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New York – Elizabeth Orr: “Our Hallway Is Surrounded” at Bodega Through October 15th, 2017

Sunday, October 15th, 2017

NADA New York to Donate Half of Ticket Sales to ACLU

Wednesday, February 8th, 2017

NADA Names New Member Galleries, President of Board

Monday, January 30th, 2017

New York – NADA New York at Basketball City on Pier 36, May 5th – 8th, 2016

Saturday, May 7th, 2016

AO Preview – New York: Frieze New York at Randall’s Island, May 5th – 8th, 2016

Tuesday, May 3rd, 2016

AO On-Site: Bushwick Open Studios 2015, June 5th-7th, 2015

Monday, June 8th, 2015

New York – AO Preview: Bushwick Open Studios 2015, June 5th-7th, 2015

Friday, June 5th, 2015

New York – Aurel Schmidt: “Fruits” at 200 Stanton Through November 30th, 2013

Tuesday, November 26th, 2013

AO on Site – New York: Opening for “People Who Work Here” at David Zwirner through August 10th, 2012

Friday, August 10th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jeff Koons Gift to Paris Rebuffed by Citizens

January 21st, 2018

Jeff Koons, via Art NewspaperThe Art Newspaper reports on Parisians’ response to Jeff Koons massive tulips installation offered to the city of Paris. “Placing this artwork in front of the Palais de Tokyo would taint the museum and take up too much of its landscape. Jeff Koons had enough attention with his installations at the Château de Versailles [in 2008-09] without resorting to benefit from the memory of the Paris attacks,” one citizen says.
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Kurt Schwitters’s Merz Barn May Go Up for Sale

January 21st, 2018

Kurt Schwitters' Merz Barn, via BBCKurt Schwitters’s Merz Barn in Elterwater is up for sale.  “Our fear is that we’ll be forced into selling it to a property developer,” owner Ian Hunter says. “We feel that we’ve been pushed into this situation by the Arts Council.”
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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