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Bundeskunsthalle Places First Works on View from Gurlitt Trove

Monday, November 6th, 2017

Go See – Bonn: Liam Gillick at Bundeskunsthalle through August 8, 2010

Wednesday, June 23rd, 2010

Carsten Höller Building New Slide Work for Bonn

Wednesday, December 13th, 2017

Works from Gurlitt Art Trove to Go on View in Bonn, Germanny

Thursday, June 29th, 2017

Gurlitt Art Trove Set to Go on view in Bonn, Germany and Bern, Switzerland

Monday, February 20th, 2017

German and Swiss Museums Announced Joint Exhibition of Gurlitt Trove

Wednesday, April 6th, 2016

London – “Malevich: Revolutionary of Russian Art” at The Tate Modern Through October 24th, 2014

Friday, August 1st, 2014

Amsterdam – “Kazimir Malevich and the Russian Avant-Garde” at the Stedelijk Museum Through February 2nd, 2014

Wednesday, January 29th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Frieze Los Angeles Announces Gallery List

September 12th, 2018

Frieze LA, via FriezeFrieze Los Angeles, which will run February 14 through 17 at Paramount Pictures Studio in Hollywood, has announced its initial gallery list, with a heavy focus on blue-chip galleries that speaks to the impact it is looking to make on the West Coast. 
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Venice Canadian Pavilion Reopened

September 12th, 2018

Canada Pavilion in Venice, via Globe and MailThe Canadian Pavilion at the Venice Biennale has been reopened, with a restored interior that The National Gallery of Canada is hoping will improve the working conditions for its chosen artists. “I give always very much importance to the conservation, as much as possible, of the original design,” says designer Alberico Belgiojoso “Nature changes, while architecture stays at it is.”
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New York Court Rejects Family Claim to Matisse Work

September 12th, 2018

Matisse greta Moll, via Art NewspaperA federal appeals court in New York has rejected a claim to a 1908 Matisse painting owned by the National Gallery in London by the grandchildren of the woman in the work. “The alleged taking of the painting was committed by a private actor” not “a sovereign”, the panel of judges said. “The National Gallery’s refusal to compensate appellants for that taking after the fact does not provide a basis for jurisdiction over a foreign sovereign and its instrumentality.” 
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