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Jenny Holzer to Install Site-Specific Work in Ibiza

Monday, June 27th, 2016

Frieze London: Art Fair Preview, Schedule and News Summary, October 11th-14th, 2012

Monday, October 8th, 2012

Tuesday, January 17th, 2012

AO On Site (with Photoset) – London: Frieze Art Fair 2011 Day 2 Review

Thursday, October 13th, 2011

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011

AO On Site for the 54th Venice Biennale 2011: Preview (with photoset) of the 54th International Art Exhibition in the Central Pavilion, and announcement of 2011 winners of the Golden and Silver Lions

Saturday, June 4th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of Anish Kapoor’s “Ascension” at Basilica San Giorgio di Maggiore

Saturday, June 4th, 2011

AO On Site Preview and Summary: 54th Venice Biennale 2011 Begins This Week

Monday, May 30th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Anish Kapoor Interviewed in The Guardian Over Work with Vantablack

September 26th, 2016

anish-kapoor-via-the-guardianThe Guardian looks at Anish Kapoor’s work with the developers of Vantablack, and the artist’s attempts to utilize the occasionally difficult material in the creation of new work.  “[Vantablack] is very technical. It needs like a furnace – pressure and heat – before this material can do what it does, [which is] become super black,” Kapoor says. “It’s necessarily a collaboration between them and me. I say, ‘C’mon guys – we can make it bigger and we can make it applicable in others ways.’”
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Simon de Pury Interviewed in The Guardian

September 26th, 2016

simon-de-pury-via-the-guardianThe Guardian sits down with Simon de Pury this week to share his views on the market, working a crowd from the rostrum, and the future of online art sales.  “Information once only accessible to insiders is now accessible to everybody. It has helped the market become easier to navigate,” he says.  “Art sold online will increase a lot over the next few years, especially if you are selling art between $10,000 and $2m – that segment of the market can be sold more effectively through the internet. At the top end, auctioning will continue in the bricks and mortar way.”
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Shoot The Lobster Takes Over Martos Gallery Outpost in LA

September 26th, 2016

shoot-the-lobster-la-via-art-newsMartos Gallery has moved its project gallery, Shoot the Lobster, into its Los Angeles exhibition space, changing its function from a Martos outpost to a permanent home for Shoot the Lobster.  “After two years of many memorable exhibitions and events, Martos Gallery LA has closed its doors to make way for the second STL project space,” the gallery said. “This space, like its East Coast accomplice, will feature a mix of exhibitions, performances, concerts, pop-ups, and more.”
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