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New York – Sadie Benning: “Green God” at Mary Boone and Callicoon Fine Arts Through July 29th, 2016

Wednesday, July 27th, 2016

AO On-Site – New York: NADA House on Governor’s Island, May 2nd – 5th, 2019

Saturday, May 4th, 2019

AO Preview – Miami Art Week in Miami Beach, December 5th – 10th, 2017

Monday, December 4th, 2017

AO On-Site – New York: Frieze New York Art Fair at Randall’s Island, May 5th – 8th, 2017

Friday, May 5th, 2017

New York – “Goulding the Lolly” at Gavin Brown Through July 30th, 2016

Thursday, July 28th, 2016

AO On-Site – Miami Beach: NADA Art Fair at the Fontainebleau, December 3rd – 5th, 2015

Sunday, December 6th, 2015

AO On Site with Photoset – New York: NADA Art Fair, May 4–7, 2012

Tuesday, May 8th, 2012

AO Preview – New York: Armory Week in New York City, March 4th – 10th, 2019

Sunday, March 3rd, 2019

AO On-Site: NADA New York at Basketball City, May 9th-11th, 2014

Monday, May 12th, 2014

AO On Site – New York: The Dependent Art Fair, March 10, 2012

Sunday, March 18th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jean-Michel Basquiat Work at TEFAF 2017 Revealed as Fake by André Heller

November 3rd, 2022

Musician and artist André Heller fabricated a falsely attributed Jean-Michel Basquiat for sale at TEFAF in 2017, Art News reports. “In retrospect, the whole thing is, firstly, a childish prank. Secondly, it is naturally showing off. And thirdly, it is a stupid mixture of fiction and truth,” he says. “Just a private fairy tale.”
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Monica Bonvicini “Pauses” Representation with König Galerie After Allegations Against Founder

November 3rd, 2022

Monica Bonvicini has “paused” her relationship with König Galerie after sexual harassment allegations broke against its founder, Johann König.
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Oscar yi Hou Profiled in NYT

October 25th, 2022

Artist Oscar yi Hou gets the profile treatment in the New York Times this week, as he opens a show at the Brooklyn Museum. “I think by creating symbolic densities, you’re able to invite the viewer to pay more attention to the works,” he says. “I try to honor the opacity of the subject.”
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