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AO On-Site – Miami Beach: NADA Miami at the Deauville Beach Resort, Dec. 4th – 7th, 2014

Monday, December 8th, 2014

Los Angeles – Giuseppe Penone: “Ramificazioni del Pensiero / Branches of Thought” at Gagosian Gallery Beverly Hills Through October 18th, 2014

Thursday, October 9th, 2014

New York – “To do as one would” at David Zwirner Through July 25th, 2014

Wednesday, July 23rd, 2014

New York – Peter Saul and Jim Shaw: “Drawings” at Mary Boone Through February 23, 2013

Saturday, February 9th, 2013

Seoul: Claes Oldenburg and Coosje van Bruggen at PKM Trinity Gallery Through January 15th, 2013

Tuesday, January 15th, 2013

AO On Site – New York: Public Art Fund’s “Common Ground” Installation at City Hall Park, on view until Nov 30, 2012

Thursday, July 5th, 2012

Taipei, Taiwan: Ai Weiwei 'Ai Weiwei, Absent' at Taipei Fine Arts Museum through January 29, 2012

Thursday, January 19th, 2012

GO SEE: ANISH KAPOOR, DRAWINGS/ INSTALLATIONS AT REGEN PROJECTS, LA, THROUGH FEBRUARY 28TH

Friday, January 9th, 2009

Damien Hirst’s primary-market Sotheby’s auction sets records alongside historic financial market collapse

Wednesday, September 17th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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