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Betty Tompkins Profiled in The Guardian

Saturday, March 9th, 2019

AO Preview – Los Angeles: Frieze Los Angeles at Paramount Studios, February 14th – 16th, 2020

Monday, February 10th, 2020

Artists Sound Off on their Visions for a New MoMA

Thursday, October 10th, 2019

Mitchell Algus Gallery May Close

Tuesday, July 30th, 2019

Feminist Artists Profiled in NYT

Friday, November 10th, 2017

AO On-Site – London: Frieze Art Fair, October 5th – 8th, 2017

Saturday, October 7th, 2017

New York – Walter Dahn: “4th Time Around (My Back Pages)” at Venus Over Manhattan Through October 26th 2013

Friday, October 18th, 2013

New York: ‘Grisaille’ at Luxembourg & Dayan extended through January 28, 2012

Thursday, January 26th, 2012

AO Guest Editorial/Review by Patrick Meagher of The Silvershed – New York: “Jeff Koons: Made in Heaven, Paintings” at Luxembourg & Dayan, through January 21, 2010

Monday, October 11th, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jail for Spanish Forger Who Attempted Sale of 15 Fake Works

February 21st, 2023

A Spanish court has sentenced an art collector to prison for selling a set of fake works, including a series of forged works attributed to Edvard Munch and Roy Lichtenstein.
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The Guardian Interviews Former Subjects of Painter Alice Neel

February 21st, 2023

The Guardian has a piece this week on what it was like to be painted by Alice Neel. “One day Alice said she wanted to paint me and to bring some things I could wear, so I packed a little suitcase and had various costumes,” says artist and sex activist Annie Sprinkle. “I’d just had my labia pierced and I was showing it off, and she really wanted to see that. She picked a leather outfit and I put a feather in my hair.”
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Alice Walton’s Art Bridges Foundation Behind $4.5 Million Robert Colescott Buy

February 21st, 2023

Alice Walton’s Art Bridges Foundation is apparently behind the $4.5 million purchase of a Robert Colescott at Bonhams this month. “This work in particular presents a hopeful and powerful message, and we are pleased that it resonated so strongly with individuals and institutions alike,” says Ralph Taylor, Bonhams’s global head for postwar and contemporary art.
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