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Berlin – Chiharu Shiota: “Uncertain Journey” at Blain Southern through November 12th, 2016

Monday, October 31st, 2016

AO on Site – London: Damien Hirst and Felix Gonzalez-Torres: “Candy” at Blain Southern Gallery Through November 30th, 2013

Wednesday, October 16th, 2013

London – Bill Viola: “Frustrated Actions and Futile Gestures” at Blain Southern Gallery through July 27th, 2013

Tuesday, July 9th, 2013

London – “Tim Noble and Sue Webster: Nihilistic Optimistic” at Blain Southern, through November 24th, 2012

Wednesday, October 10th, 2012

Go See – London: Bill Viola ‘The Quintet of the Unseen’ at Blain Southern Gallery through March 26, 2011

Friday, March 18th, 2011

Jake and Dinos Chapman Leave White Cube for Blain|Southern

Wednesday, February 15th, 2017

Berlin – “Sed Tantum Dic Verbo (Just Say The Word)” at Blain|Southern, through December 20th 2014

Wednesday, December 17th, 2014

London – Gilberto Zorio at Blain|Southern Hanover Square, through September 28th 2013

Saturday, September 14th, 2013

London – Mat Collishaw: “This is Not an Exit” at Blain|Southern Through March 30th, 2013

Saturday, March 30th, 2013

London – Francesco Clemente: “Mandala for Crusoe” at Blain|Southern, Through January 26th, 2013

Sunday, January 20th, 2013

Go See – Berlin: Tim Noble and Sue Webster “Turning the Seventh Corner” at Blain|Southern through July 16th, 2011

Tuesday, May 3rd, 2011

AO Preview – Frieze London Art Fair in Regent’s Park, October 6th – 9th, 2016

Monday, October 3rd, 2016

AO On-Site – New York: The Armory Show Art Fair at Piers 92 and 94, March 5th – 9th, 2014

Thursday, March 6th, 2014

Frieze London: Art Fair Preview, Schedule and News Summary, October 11th-14th, 2012

Monday, October 8th, 2012

AO On Site – New York: The Armory Show Summary at Piers 92 & 94, March 8–11, 2012

Tuesday, March 13th, 2012

Damien Hirst Announces Plans to Write Autobiography

Tuesday, March 11th, 2014

AO On Site – New York: The Armory Show at Piers 94 & 92, March 8-11, 2012

Thursday, March 8th, 2012

Don’t Miss The Opening: Arrival of Christie’s-owned gallery, Haunch of Venison, in New York, Friday September 12

Saturday, September 6th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Paul Schimmel Leaves Hauser & Wirth in Los Angeles

February 25th, 2017

Paul Schimmel, via LA TimesCurator Paul Schimmel has parted ways with Hauser & Wirth’s Los Angeles location after a sudden announcement late this week, the LA Times reports.  Schimmel, former chief curator at MoCA was a founding partner in the gallery’s Los Angeles location, which opened last year.  “Going forward, Hauser & Wirth will continue building upon its longstanding, passionate commitment to Los Angeles with expanded programs, including an increasingly robust campaign of public events and community outreach activities, and an ever more dynamic schedule of exhibitions that celebrate our artists, and connections between California and the international scene,” Iwan Wirth said in a statement.
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Boyle Heights Art Space Closes After Repeated Protests from Anti-Gentrification Activists

February 24th, 2017

The view from Mariachi PlazaThe LA Times reports on the closure of PSSST, a non-profit arts space in Boyle Heights that shuttered after repeated protests from local anti-gentrification activists.  While our closure might be applauded by some, it is not a victory for civil discourse and coalition building,” the gallery said in a statement.
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Francis Bacon’s George Dyer Triptych Goes to Christie’s New York for its Auction Debut

February 24th, 2017

Francis Bacon triptych of George Dyer, via GuardianFrancis Bacon’s triptych portrait of his lover George Dyer is set to go to auction for the first time at Christie’s in New York this May, carrying an estimate of $50m.  “George Dyer is to Bacon what Dora Maar was to Picasso,” Loic Gouzer says of the artist’s longtime muse.  “He is arguably the most important model of the second half of the 20th century, because Dyer’s persona as well and physical traits acted as a catalyst for Bacon’s pictorial breakthroughs.”

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