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Jenny Holzer to Install Site-Specific Work in Ibiza

Monday, June 27th, 2016

Frieze London: Art Fair Preview, Schedule and News Summary, October 11th-14th, 2012

Monday, October 8th, 2012

Tuesday, January 17th, 2012

AO On Site (with Photoset) – London: Frieze Art Fair 2011 Day 2 Review

Thursday, October 13th, 2011

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011

AO On Site for the 54th Venice Biennale 2011: Preview (with photoset) of the 54th International Art Exhibition in the Central Pavilion, and announcement of 2011 winners of the Golden and Silver Lions

Saturday, June 4th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of Anish Kapoor’s “Ascension” at Basilica San Giorgio di Maggiore

Saturday, June 4th, 2011

AO On Site Preview and Summary: 54th Venice Biennale 2011 Begins This Week

Monday, May 30th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.

Paula Cooper’s Contributions to New York Art World Profiled in NYT

October 24th, 2016

paula-cooper-via-nytPaula Cooper is featured in the New York Times this week, as the paper spotlights her impact on the New York art world, and her pioneering approach to running a gallery, including her opening of the first gallery south of Houston during the 1970’s.  “I went because that’s where the artists were,” she says.
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William Eggleston Profiled in NYT

October 24th, 2016

william-eggleston-via-nytWilliam Eggleston is profiled in the New York Times this month, as the artist reflects back on his work and his studious sense of the photographic image.  “I know they’re there, the angles and compositions,” Eggleston says. “Every little minute thing works with every other one there. All of these images are composed. They’re little paintings to me.”
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Steven Cohen’s Collection Profiled in Fortune

October 24th, 2016

steven-and-alex-cohen-via-fortuneSteve Cohen’s art collecting gets a spotlight in Fortune this week, as the Hedge Fund Manager shares his vision and strategies on acquiring works.  “I am purely from the gut,” he says. “And I know right away. If it stays in my brain—let’s say I go see a picture, if I keep thinking about it, I know it’s something I like. If I forget about it, then I know, couldn’t care less.”
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