing a more diverse group of artists and territories, geographically, socially, politically,” says Independent director Elizabeth Dee. “They are looking forward and looking back, saying, ‘We need to have a canon that looks like our program.’”
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